Warm terracotta lattice screens rise in rhythmic vertical columns along both flanks of this grand hotel lobby, their woven brick pattern creating a mesmerizing interplay of solid and void where amber

A monumental sequence of terracotta-hued masonry arches commands the visual field, establishing a rhythmically undulating corridor that demonstrates sophisticated manipulation of repetitive geometric

GONG XU's Red Brick Hotel presents a reception hall where curved architectural volumes orchestrate a sophisticated spatial ballet through the harmonious integration of warm timber surfaces, luminous p

An interior space of serene grandeur unfolds through a masterful orchestration of curved architectural forms and luminous materiality wherein the dominant compositional gesture consists of rhythmic ar

Warm timber cladding establishes the primary material palette across the left wall plane, where vertical wood panels arranged in rhythmic repetition create tactile visual interest and introduce organi

Silver Interior Space and Exhibition Design · 2026

Red Brick Hotel

by Gong Xu

A' Design Award 2026 Silver Winner in Interior Space and Exhibition Design
Awarded April 15, 2026
CLIENT: Gong Xu
Estimated Number of Design Views: 14,147
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About Red Brick Hotel

Red Brick is a hotel interior at Qinglong Mountain, created through the adaptive reuse of an old wharf. Reclaimed red clay bricks form a light permeable screen instead of a solid wall. The bricks are perforated and held by a concealed stainless steel system, so no wet mortar is used on the facade. Daylight passes through the small openings and casts changing patterns on the interior surfaces. The dry assembly protects the fragile bricks, reduces water use and allows later disassembly. The project reuses heritage material as an active building element.

GONG XU's Red Brick Hotel lobby emerges from a rich dialogue between vernacular building traditions and contemporary spatial innovation, positioning itself within the broader movement toward material authenticity and craft-based design that has characterized distinguished hospitality architecture of recent decades. The designer demonstrates remarkable sophistication in orchestrating the perforated brick screens that define the lateral boundaries of this processional space, employing a traditional weaving pattern that transforms humble masonry into luminous veils through which warm light permeates, creating an atmosphere of filtered intimacy while celebrating the honest expression of earthen materials. The suspended sculptural installations represent a particularly accomplished intervention, their flowing laminated timber forms suggesting the gestural freedom of calligraphic brushwork translated into three-dimensional space, introducing organic movement that enlivens the geometric discipline of the architectural framework. Technical mastery appears evident in the seamless integration of the illustrated botanical ceiling program, where delicate line drawings of tropical foliage create a continuous decorative canopy that softens the vault's monumentality while introducing narrative content evoking lush garden imagery. The spatial sequence functions with ceremonial clarity, guiding visitors along a clearly articulated path toward the illuminated reception counter, where the culminating brick screen achieves luminous climax through careful backlighting. Thematic resonances suggest meditation upon the interplay between tradition and innovation, between the geometric and the organic, between earthbound materiality and aspirational uplift. One might consider how this interior invites contemplation of hospitality itself as an act of welcoming, the architecture serving as generous host that embraces arrivals within its warm material embrace while inspiring through its artistic ambition.

Press Kit

Unique Properties: Situated at Qinglong Mountain, Red Brick executes a radical adaptive reuse of an ancient wharf. Its defining property is the deconstructive treatment of millenary red bricks. Rather than traditional preservation, the masonry is re-engineered into a dynamic, light-permeable membrane. Through precise suspension and perforation, the facade acts as a filter, sculpting daylight into rhythmic interior patterns. This approach dissolves the visual weight of history, creating a dialogue between heavy heritage and contemporary ethereality. Guests experience a tactile narrative where time is materialized through shifting shadows and textured surfaces. The project sets a new benchmark for sustainable hospitality, proving that historical fragments can be revitalized as active architectural elements.
Dimensions & Packaging: Material: Reclaimed red clay brick, Stainless Steel 304, Local Timber. Facade Height: 3000 mm to 6000 mm. Brick Module: 240 mm x 115 mm x 53 mm. Aperture Diameter: 20 mm to 50 mm. Total Surface Area: 450 sqm. Load Capacity: 120 kg per sqm. Finish: Natural unglazed brick with clear protective coating. System Weight: 120 kg/sqm. Structural Anchor: Concealed SS Rods.
Tags: Red Brick, Adaptive Reuse, Hotel Design, Heritage, Light Wall, Sustainable, Interior, Renovation, Culture, Facade
Production Technology: Ancient red bricks were sourced locally and cleaned. A custom steel system holds bricks without visible mortar. Precision drilling made holes for light. Bricks are stacked without bearing load. They are fixed to the structure with hidden steel rods. This ensures safety and gives a floating look. Techniques include dry stacking and tension assembly. No wet mortar was used on the facade. This method protects the old bricks from damage.This dry method cuts water use and lets future workers take parts apart easily. It turns old waste into a safe, modern skin that breathes with the building.
Design Challenge: The main challenge was fixing fragile old bricks without breaking them. Modern rules required strong safety proofs. Old bricks vary in strength and crack easily. Drilling deep holes was risky. Mortar would block light. We solved this by making a special clamp system. It holds bricks gently and spreads weight evenly. We did not drill deep. Also, brick colors varied wildly. We solved this by mapping colors and arranging them in a gradient. This turned a flaw into a feature. We met all safety laws and kept the design light.
Project Duration: The project started in January 2023 in Qinglong Mountain and finished in February 2025 in Wuhan. The design was completed for the 2025 hospitality season.
Operation Flow: The space guides guests from a busy street into a quiet sanctuary. Interaction happens naturally: as users step forward, the pattern of light and shadow on the ground changes, acting as a silent guide. The walls breathe; they are not solid barriers but soft filters that let light in while keeping heat and noise out. Key moments include entering the lobby where the ceiling seems to float and touching the warm, aged bricks. This setup deals a better result by calming the mind instantly without needing technology, proving that old materials can create a superior, peaceful modern experience.
Research: Type: Experimental Architecture. Objectives: To optimize light in old bricks safely. Methodology: Simulation and physical testing. Tools: Rhino 3D, Grasshopper, Load Rigs. Participants: 3 architects, 2 engineers, local masons. Results: Perforated bricks improved light by 40 percent. Load capacity reached 120 kg per sqm. Insights: Old bricks can filter light dynamically. Impacts: This cuts carbon footprint by 40 percent. It proves heritage materials fit modern needs. It offers a green model for preserving history.
Inspiration: The design stems from a philosophical re-examination of the red brick. It transforms the brick from a structural barrier into a permeable vessel of light and memory. Inspired by historical masonry, the project dissolves boundaries between past and present. The motive was to revitalize the tactile warmth of aged bricks using contemporary techniques. Daylight filters through the material itself, not just the surface. This creates a dialogue where history breathes within a modern context.
Image Credits: Image #1: Photographer Gong Xu, Red Brick Gu Bai, 2025.
Image #2: Photographer Gong Xu, Red Brick Gu Bai, 2025.
Image #3: Photographer Gong Xu, Red Brick Gu Bai, 2025.
Image #4: Photographer Gong Xu, Red Brick Gu Bai, 2025.
Image #5: Photographer Gong Xu, Red Brick Gu Bai, 2025.
Patents: Copyrights belong to Gong Xu, 2025.