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Tsukasa Ono's Sumu Yakushima Residence presents a masterful synthesis of traditional timber construction vocabulary and contemporary environmental sensitivity, captured at a moment revealing the…

Sumu Yakushima Residence by Tsukasa Ono is a highly esteemed winner of the very prestigious 2026 Bronze A' Design Award in Architecture, Building and Structure Design Competition Category.


BronzeArchitecture· 2026

Sumu Yakushima Residence

by Tsukasa Ono

Client: tono Inc.

Bronze A' Design Award Winner in Architecture Category

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The Design

About Sumu Yakushima Residence

Sumu Yakushima applies Regenerative architecture, a new approach developed that combines traditional Japanese civil engineering with contemporary technology. Designing the underground environment and engaging the buildings in a constructed mycelial network promotes biodiversity in the soil. Promoting the flow of air and water The buildings and decks are raised, dispersing wind flowing between the mountains and the sea without blocking it.Off grid energy from solar power and firewood.

The Recognition

About the Bronze A' Design Award

Sumu Yakushima Residence is a Bronze A' Design Award winner, a highly prestigious recognition granted to outstanding designs distinguished by creativity, ingenuity, and astuteness. Bronze winners are amply skillful and strikingly creative artifacts that authenticate the vast experience, imagination, and resourcefulness of their designers. Sumu Yakushima Residence is expected to be a highly regarded, admired, and cherished object that is notably professional and innovative. This Bronze A' Design Award-winning design incorporates best practices in art, science, design, and technology, and is excellent for its attention to detail. Sumu Yakushima Residence splendidly satisfies needs, touches desires, charms feelings, and appeals to curiosity.

Interviews

Grand Interview

The concept behind Sumu Yakushima Residence introduces what you describe as Regenerative architecture, a philosophy that moves beyond preservation and into active ecological contribution. Could you walk us through the pivotal moment when you realized that conventional sustainable design was insufficient for the living ecosystem of Yakushima Island, and how that realization crystallized into the foundational principles of Sumu Yakushima Residence?

Before moving to Yakushima, I had already begun to feel uncomfortable with the way sustainability was being discussed.Of course, reducing environmental impact is important. However, whether we install solar panels or reduce carbon emissions, we are often still talking about minimizing damage rather than creating positive change. I kept asking myself: even if we succeed in reducing harm, will the planet truly become healthier? What does the end goal actually look like?At the same time, environmental issues were increasingly being translated into numerical indicators and market mechanisms. Carbon trading, certifications, and sustainability metrics all had their place, but I often felt that the original purpose was being overshadowed by the pursuit of measurable targets. I found myself struggling to distinguish genuine ecological improvement from symbolic gestures.The answer came from Yakushima's natural environment.Nature does not argue through theories; it reveals its answers through outcomes. Where water flows well, life flourishes. Where circulation is blocked, vitality declines. The forest taught me that healthy ecosystems are built not on efficiency but on relationships and cycles.While participating in the restoration of degraded land on Yakushima, I began to see nature itself as the ultimate environmental textbook. Through direct observation, I realized that the most important question was not how to reduce environmental damage, but how to restore and strengthen the cycles of life.Sumu Yakushima emerged from this realization. It became my first attempt to explore whether architecture could move beyond minimizing harm and instead contribute to the regeneration of ecosystems. The project was born from a simple but profound question: can a building help life thrive?

Sustainable architecture is among the most discussed topics among readers and practitioners worldwide, yet Sumu Yakushima Residence reframes that conversation entirely by proposing that human habitation can actively improve an ecosystem rather than merely reduce harm to it. In what ways do you believe Sumu Yakushima Residence challenges the assumptions that the broader architectural community holds about what it truly means to build responsibly within a natural environment?

What troubled me most about contemporary environmental discourse was its tendency to rely on a single metric.For example, when carbon reduction becomes the primary measure of success, we risk overlooking other consequences such as biodiversity loss, monoculture plantations, or large-scale deforestation associated with certain renewable energy developments. Nature does not operate through a single indicator, and neither should architecture.Forests, water, soil, plants, animals, fungi, and microorganisms exist within an interconnected system of relationships. When one element is isolated from the whole, we often lose sight of what truly creates ecological health.This is why I place great importance on the concept of the watershed.Rain falls on mountains, flows through forests and rivers, and eventually reaches the sea. Human settlements exist within that journey. Architecture is not separate from this system; it is part of it.For me, a building is not an isolated object. It participates in the movement of water, the health of soil, and the vitality of ecosystems. Its responsibility extends beyond its walls.What Sumu Yakushima proposes is not simply a low-impact building, but an architecture that actively participates in the cycles of life.If human beings are part of nature, then our homes should be capable of enriching nature as well. I believe this shift in perspective represents one of the most important challenges facing architecture today.

One of the most scientifically striking findings associated with Sumu Yakushima Residence is that microbial diversity at the site measured nearly three times greater than that of the surrounding untreated forest, suggesting that deliberate architectural intervention can enrich rather than deplete living soil systems. How did you develop the methodology of placing burned wood beneath foundations and using carbonized surfaces to foster mycelial growth, and what do these documented results mean for the future relationship between architecture and soil ecology?

While observing Yakushima’s forests, I became fascinated by the immense network of fungi and microorganisms that exists beneath the ground. Healthy forests are supported not only by what we see above the surface, but also by invisible relationships within the soil.At the same time, Japan has a long tradition of using charcoal within landscapes and agricultural systems. Inspired by both ecological observation and traditional knowledge, we incorporated carbonized wood beneath the foundations and used charcoal-based materials throughout the project.Charcoal is highly porous. It retains moisture, air, and nutrients while providing habitat for countless microorganisms. Yet the charcoal itself was never the goal.What we were truly trying to create was an environment that could support biological activity and strengthen the living soil system beneath the building.The results were encouraging. Microbial diversity on the site was measured at levels exceeding those found in the surrounding untreated forest.For me, this finding suggests that architecture does not have to be a force of depletion. Human-made structures can potentially contribute to the enrichment of ecological systems rather than their degradation.I see this not as a construction technique, but as the beginning of a new design philosophy—one that reconnects architecture with soil ecology and recognizes that the health of a building site cannot be separated from the health of the living systems beneath it.

Read the Full Interview

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties
Yakushima Island is a natural paradise in southern Japan where abundant rainfall onto 2,000-meter peaks nurtures dense forests home to millennium-old Japanese cedar.
This innovative housing co-op applies Regenerative architecture to reconceptualize the relationship between human habitation and this nature. The name Sumu means both to live and to become clear, expressing its core concept of living in a way that positively impacts the landscape.
Dimensions & Packaging
The building area: 162m2.
Tags
Regenerative, Sustainable, Nature positive, Environmental
Production Technology
Burned wood is placed under the foundations, and carbonized surfaces promote the growth of mycelium, joining the buildings to the soil network. This promotes a symbiotic effect whereby tree roots grow under the buildings and support the soil.
Sumu comprises several separate buildings to enable a layout that respects the original natural landscape. The buildings protect the tree roots and reduce the impact of the wind, while stones supply minerals to the surrounding soil and foster tree growth. Tree roots passing under the buildings support the soil, an act of symbiosis between nature and architecture.

The buildings are raised, dispersing wind flowing between mountain and sea without blocking it. This allows the forest to breathe, promoting healthy air and water circulation. Despite the humid climate, this ventilation prevents moisture accumulation that may damage the buildings.

The off-grid kitchen made with local cedar features a solar-powered radiant heat cooker, while water is drawn from the river basin, then cleaned and returned to nature after use.
Lights made from local soil fill rooms with light embodying the color of the surrounding earth, and plaster made from a hemp charcoal/EM bacteria mixture provides healthy, comfortable spaces by preventing putrefactive bacteria.
Design Challenge
While the global pursuit of sustainability is highly commendable, in architecture it is generally understood as an effort to reduce negative impacts rather than to generate positive ones. This assumption stems from viewing architecture as an isolated object. In reality, every building site already contains an existing ecosystem. The project sought ways for architecture to connect with and contribute to the regeneration of that ecosystem.

It was an unprecedented challenge, and until measurable results began to appear, the process relied on careful observation, research, and repeated trial and error. In Japan, very few practitioners have direct experience with this construction method. Drawing from their knowledge, the team gradually developed its own methodology. Communicating appropriate instructions to local craftspeople was also a significant task.

After completion, however, positive outcomes began to emerge, as described earlier, and verification of the method is still ongoing.
Research
Regenerative architecture is a method of building that works with soil microorganisms, supporting healthier conditions for surrounding plant life. It applies, in a contemporary way, traditional Japanese civil engineering knowledge that has largely been forgotten.

To examine the effectiveness of this approach, three methods were used.

First, the construction site itself was deliberately selected. The building was placed on the most degraded and depleted area within the property. The land was overgrown with weeds to the point that it was difficult to enter, mosquitoes were abundant, and the trees were weak, with thinning trunks and falling leaves. The structure was positioned in close relationship to these struggling trees. After construction, the trees showed clear signs of recovery and renewed vitality.

Second, in order to visualize the underground mycelial network, experiments were conducted that identified the presence of electrical activity within the soil. Evidence indicated that trees on either side of the building were connected through electrical signals transmitted underground.

Third, microbial diversity was analyzed. Soil samples were collected both from the surrounding forest—where no intervention had taken place—and from the center of the Sumu site. The results showed that microbial diversity at Sumu was nearly three times greater than that of the surrounding untreated forest.

These findings suggest that human involvement can contribute to ecological enrichment. Beyond architectural technique, this approach may also influence how humanity understands its role within the Earth’s living systems.
Inspiration
Sumu is a place for tending to nature while reflecting on values.
It applies Regenerative architecture, a new approach developed by the designers that combines traditional Japanese civil engineering with contemporary technology.
Going beyond simply preserving nature, key considerations in the design are:
1. Designing the underground environment
2. Orientating buildings based on in-depth understanding of water and air flows
3. Creating an ongoing connection with nature through architecture
Project Duration
Duration:
The project began in 2020, with the first phase of construction expected to be completed in 2022. Since then, the project has continued to expand its scope of activities, including the expansion of the deck, regenerative activities, and soft aspects such as education.
Location: Yakushima island, Kagoshima, Japan
Operation Flow
True to its concept of making a positive impact by living among nature, Sumu residents adopt a “regenerative lifestyle” that enhances the environment through everyday activities, from collecting driftwood for use as firewood to clearing grass to allow cool air to flow through in a way that benefits the landscape.
Sumu's design changes our relationship with nature. It enables residents to discover new possibilities for interacting with nature and adapt the way they think and act, building relationships with nature that transcend generations. Its unique approach has the potential to accelerate environmental initiatives if more widely applied.
Image Credits
Photo: Rui Nishi

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