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MareNostrum Residential Building by Aaron Leppanen and Gabriela Anker
MareNostrum Residential Building by Aaron Leppanen and Gabriela Anker
MareNostrum Residential Building by Aaron Leppanen and Gabriela Anker
MareNostrum Residential Building by Aaron Leppanen and Gabriela Anker
MareNostrum Residential Building by Aaron Leppanen and Gabriela Anker

Romero & Pazmiño Ingeniería Inmobilaria

Silver Architecture, Building and Structure Design · 2020

MareNostrum Residential Building

by Aaron Leppanen and Gabriela Anker

  • A' Design Award 2020 Silver Winner in Architecture, Building and Structure Design
  • Awarded April 15, 2020
  • CLIENT: Romero & Pazmiño Ingeniería Inmobilaria
  • Estimated Number of Design Views: 18,733
  • Verification code 0EA64F12B2 · Verify this award
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About MareNostrum Residential Building

MareNostrum is an eight story residential building in Quito, Ecuador. The name refers to the Latin term for our sea, and the facade reinterprets the movement of the oars of Roman fleets. The curved facade forms large balconies that extend the interior space to the exterior. Cutout corners span two levels, give shade from the sun and create places where neighbours can meet. The building holds suites, two bedroom and three bedroom apartments and lofts, with a lounge and green areas on the terrace. Passive strategies provide natural light and ventilation.

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Unique Properties
Throughout the 8 story residential building, the movement of the facade generates large balconies, which extends the interior space to the exterior. The form has passive sustainability strategies, such as ventilation and natural light. The volume of the building allows different types of apartments, suites, 2 bedrooms, 3 bedrooms and lofts. In addition, social spaces are created inside the building, such as a lounge and green areas on the terrace, to take advantage of the urban context.
Dimensions & Packaging
The building has 8 stories and 3 underground levels in a 1250 square meters lot. The total construction area is 8,800 square meters. The building has a reinforced concrete structure with steel deck floor plates.
Tags
Sea , Waves , Urban , Facade , Residential
Production Technology
The facade and the lobby have the same language in their design. However the facade was constructed with conventional masonry blocks and mortar. The lobby in contrast was built with a combination of digital fabrication and artisan work. The unique lobby forms were made with a cnc cut mdf structure and colorado wood panels cut by hand. The use of complementary digital and artisan construction techniques was key to attain such unconventional forms in a setting like Ecuador.
Design Challenge
The historical connection that the site of the project had with the sea inspired the form. The local construction technology however gave limitations on how this form would be attained. After evaluating different materials , the conventional masonry blocks and cement materials were used in a sculpted work with the local artisans to build the wave inspired facade. The combination of these curved walls and wooden accents below the cantilevered floor plate extensions created the desired volume.
Project Duration
The project started in 2016 and was completed in 2019 in Quito, Ecuador.
Operation Flow
The characteristic cutout corners, spanning over two levels, give the building a softer attitude. They also create spaces and opportunities for neighbors to interact with each other, between the balconies of differing depth.
The cutout corners also provide shade protecting from the hot Andean sun.
Research
Our office research primarily focuses on form finding through organic efficiencies. Specifically varied repetition is of interest, looking for models of difference through a similar design process. The objective behind this research is to identify potential insights and techniques that can be implemented in our iterative design process. Methods include digital sketching in rhino and grasshopper and physical printed models. In the iterative process, experimentation is the most important aspect in the search for potential architectural solutions. These experiments are tested against the various project parameters, which could include; zoning, context, client preferences, marketing strategies, constructability and other conceptual criteria. The result of this process is constructible yet experimental design that has movement, emotion, repetition and a physical presence in our community.
Inspiration
The site of the project was named Mare Nostrum after an existing restaurant, whose latin meaning is our sea. The ancient Romans baptized what is now the Mediterranean Sea with this name. Inspired in this context, the movement that the oars of the fleets of the Roman Empire used centuries ago to protect their territories is reinterpreted on its facade. Reinforcing this concept an experience of movement is created for the users inside and outside the spaces.
Image Credits
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