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The Crystal Hall Residential Interior by Thomas Abraham

The Crystal Hall Residential Interior by Thomas Abraham is a highly esteemed winner of the very prestigious 2022 Bronze A' Design Award in Interior Space and Exhibition Design Competition Category.


BronzeInterior· 2022

The Crystal Hall Residential Interior

by Thomas Abraham

Client: Thomas Abraham

Bronze A' Design Award Winner in Interior Category

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Verified Award Winner

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Colors

The Design

About The Crystal Hall Residential Interior

Crystal Hall, located at Bangalore, India was designed as a private residence that incorporates the concepts of vernacular architecture with modern materials and technology. Surrounded by orchards, it seeks to establish the connection between man and nature. With white walls and glassy interiors, the focus was keeping the space uncluttered and minimalistic. All materials used were upcycled from the excess during construction, ensuring near-zero wastage. Designed to be environmentally conscious, it provides thermal, visual, and aural insulation, while being faithful to its aesthetic philosophy.

The Recognition

About the Bronze A' Design Award

The Crystal Hall Residential Interior is a Bronze A' Design Award winner, a highly prestigious recognition granted to outstanding designs distinguished by creativity, ingenuity, and astuteness. Bronze winners are amply skillful and strikingly creative artifacts that authenticate the vast experience, imagination, and resourcefulness of their designers. The Crystal Hall Residential Interior is expected to be a highly regarded, admired, and cherished object that is notably professional and innovative. This Bronze A' Design Award-winning design incorporates best practices in art, science, design, and technology, and is excellent for its attention to detail. The Crystal Hall Residential Interior splendidly satisfies needs, touches desires, charms feelings, and appeals to curiosity.

Interviews

Design Interview

What is the main principle, idea and inspiration behind your design?

Crystal Hall's interiors attempt to change – or perhaps retrace – the design paradigm as we know it.

For one, its aesthetic philosophy is new: Form follows Function follows Feeling. Form follows Function is a mechanistic interpretation of design, emphasizing the ephemeral (utility, stability, affordability, and durability) rather than the ethereal (that goes beyond the materialistic and the immediate). “Function alone does not drive form,” said the Shaker pioneer Mother Ann Lee, "(Rather) audience needs, client desires, ethical obligations, aesthetic inclinations, material properties, cultural presuppositions, and functional requirements” shape form. And to this, we can add Feeling – which goes beyond the designer's or client's emotions, to embrace that of nature, community, and humanity.

The other philosophical underpinning here is Paleomodernism (paleo, lit. first) – returning to Design101: balance, rhythm, scale, harmony, Golden Ratios...Paleomodernism is not new: Louis Kahn's work, for example, resembled classical design without plagiarizing it.

Our aesthetic preferences are timeless and yet we must imbue the place, time, and technology we inhabit, sensitive to the diversity, equity, and inclusivity of our communities, and environments.

What has been your main focus in designing this work? Especially what did you want to achieve?

I mainly wanted to bring about a change in the culturally dominant worldviews and set a mark for more sustainable, socially responsible and eco friendly products and practices in the field of design. As a strong believer and practicer of sustainable, socially responsible and economically effective practices, I believe that my work would serve as a catalyst in enabling people to realize that design is more than just creating something pretty.

What are your future plans for this award winning design?

I look forward to the Crystal Hall fulfilling its true purpose which is contributing to the society both in terms of function as well as in terms of inspiration as a landmark for innovative, sustainability and Environment First design.

While the building was primarily designed as a residential unit, it's also meant to be a home office for some of its residents. In fact, some of its spaces on the outside and the inside have been designed to be used as social spaces like for literary readings, art shows, fashion shows and film shooting.

Almost as soon as the building was finished, without any publicity whatsoever and though its off the beaten track – Crystal Hall, has become a magnet for architects as well as non-architects who come to enjoy the building and spend their time around it, like a tourist attraction.

Read the Full Interview

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties
The Crystal Hall integrates sustainability, reuses material, and uses disadvantaged local talent. Glass is a modern material that can be recycled endlessly without loss of quality or clarity, recreating bioclimatic conditions that tackle climate change. It follows a minimalistic modern approach while taking inspiration from classicism and yet being culturally, emotionally and ecologically conscious. The building follows a zero-waste policy and is an example of socially responsible design
Dimensions & Packaging
Site area - 2322 meter square
Building area - 835 square meter
Gross - 418 sqm
Tags
Sustainable design, Sustainable Interior, Residential Interior, Ecofriendly Design, Innovative Design, Green Design, Interior design, White Interior, Modern Interiors, Minimalistic Interiors
Production Technology
The structure consists an eclectic mix of glass, MS columns and cast in situ concrete. Contrary to general opinion, glass is among the most eco-friendly materials, more than compared to mud or stone, as it can be recycled endlessly without loss of quality or clarity and is made of sand, which is among the most plentiful resources available. Glass recreates bioclimatic conditions that tackle climate change while using modern materials that are culturally, emotionally, and ecologically conscious.
Design Challenge
Glass is often considered inappropriate for a tropical climate. But the architect used a double-layered glass - one layer reflecting the longwave radiation and the other reflecting the sun's shortwave radiation, providing thermal insulation to the building. As the project is in the outskirts where the power situation is erratic, the architect used wind power generating towers to provide backup power during windy days. The power is stored in batteries, and the excess is fed back to the city grid.
Research
The Crystal Hall a big but small home is an essay on light nature and history. Apart from integrating sustainability along reusing materials and using disadvantaged local talent the architect ensured every space of the project was curated to reflect what has been religiously culturally and geographically experienced by the client. It has the worlds first residential windmill towers proprietary use of two layers of high performance recycled glass with noninvasive vegetation species within thermal insulation technology and rainwater utilization thus creating a glocal (global and local) building.
Inspiration
Inspired by the state of the Earths climate and the status of its poorest this is design as an instrument for social and environmental change. It is not just an aesthetic adventure but a tool to recycle and reuse modern materials in sustainable and affordable ways. He made it his mission to hire the so called unemployable from Indias oppressed people of color. This is a building of universal human values that is yet culturally specific being inspired by vernacular Indian design.
Project Duration
Located in Bangalore, India, The Crystal Hall was constructed over a span of five years, from 2014 to 2019.
Operation Flow
The Crystal Hall is an example of paleomodern design, paleo meaning first. This is to take design beyond form follows function to form follows feeling, to reintroduce beauty and pleasure in art, things which were once universal but now is seen as sentimental and commercial. Things like Square proportions, Golden mean proportions, rhythm, scale, harmony and the accommodation of local and climatological aspects makes this a traditional design with a modern outlook using Avant Grande technology and materials.
Patents
Thomas Abraham
Team Members
Thomas Abraham
Diana Jacil Prakash
Saad Pasha
Image Credits
Image #1: Sandeep
Image #2: Rashmi Srinivasan
Image #3: Dullu
Image #4: Rashmi Srinivasan
Image #5: Sandeep

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