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Haragana Lounge Chair by Tobias Kappeler
Haragana Lounge Chair by Tobias Kappeler
Haragana Lounge Chair by Tobias Kappeler
Haragana Lounge Chair by Tobias Kappeler
Haragana Lounge Chair by Tobias Kappeler

Tobias Kappeler Design

Bronze Furniture Design · 2022

Haragana Lounge Chair

by Tobias Kappeler

  • A' Design Award 2022 Bronze Winner in Furniture Design
  • Awarded April 15, 2022
  • CLIENT: Tobias Kappeler Design
  • Estimated Number of Design Views: 20,915
  • Verification code 93B033CF8D · Verify this award
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About Haragana Lounge Chair

Haragana is a lounge chair made from bent steel tubes and cork disks. The chair is reduced to its essential structure, so no cushions or upholstery are used. The outline resembles an armchair, although armrests are absent. The low seating position of 28 centimetres invites people to lean back and observe their surroundings for a longer time. The open frame keeps the chair visually light and allows it to fit into interior spaces without claiming much attention. The simple cork disks contrast with the curved tubular structure. Each chair is bent, welded and sanded by hand.

Press Kit

Unique Properties
The Haragana is a lounge chair made from bent steel tubes and cork disks for seating. The outline of the chair resembles and reminds of an armchair however there are no cushions or upholstery. The chair is reduced to the essential structure, giving it a light and airy design, which fits perfectly in interior spaces without taking up too much space visually. The simple graphical cork seating disks provide contrast to the more complex underlying tubular structures.
Dimensions & Packaging
The chair has a width of 75cm, a length of 65cm and a height of 65cm. To add additional support to the legs, a thin stainless steel rod was welded in between the legs. The seating position is purposely low 28cm to ensure people stay seated for longer and enjoy the experience, their surroundings and thoughts that come when taking a break.
Tags
Furniture Design, Chair Design, Lounge Chair, Tubular Design, Observation.
Production Technology
The chair was made from 19 and 16mm steel tubes and cork. After an extensive study on the design territory “observation” small scale prototyping and sketching the chair was produced fully by hand without any automated machines. Steel tubes were bent by hand and welded together, piece by piece. First the outline, then the inside structure, then the legs and lastly the seating of the chair. After welding it together, the chair was sanded down and spray painted. The cork was sanded and then added.
Design Challenge
The challenge was to produce a chair with a complex curved shape that was still symmetrical. This required several attempts and an in-depth observation from several angles. As tubular systems for furniture design have been explored before, the challenge was to come up with a design that is new and still interesting. To keep the light feel of the chair, the structure needed to be strong and stable.
Project Duration
The project started in January 2020 and was developed by myself as part of my MA/MSc Innovation Design Engineering degree. The project duration was 4 weeks and was exhibited at the Royal College of Art in February 2020.
Operation Flow
Due to its low and comfortable seating point, it invites people to stay seated for longer. In addition, having only the essential structures and the seating of the chair, its light and open design smoothly integrates into the interior without claiming too much attention but still allowing for a more complex shape to be present.
Research
The project started with an exploration into the theme of observation and how to create a seating experience that could last for a longer period. A strong driver of the project was prototyping on a scale of 1:10 with steel rods that were spot-welded together. This allowed for quick iterations on different shapes and to explore different curves and their relation with each other. The tools used to produce the chair were very simple, a tube bending machine, a welding machine and a sanding machine.
Inspiration
We live in a fast-paced world where everything must happen instantly and thus, we often forget to take a break, lean back and just observe our surroundings. The aim was to create a chair in which you stay and remain seated for a while.
Studying the territory of observation the design invites and resembles this as well. What you see, is actually not what you see. Perceived is an armchair due to the emphasized outline which resembles an armchair, however, there are no armrests.

Colors of Haragana Lounge Chair

Design Interview about Haragana Lounge Chair

I developed the design under the theme of "observation". I observed that people do not stay seated for extended periods of time to just observe their surroundings. This was the starting point of the design. I explored how observation could come into play when not being seated, which informed the form and structure of the chair. What you observe, is an outline of an armchair, which we associate with longer periods of sitting, yet it's not an armchair, as there are no upholstery or armrests. The seating point was purposely placed low, to enhance the lounge feeling and allow the user to view their environment from a height which is not that common.

I'm planning to create a series of furniture with the same style, such as a bar chair, couch, outdoor seating and a swivel chair. I'm also open to collaborations and have ideas for different materials other than cork to make it more playful.

The design was made within four weeks, from the idea to the final product.

I'm open to different forms of collaboration, as well as selling or leasing the production rights.

Pen and paper for sketching, rapid prototyping materials, steel rods and a spot welding machine, TIG welding machine, hand tube bending machine, spirit level, sanding paper and scotch. I also created a CAD model in Fusion 360 and Blender.

Technology took a backseat in the project, as I couldn't figure out how to use the CAD Software to achieve what I wanted in the given frame, and the tube bending was all done with a hand-powered tool, as well as most of the sanding and spray painting. The symmetry was achieved by eye and measuring. This was a great learning experience for me that less technology can be very inspiring.

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