Silver Computer Graphics, 3D Modeling, Texturing, and Rendering Design · 2022
Organic Series Artistic Pieces
- A' Design Award 2022 Silver Winner in Computer Graphics, 3D Modeling, Texturing, and Rendering Design
- Awarded April 15, 2022
- CLIENT: Palanzone Studio
- Estimated Number of Design Views: 55,352
- Verification code 9934795A26 · Verify this award
About Organic Series Artistic Pieces
The designs are experimentations that seek to generate sensations and stimuli for viewers. These creations often arise from the designer's unconscious side and others are inspired by nature and the forms of the surrounding world. In some of these images there is a philosophical search, which makes the viewer think about the meaning of our human existence
Press Kit
- Unique Properties
- This series shows a set of living organisms that coexist with each other and have their own autonomy.
These creatures are the result of formal searches and experimentations, of textures and color. These combinations of different materials make the viewer receive different sensory stimuli. - Dimensions & Packaging
- Digital technique.
- Tags
- art direction, digital art, cgi, 3d design, art, sculpture, artwork, sculpture art
- Production Technology
- Digital art with 3D software.
- Design Challenge
- The challenge in these images was to generate realistic textures and harmonious compositions from the combination of various shapes and colors.
- Project Duration
- The duration of this project has been approximately 6 months.
It was made in Buenos Aires. - Operation Flow
- the images generate sensory stimuli in the user based on the color and textures used.
- Research
- These organic figures make up a family since they are conceived in a systematic way, with constants and variations in terms of morphology, color and materiality.
- Inspiration
- my inspiration was the bacteriological microorganisms and the organs that make up the human being.
- Image Credits
- Image #1: Design Ariel Palanzone, Organic Series, 2021
- Patents
- "Copyrights belong to Ariel Palanzone, 2021."
Colors of Organic Series Artistic Pieces
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G0E23 ShopDesign Interview about Organic Series Artistic Pieces
This series of images arise from the experimentation of shapes, textures and lighting through 3d software.
My focus was on the idea of creating a universe of organic and abstract creatures.
I hope that they will have a lot of exposure and can be exhibited in some art space.
It has taken me a few years.
I have designed it out of a personal need to explore digital art and sculpture. Also to get out of work obligations and be able to develop my artistic skills.
I hope to be able to sell them to some collector, gallery or art museum.
experimentation
Six N Five has been a reference for me.
There are no customers
My artistic subjectivity.
The name has to do with these living sculptures that represent living organisms that coexist with each other in this imaginary world.
Basically I have used Cinema 4D and Photoshop. But the first tool was a pencil and paper to sketch the ideas.
The materiality, morphology and composition.
I have done this project alone.
It is essential to materialize the concepts in a realistic way.
I have investigated about the living organisms of nature and also about abstract sculptures.
The main challenge was to achieve harmony in the composition and general arrangement of the elements for the different images.
Only for curiosity. It was something like throwing a bottle into the sea with a message inside and seeing what happens.
I have learned a lot about 3D modeling and texturing. It has also been useful for me to improve my lighting techniques.
You can see more of my work here https://www.instagram.com/ariel_palanzone/
Grand Interview about Organic Series Artistic Pieces
I often turn to nature as a source of inspiration, and in this case I focus on biology and the world of bacteria because I am interested in how they behave in a way so similar to human beings.
I wanted the elements of the series to be read as a family and so I applied a reduced colour palette to them that creates visual cohesion. In terms of materiality, I also tried to maintain the same systematic coherence but at the same time have variables that make each character unique, so that each of them proposes a certain sensory experience. The settings become monochromatic to move to a second level of reading, leaving the organic compositions as the protagonist.
I have used different digital techniques and experimented with the properties of the materials, such as translucent or hair simulation.The process requires a lot of trial and error and achieving the right amount of imperfection in each material so that it feels natural and warm, separating them from the coldness and perfection of the standard 3D language.
I think that this is where my knowledge in the field of graphic design and art is most appreciated, since I have sought a palette of opposite, warm and cold colors to enrich the composition in this coexistence of such contrasting temperatures.
It is true that the process is often accompanied by many unexpected situations, many of which can be used to enrich the final result. For example, I remember that to make the inflated piece inside the glass cube, the main idea was that it would have a porous, opaque and humid texture, similar to that of an intestine, and after doing several tests, I unexpectedly thought that it would be interesting for its structure to be rather translucent and with a color gradient that would make it more similar to a maritime shape.
The intention was for each organism to have its own personality, and this is reflected in its appearance, which also reveals the way in which it could move, so that some can be more inflated and slow while another can be more stylized and move in a sinuous and delicate way.
To stay current in this changing and competitive field, I must be in a continuous search for information, watching tutorials and researching in community forums for designers and 3D artists to keep up to date with new techniques and technological possibilities, such as augmented reality, interactive pieces and everything that is emerging regarding artificial intelligence.
I hope that my collection serves as an inspiration for designers, artists or even for people linked to the world of science, where they can see a different approach to biology, more closely linked to art, and that this helps them broaden their perspectives.
I would tell them to try to give free rein to their imagination and to generate interesting concepts, try to connect worlds that a priori have nothing in common, but that by joining them they can generate new concepts and meanings.
They influence from the moment I conceive the idea, the story, the atmosphere I want to convey, the architecture of the environments and how these characters relate to that environment.