Lumenica Lighting Collection by Vergunovs and Maria Kolesnikova is a highly esteemed winner of the very prestigious 2025 Bronze A' Design Award in Lighting Products and Fixtures Design Competition Category.
BronzeLighting· 2025
Lumenica Lighting Collection
by Vergunovs and Maria Kolesnikova
Client: O.M. Beketov National University of Urban Economy in Kharkiv
Bronze A' Design Award Winner in Lighting Category
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Verify Award Status for #168502The Design
About Lumenica Lighting Collection
Lumenica Luminaire explores the dialogue between light, material, and form through fluid, parametrically twisted glass volumes. Each piece is shaped via hot molding and controlled cooling, creating dynamic relief patterns that enhance the flow of the surface. The contrast between matte and glossy areas forms a gradient of light, shifting with the viewer's perspective. Subtle coloration emphasizes the bionic, sculptural nature of the objects, balancing symmetry and organicity. The luminaire appears both engineered and alive, generating optical effects that animate the surrounding space.
The Recognition
About the Bronze A' Design Award
Lumenica Lighting Collection is a Bronze A' Design Award winner, a highly prestigious recognition granted to outstanding designs distinguished by creativity, ingenuity, and astuteness. Bronze winners are amply skillful and strikingly creative artifacts that authenticate the vast experience, imagination, and resourcefulness of their designers. Lumenica Lighting Collection is expected to be a highly regarded, admired, and cherished object that is notably professional and innovative. This Bronze A' Design Award-winning design incorporates best practices in art, science, design, and technology, and is excellent for its attention to detail. Lumenica Lighting Collection splendidly satisfies needs, touches desires, charms feelings, and appeals to curiosity.
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Design Interview
What is the main principle, idea and inspiration behind your design?
The main idea behind the Lumenica luminaire is to explore the interaction between light, material, and form through a single, fluidly twisted glass body. The design draws inspiration from natural bionic structures, such as spirals found in shells and plants, to create a sculptural object that visually shifts with the viewer’s perspective. The use of parametric reliefs and contrasting matte and glossy surfaces enhances the optical play of light, making the luminaire appear dynamic and almost alive. This approach combines technological precision with organic aesthetics, aiming to animate and enrich contemporary interior spaces.
What has been your main focus in designing this work? Especially what did you want to achieve?
The main focus in designing the Lumenica luminaire was to create a harmonious integration of technology and organic aesthetics. The intention was to develop not just a functional light source, but a sculptural object that transforms the perception of space. Special attention was given to the optical qualities of twisted glass and the interplay between matte and glossy surfaces, so that the luminaire would produce dynamic visual effects and a sense of movement. The ultimate goal was to make the fixture visually engaging and to evoke a feeling of vitality and contemporary elegance in the interior.
What are your future plans for this award winning design?
Future plans for the Lumenica luminaire include expanding its presence through collaborations with lighting manufacturers and integrating it into architectural and interior design projects. We aim to explore variations in scale, materials, and finishes to adapt the design for different contexts, such as residential, hospitality, and public spaces. Further development may involve the creation of a series based on the original concept, as well as experimentation with smart lighting technologies to enhance user interaction and environmental adaptability. The ultimate objective is to introduce Lumenica to a wider international audience and establish it as a distinctive example of contemporary lighting design.
Grand Interview
Your innovative approach to parametrically twisted glass volumes in the Lumenica Lighting Collection creates a mesmerizing interplay between light and form - could you elaborate on how this design philosophy evolved during your creative process?
The design philosophy behind the parametrically twisted glass volumes in the Lumenica luminaire evolved through a process that combined both rigorous research and hands-on experimentation. Initially, the idea stemmed from a curiosity about how organic growth patterns in nature, particularly the spirals seen in shells, plants, and even fluid dynamics, could be interpreted and reimagined through contemporary digital tools. This curiosity led to a series of parametric studies using SolidWorks, where various mathematical models of spiral growth and phyllotaxis were explored to achieve visually compelling geometries that also made sense structurally for glass production.As the process advanced, it became clear that not all mathematically beautiful forms translated effectively into glass; material constraints and optical behavior played a crucial role. Extensive prototyping was conducted, with 3D-printed models, to observe how light interacted with the surfaces, particularly with variations in relief depth, surface smoothness, and curvature. This hands-on stage inspired several refinements to the original digital models, as subtle adjustments in relief pattern and twist could dramatically affect how light diffused, refracted, and reflected within the glass.An important realization was that the design’s dynamism depended not only on the overall silhouette but on the micro-interactions between matte and glossy surfaces and the user’s movement around the object. This insight shifted the focus toward achieving a fine balance between technological precision and artistic intuition, leveraging the power of parametric modeling for repeatable accuracy, while allowing room for expressive, organic imperfections that make each luminaire unique.Ultimately, the design philosophy evolved into an approach that treats light as an active participant in the composition, not just an outcome. By carefully orchestrating how light passes through, grazes, and scatters within the twisted volume, the Lumenica luminaire blurs the boundary between functional lighting and sculptural art. This approach continues to influence ongoing explorations, including experiments with colored glass, interactive lighting elements, and multi-piece modular compositions that expand on the original concept.
The biomorphic structures in the Lumenica Lighting Collection seem to draw inspiration from natural elements like flowers, mushrooms, and jellyfish - what specific aspects of these organic forms influenced your design decisions and material choices?
The biomorphic qualities of the Lumenica luminaire were intentionally informed by an in-depth observation of natural forms such as flowers, mushrooms, and jellyfish, each offering distinct structural and aesthetic principles that influenced key design decisions. For example, the spiraling growth seen in certain flowers and the layered gills of mushrooms provided a blueprint for the parametric relief that defines the surface of the glass body. These elements inspired the creation of flowing lines and gradients in the relief, which not only reference nature’s geometry but also optimize the diffusion and scattering of light through the glass.Jellyfish, with their translucent bodies and dynamic movement in water, played a significant role in shaping the overall silhouette and sense of visual lightness. Their semi-transparent tissues, gentle pulsations, and the way they capture and refract light informed the choice of clear glass as the primary material, as well as the treatment of surface finishes. The decision to combine matte and glossy areas within a single form was directly influenced by the way natural organisms present different textures on their surfaces, which create subtle shifts in reflectivity and optical depth.Additionally, the natural flexibility and resilience found in these organic forms prompted an exploration of production techniques that could replicate such qualities. 3D printing was used for prototyping to mimic the intricacy and fluidity of natural shapes, before finalizing the glass version. These influences extended beyond mere aesthetics, informing the technical approach to both form development and material selection, and ensuring that the finished luminaire embodied both the elegance and complexity found in living systems.
How did your experimentation with glass processing techniques, particularly the development of twisting and texturizing methods, contribute to achieving the dynamic relief patterns that characterize the Lumenica Lighting Collection?
The development of the dynamic relief patterns in the Lumenica luminaire was driven by an extensive experimentation process focused primarily on 3D printing technologies, rather than traditional glass processing. Since the prototype was realized using additive manufacturing, this opened unique possibilities for creating complex, twisting geometries and intricate surface textures that would be challenging to achieve with glass alone.Through iterative digital modeling, various relief depths and twist angles were explored, leveraging the precision and flexibility offered by parametric design software. This allowed for the detailed simulation and adjustment of how light would interact with the object’s surface: casting gradients, shadows, and subtle reflections that bring the design to life. 3D printing made it possible to prototype and physically test these forms rapidly, offering immediate feedback on the tactile and optical qualities of the relief patterns.Unlike glass, which has specific constraints in molding and cooling, 3D printing enabled the realization of sharp transitions and intricate details, resulting in a more expressive and dynamic surface. The ability to directly control the print resolution and layering also contributed to achieving the nuanced textures that are central to the Lumenica aesthetic. This process not only expanded the creative vocabulary of the project but also demonstrated how digital fabrication methods can push the boundaries of what is possible in contemporary lighting design, blending innovation in material processing with artistic experimentation.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- The Lumenica lighting collection is inspired by the bionic forms of nature - flowers, mushrooms and jellyfish. Its uniqueness lies in the combination of refined glass with dynamic reliefs that create the effect of movement. The use of frosted, transparent and colored glass emphasizes natural imagery, while twisted relief glass gives the luminaires a lively, organic plasticity. Lumenica combines the aesthetics of nature and innovative design.
- Dimensions & Packaging
- The Lumenica collection includes fixtures in the following sizes: table lamp 1 - 115 mm (w) × 246 mm (h) × 160 mm (d), wall lamp - 126 mm (w) × 340 mm (h) × 176 mm (d), table lamp 2 - 115 mm (w) × 442 mm (h) × 183 mm (d), pendant lamp - 128 mm (w) × 346 mm (h) × 196 mm (d).
- Tags
- Lamps, bionics, glass, luminaires, nature, relief glass, modern design, dynamics, organic forms.
- Production Technology
- Lumenica collection luminaires are made of glass, combining frosted, transparent and colored elements. The key technology is the twisting of relief glass, creating a dynamic optical effect. The glass is hand-blown, then molded and textured. The color scheme enhances biomorphic associations, emphasizing natural forms. The methods used ensure high quality, the uniqueness of each piece and the harmony of light with the material.
- Design Challenge
- The most challenging part of Lumenica's design work was overcoming technological and creative obstacles. The creative challenge was to organically adapt the bionic forms into a functional luminaire design. Challenges arose during the glass processing phase: twisting and texturizing techniques had to be developed, which required careful refinement of techniques and experimentation.
Internal factors included a lack of experience with certain materials and techniques, and the need to consider aesthetic and functional aspects of the design. External factors, such as the availability of information on glass technology and limitations in production capabilities, also influenced the process.
The historical perspective and social context, taking into account current trends in design and sustainability, required careful attention to the selection of materials and methods. By overcoming these challenges, it has been possible to create unique and harmonious luminaires that meet today's design and environmental requirements. - Research
- The research for the Lumenica project focused on the study of bionic forms in nature and their adaptation in lighting design. The goal was to create luminaires that convey an organic aesthetic through material and lighting effects. The methodology included analysis of natural structures, sketching, 3D modeling, and experiments with glass shaping. The work explored glass properties, transparency, texture and processing techniques. Experiments were conducted with relief twisting of glass to create a dynamic visual effect. Participants in the process included faculty, mentors, and students whose feedback helped refine the concept. The result was a collection of luminaires that combined the aesthetics of nature and modern glass processing techniques. The research showed that bionic forms can not only inspire design, but also enhance the perception of light in a space. This approach can be in demand in interior and industrial design, creating harmonious and functional lighting objects.
- Inspiration
- The Lumenica collection is inspired by the organic aesthetics of nature. The idea was to convey their flowing, airy forms through glass, emphasizing the play of light and the sense of movement. The study of biomorphic structures and glass processing techniques made it possible to create a relief with a twisting effect that gives the luminaires dynamics. This project combines craft tradition, experimentation with material and natural harmony in design.
- Project Duration
- The Lumenica luminaire collection was developed as part of a training program in which it was necessary to create a luminaire(or a collection of luminaires) on the theme of any concept. The focus was on bionic forms of nature. Work on the collection began in September 2024 and was completed in the winter of December 2024. The collection was presented at the University's artwork viewing in December 2024, where it was shown to other students and faculty.
- Operation Flow
- Standard switching of luminaires.
- Team Members
- Sergey Vergunov
Maria Kolesnikova
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