a professor in the Department of Architecture
giving lectures on 3D scan, RP, and design studio I/II
i always want to design on different input and output mechanism.
I am a professor for 3D RP and design studio. I usually manage a exhibition near the end of each semester like December or June. Some of them were held outside university in a local gallery, some are inside campus.
I did a lot of 3D scans of temples, urban open spaces and street blocks. The static buildings and dynamic pedestrians have created a very energetic inspiration for my works. I never consider as being creative. It’s the development of concepts makes me feel great.
Frankly I would rather call the style as a history of interaction with architectural and urban spaces. I’m so afraid to define my style because I guess any style is strongly related to a personal self-development stage. By looking back to style just like opening files of old archives, it’s a collection of interactions that should be think about before approaching a design.
I live in Taipei, Taiwan. I have done lots of 3D scans and few RPs for cultural heritages. I guess it is personal preference that I haven’t been influenced by the cultural issues. It’s still quite open to all possibilities.
Very typical. Like a spiral development of concept, any selection of alternatives would redefine former problem space and thus lead to a new perspective.
I do not consider myself as a designer. I guess the positives and negatives of being a title is the title itself, since a person can be limited by predefined notions.
I have 3D scanners (Leica HDS, Artec, MS v2), RP machine (Microjet, Plus2), 3D software (Geomagic Studio), and frequently visit web pages and news (3ders, SPAR, Engadget) for the inspirations that come from class assignments given to students or even the moving figures in traditional market.
One is show room design, as a team work, for British Office Taipei for the purpose of culture promotion. Most of the clients are academics like Ministry of Science and Technology , Taiwan.
In all the architecture building information modeling (BIM) level of development (LOD) 100-500 (conceptual/programming to reality), I guess each level has great potential and can be played with.
Everyone with architecture background is a designer. My experience as a designer or creator comes from the involvement of university design studio. A long term teaching experience with architecture degree makes me working with design even for pedagogical purpose.
As a professor for the design studio of the first year architecture students, this unique experience makes me rethink and explore the forms and orders for architectural spaces and elements.
A project is usually approached with a theme or an inspiration. Digital tools are used to improve the quality of design components. Hand touch like painting or assembly method is preferred at the final stage.
I prefer taking pictures of spaces or shadows to reveal the hidden relationship among solid and void objects. It’s a very common shill and shared by many designers.
My design paths are tangled with many old and new projects and themes. My office is like a warehouse full of woods, stones, 3D prints for future exploration of human-object interaction in terms of lights.
Many students attend design competitions as a way to represent most current design trends in my university. As an educator, I also have to convince myself the fundamental part of design that also matters.
My favorite and inspiring city is Barcelona. I’m teaching in the Department of Architecture, National Taiwan University of Science and Technology. The change to my life is an office full of interesting design stuffs.
I have managed several design exhibitions with students in recent years to let us get involved with communities. It also comes with pedagogical purpose.
It’s a self-evolving process when you are a professor for over 20 years. It’s a also a challenge when most of the instructors co-author designs with students too often. To attend A’ Design Award is to connect with the world in every manner.
In addition to a formal style of “design”, I also prefer to make something out of its original configuration and composition in a more de-construction manner.
In this case, Wood Storm and Billy Julie were two of my greatest designs up to now, because both illustrated a viewpoint where metaphors and physical objects meet.
The biggest support is the A Design Award who has provided an open environment for anyone to express itself. I didn’t even tell my wife what I am doing.
You are now at the right step
Join Designers.org & Start Promoting Your Design Worldwide.