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Taiga's Ural Forest Children Playground Equipment presents a compelling synthesis of organic morphology and contemporary material innovation, wherein the compositional architecture establishes a…

Ural Forest Children Playground Equipment by Taiga is a highly esteemed winner of the very prestigious 2026 Silver A' Design Award in Playground Equipment, Play Structures and Public Park Design Competition Category.


SilverPlayground· 2026

Ural Forest Children Playground Equipment

by Taiga

Client: Taiga

Silver A' Design Award Winner in Playground Category

19,886

Verified Award Winner

Verify Award Status for #177891

Colors

The Design

About Ural Forest Children Playground Equipment

The Ural Forest series features modular playground equipment designed as geometric abstractions of local nature. Large asymmetrical tree structures, bear themed playhouses, and ant inspired elements facilitate varied play scenarios for multiple age groups. Constructed from stainless steel and larch wood, the units are engineered for extreme weather using parametric software and reinforced foundations. The modular system ensures efficient transport and assembly. Features include internal spiral labyrinths and communication pipes, combining physical challenge with social interaction.

The Recognition

About the Silver A' Design Award

Ural Forest Children Playground Equipment is a Silver A' Design Award winner, an extraordinarily prestigious recognition granted to top-of-the-line, gorgeous, and impressive designs. Silver winners are tremendously brilliant and exceedingly creative works that illustrate the outstanding expertise, talent, and acuity of their designers. Ural Forest Children Playground Equipment is expected to be a wonderful, showpiece work that is remarkably professional and profoundly innovative. This Silver A' Design Award-winning design is a highly notable, admired invention that benefits and advances the boundaries of art, science, design, and technology. Ural Forest Children Playground Equipment is a vastly envied creation that evokes desires, introduces positive feelings, and sparks amazement and wonderment.

Interviews

Design Interview

What is the main principle, idea and inspiration behind your design?

The main principle and inspiration behind our design is the unique nature of the Urals, specifically the mixed forests where coniferous and deciduous trees thrive alongside mushrooms, bears, and insects. The core idea behind the project was to integrate this natural “DNA” into the urban environment to give back to children the living forest in a playhub format. We designed the space across two distinct scales: the Microworld and the Macroworld. In the Leaves and Ants zone toddlers can feel tiny between oversized shapes, playing within an effect of nature under a magnifying glass, improving their social skills and learning cooperation. The Macroworld represents the high forest, featuring trees, massive bears and mushrooms, vertical pathways, and bigger challenges. Here, the setting requires children to show physical grit, wait their turn on narrow bridges, learn where to yield or where to hold their ground. Modern urban environments are often overly safe, while in fact, providing calculated risk for children allows them to learn how to overcome fear and test the world's boundaries. It is absolutely vital for their psychological development, and can be done within the safe boundaries of meticulously engineered architecture. Ultimately, the nub is designed for children to grow within its borders, finding a new layer of complexity every time as they age, instead of outgrowing it in a single season. Finally, the project embraces "honest architecture" by refusing cheap, primitive bright colors in favor of an aesthetically sophisticated framework that takes children seriously as individuals fully capable of navigating complex emotions, routes, and real-time decisions.

What has been your main focus in designing this work? Especially what did you want to achieve?

Our primary focus in designing this work was to create an environment that naturally fosters social connections and neuroplasticity in children of all ages, achieved subtly through open play and direct physical experience. We specifically wanted to revive the lost tradition of spontaneous "backyard socialization," which we accomplished in the toddler zone by using an anthill metaphor with structures that gently nudge children toward collective cooperation, communication, and shared action. For older children, we aimed to introduce healthy risks to build assertiveness, self-confidence, and group negotiation skills. Additionally, we wanted to support cognitive flexibility and neuroplasticity by pairing contrasting materials and textures like warm timber and cool metal. Apart from that, we wanted to achieve true organic authenticity in visuals, ensuring that no two trees looked exactly alike. And finally, we aimed at creating single-post play structures of the greatest height we ever saw in Russian or international practice. There are plenty of multi-legged play towers out there, but a single-post structure of this scale is a genuinely unique engineering achievement: designing a monolithic, single-post structure that can safely handle loads from weather and full occupation of playing children.

Why did you design this particular concept? Was this design commissioned or did you decide to pursuit an inspiration?

This design was commissioned by S&P landscape studio, who approached us with the core theme of the Ural forest and the initial idea of using coniferous and deciduous trees, which we then took as our inspiration to fully design and realize the project's visual imagery. While our client acted as an exceptional collaborator — providing tight feedback and pushing us to refine the concepts until we achieved a more airy, transparent style for elements like the giant bears — the structural and artistic sculpting of the trees, wildlife, and natural motifs was handled entirely by our team. Ultimately, we pursued this specific concept to bring the authentic DNA of the Ural and Russian wilderness into an urban play space, turning their initial sketches into a deeply custom, cohesive landscape that celebrates our local flora and fauna.

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Grand Interview

The Ural Forest Children Playground Equipment is remarkable for its geometric abstraction of local Ural nature, transforming asymmetrical tree structures, bear-themed playhouses, and ant-inspired elements into a cohesive sculptural landscape that feels simultaneously imaginative and deeply rooted in regional identity. What was the defining moment in the creative process when the team realized that translating living nature into geometric playground forms would not only serve children developmentally but also become an iconic visual landmark for Yekaterinburg?

That defining moment emerged during the sketching phase. Initially, our designs leaned toward literal, semi-realistic forms, such as a direct tree shape or a realistic animal. However, we realized this literalism completely clashed with the river embankment's modern architecture. The forms also felt too heavy and lacked structural transparency. Through these abstract, irregular geometric forms, we created a landmark that is both stylised and natural at its core.

As public spaces increasingly face pressure to balance aesthetic ambition with inclusive developmental purpose, the Ural Forest Children Playground Equipment stands out for its deliberate age-group zoning, separating the youngest visitors within the Ants and Leaves zone from the larger Forest zone designed for older children. How did the team approach the challenge of designing spatial flow and interaction between these zones so that children of different ages could share the environment without compromising safety or the quality of play for any individual group?

We solved this by designing the play hub as a continuous, unified ecosystem rather than a collection of isolated elements. For toddlers, the Ants and Leaves zone acts as a secure "microworld" where oversized structures foster early cooperation and physical training safely away from high-speed play. This area is distinctly divided from the "macroworld" of the massive Tree towers, where older children can tackle vertical challenges and controlled risks. The zones are accessible to children of any age, but separated by activities, so varying play dynamics do not cross each other, thus avoiding conflicts. In addition to that, through these layered, age-specific scenarios within a shared forest narrative, children find new levels of complexity to graduate into as they grow.

The integration of parametric software and universal joint solutions in the engineering of the Ural Forest Children Playground Equipment represents a fascinating intersection of digital design methodology and physical outdoor construction. In what ways did parametric design tools fundamentally expand the structural possibilities of the asymmetrical Tree forms, and how did this technology help the team address the specific wind and snow load conditions particular to the Ural region?

Parametric software was essential for marrying our irregular, asymmetrical Tree forms with rigorous engineering. Because these structures look different from every angle, every single hexagonal panel possesses a completely unique geometry. In contrast, the joints utilize a universal design to reduce the technical documentation and streamline production. As a result, the structures were built as a modular constructor set that was perfectly pre-fitted at our factory and then safely bolted together on-site without a single weld. Weather loads were calculated through simulations using different software, after which our engineers carefully designed enhanced main beams and distributed the weight loads across the foundation. This part of the project was revised several times to ensure the durability and safety of the structures.

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Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties
Ural Forest is a series of children playground equipment designed in sculptural, geometric shapes to compliment contemporary urban landscape. The large Tree structures encourage active play in all weather conditions, helping children experience controlled risk responsibly. Smaller playhouses Bears and Mushrooms support roleplay, light activity, and interaction between different age groups. The Ants and Leaves open structures offer safe conditions for physical training to the youngest visitors.
Dimensions & Packaging
Single Tree 8400 x 4300 x 9700
Two Trees set 18900 x 7800 x 9700
Three Trees set 19500 x 6300 x 11300
Bears 4700 x 1400 x 2500
Two Mushrooms set 6200 x 3100 x 4900
One Mushroom 5300 x 3200 x 2000
Three Ants set 4100 x 2600 x 1200
Ant slide 3300 x 2400 x 1900
Three Leaves set 2700 x 2300 x 1900
Leaf platform 1400 x 2200 x 700
Leaves and logs set 4900 x 4500 x 1300
Leaf with speaker 2200 x 600 x 1400
Climbing Leaf 1 1500 x 600 x 1900
Climbing Leaf 2 1700 x 1400 x 1800
Tags
Playground equipment, children development, active play, social play, collaborative play, public space, wooden architecture, landscape design, nature, local identity
Production Technology
Equipment is made out of stainless steel and larch wood to withstand extreme weather conditions. To tackle transportation and assembly, the structures are divided into modules that fit standard trucks to be assembled on site as construction sets. Stability of the Trees construction was ensured by enhancing the main beam and foundations according to wind and snow loads calculations. To facilitate the workflow the parametric software was used and universal joints solutions implemented.
Design Challenge
The goal was ambitious: to create a play environment to be an urban attraction point for residents and city visitors, and a new iconic visual landscape of Yekaterinburg city. To tackle it we designed every element representing local symbols of the nature of the Urals. Another great challenge was engineering, production, and pre-assembly testing. Teamwork of experts, iterative design, on-site upgrades and supervision after installation is what allowed us to deliver high quality and reliable solution.
Research
We joined the Iset River embankment improvement project as play environment experts at the invitation of the S&P landscape firm. The site was based on the architects' proposed "Ural Forest" concept. Our team's subsequent work transformed this idea into a fully-fledged project with unique engineering and well-thought-out play scenarios. Zoning and interaction between objects were established, making the site vibrant, logical, and safe.
Inspiration
The company is located in the Ural region, covered with forests of deciduous and coniferous trees, inspiring series. The Trees were designed asymmetrical to look different from every side, just as in nature. Among them live Bears - common residents of the forest. Chanterelle mushrooms are famous and loved in the region, inspiring the smaller playhouses. Ants placed among leaves are tiny, but they are the most hardworking and strong forest tenants, teaching children collaboration.
Project Duration
The project started in 2018 and finished in 2025. The address: 15, Stepana Razina st., Yekaterinburg, Sverdlovsk Region, Russia, 620063, 56.825640, 60.608933
Operation Flow
The series is designed to host games for children of all ages. The youngest ones are physically training and play cooperatively in a separated zone with Ants and Leaves equipment. In the larger zone of Forest, older children enjoy active play in the Trees. They climb the inner spiral labyrinth, through interchanging closed spaces and open lattice structures, to slide down the impressive slides as a reward. Inside the Bear playhouses there are distance communication pipes that foster roleplay.
Team Members
Vyacheslav Kobelev
Daria Efremova
Mariia Pokataeva
Georgii Meskhi
Anton Voronchihin
Ivan Grehov
Sergei Spiridonov
S&P Landscape Studio

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