Interference Sculpture Art

Firstly, the characteristics of transparent resin endow sculpture with a unique visual effect. Its transparency allows the structure and form inside the sculpture to be vaguely revealed, as if the forces of nature and human intervention are intertwined and colliding inside the sculpture. This visual effect not only enhances the three-dimensional sense of the sculpture, but also allows the audience to feel an inner tension while watching, as if they can glimpse the complexity behind the relationship between nature and humanity.Secondly, the material of transparent resin makes this interference more intuitive and noticeable. It shows people that human intervention is like transparent blankets, although seemingly light and harmless, it actually brings enormous pressure and burden to nature. This symbolic expression enables sculpture to more profoundly reveal the contradictory relationship between humans and nature, and provoke reflection from the audience.

Firstly, I conducted in-depth research and analysis on the tree shapes in literati paintings of the Song Dynasty. The literati paintings of the Song Dynasty are known for their simplicity and elegance, with trees often outlined in lines, naturally shaped, and full of vitality. I particularly noticed the branches, leaves, and overall posture of the trees in these paintings, which often depict the rhythm and tempo of nature with minimalist brushstrokes.I faced a significant challenge in transforming these classical aesthetic elements into sculptural forms. Sculpture and painting are two different forms of art, with painting emphasizing composition and color application on a flat surface, while sculpture requires shaping forms in three-dimensional space. Therefore, I need to carry out three-dimensional transformation and innovation while maintaining the essence of tree shapes in Song Dynasty literati paintings.In the creative process, I pay special attention to maintaining the cultural significance of tree shapes in Song Dynasty literati paintings. These trees are not only symbols of nature, but also carriers for literati to express emotions and artistic conception. Therefore, in sculpture, I convey profound themes such as the relationship between humans and nature and human interference in nature through the form, posture, and combination with other elements of trees. These themes not only echo the artistic conception of Song Dynasty literati paintings, but also conform to contemporary society's concern for environmental protection and ecological balance.

In the rural environment where I grew up, trees were not only symbols of nature, but also carried various human needs. I remember that villagers would cool off and chat under the trees, children would play under the shade of trees, and the trees themselves silently provided fruits, wood, and even became tools for drying clothes and blankets. Although these scenes may seem ordinary, they planted the seeds of contemplation on the relationship between nature and humanity in my young mind.I have always felt a sense of pity and sadness towards trees since I was young. As a part of nature, trees should grow and flourish freely, but they have to bear various human needs and pressures. This feeling became even more profound as I grew up, and I began to realize that human intervention in nature is not just about the use of trees, but also a destruction of the entire ecosystem.These early observations shaped my unique perspective on art. I believe that art is not only a pursuit of beauty, but also a profound reflection and criticism of the real world. When creating 'Intervention', I chose trees and cloth as symbolic elements. Trees symbolize nature, while cloth symbolizes human intervention in nature. Through the form of sculpture, I present this relationship in an intuitive and vivid way, allowing the audience to feel the sadness and helplessness of nature in silent endurance.