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Zhang Jinyu's Coast Whale Chapel emerges from the volcanic shoreline as a sculptural meditation on organic form and spiritual shelter, its dramatic sweeping roof shell curving upward like the arching
Zhang Jinyu's Coast Whale Chapel emerges from a dramatic coastal landscape where volcanic black sand meets ethereal mist, its striking triangular form establishing an immediate vertical thrust that co
Zhang Jinyu's Coast Whale Chapel emerges from a coastal landscape defined by dramatic atmospheric conditions, where a sculptural architectural form rises against a soft lavender-gray sky suffused with
Zhang Jinyu's Coast Whale Chapel appears as a sculptural architectural intervention captured from an elevated aerial perspective that reveals both the building's striking formal geometry and its drama
Zhang Jinyu's Coast Whale Chapel presents a triangular sacred interior space characterized by dramatic upward convergence, where two massive inclined planes of charcoal-gray concrete ascend symmetrica

Zhang Jinyu

Gold Architecture, Building and Structure Design · 2020

Coast Whale Chapel

by Jinyu Zhang

  • A' Design Award 2020 Gold Winner in Architecture, Building and Structure Design
  • Awarded April 15, 2020
  • CLIENT: Zhang Jinyu
  • Estimated Number of Design Views: 50,119
  • Verification code BE24CC7E3C · Verify this award
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About Coast Whale Chapel

The bionic form of the whale became the language of this chapel. A whale stranded on the coast of Iceland. A person can enter its body through a low fishtail and experience the perspective of a whale looking at the ocean where is easier for humans to reflect on the neglect of environmental degradation. The supporting structure falls on the beach to ensure minimal damage to the natural environment. Natural and environmentally friendly materials make this project a tourist destination that calls for environmental protection.

This remarkable work of contemporary sacred architecture demonstrates an extraordinary synthesis of biomorphic inspiration and spiritual program, evoking the majestic presence of marine mammals while creating a contemplative sanctuary at the threshold between land and sea. The designer appears to have drawn upon traditions of organic architecture pioneered by practitioners who sought to harmonize built form with natural systems, while simultaneously engaging with vernacular coastal building traditions that respond to harsh maritime environments through robust protective shells. The curved roof form, suggesting the graceful arc of a surfacing whale, transforms structural necessity into poetic expression, the sweeping gesture simultaneously providing shelter from coastal elements and creating an uplifting spatial experience that may evoke transcendence and spiritual aspiration. Technical accomplishment is evident in the complex geometry of the curved envelope, which appears to employ laminated timber or similar engineered wood technology to achieve spans and curvatures that traditional construction methods could not readily accomplish. The material palette demonstrates sophisticated understanding of weathering and patina, the exterior cladding apparently designed to develop character through exposure to salt air and precipitation, while the interior maintains warmth through pale timber surfaces that would glow with ambient light. The glazed facade represents a bold gesture of transparency and connection, allowing the gathered assembly to maintain visual communion with the vast oceanic horizon that has inspired spiritual contemplation across cultures throughout human history. The siting demonstrates sensitivity to landscape, the structure appearing to emerge from rather than impose upon its volcanic context, while the processional pier extending toward the water suggests ritualized approach befitting the sacred program. One might contemplate how this architecture creates space for encounter between the human and the infinite, the sheltering curve offering protection while the transparent wall invites expansion of consciousness toward the limitless horizon.

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Unique Properties
As a temporary and yet to be completed project, the supporting structure falls on the beach to ensure minimal damage to the natural environment. The black wood echoes the traditional way of Iceland. Natural and environmentally friendly materials make this project a tourist destination that calls for environmental protection and saves whales. The church used dark natural light as much as possible to direct the sight to the ocean. Here you can admire Iceland's most famous black beach.
Dimensions & Packaging
20m x 8m x 11m
Tags
Contemporary Architecture, Chapel, Sacred Architecture, Concrete, Atmosphere
Production Technology
wood,steel, glass, and marble
Design Challenge
There is only a strong adaptive solution. You can see very good built environment and important indicators to attract tourists.
Project Duration
This project was developed in Porto, Portugal, during a period of 3 months, from December 2019 to January 2020. The location planned for the project to be implemented was in Iceland.
Operation Flow
What is the most important thing about landscape architecture? The possible answer is respect and integration with the environment. The concept of expressing chapel in a bionic whale response to this topic. Tourism has caused irreversible damage to Iceland's natural environment. While watching the scenery, tourists can also feel the noble place of other life in such a narrow space. It will not be limited by the scale of the project and has profound and long-term significance.
Research
The building is closely related to the site, regardless of the form and construction of the whale. The adjustable nodes are adapted to the geological conditions of the beach and can even be temporarily moved according to the extreme weather in Iceland. This house is like a swimming whale that can change the floor height according to the tide of the season.
Inspiration
The ocean and the fate of humanity have been linked from a very early age. As a higher life form on land and sea, human's longing for whale has always existed in the heart. The bionic form of the whale became the language of this chapel. A whale stranded on the coast of Iceland. A person can enter its body through a low fishtail and experience the perspective of a whale looking at the ocean. The waves and the inner voice meet here. In such a space, it is easier for humans to reflect on the neglect of environmental degradation.

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Environmental Architecture and Sacred Space Design

We specialize in bionic architecture that harmonizes with nature, creating contemplative spaces that respect environmental contexts. Our designs merge poetic forms with sustainable practices, from sacred architecture to urban renewal projects that honor local identity.

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Design Interview about Coast Whale Chapel

It is a special trip. I have been distracted for a long time in this little black Icelandic beach. I hope I have a place where I can stare at this beach for a long time. This strong desire led me to start thinking about my plan.

The focus is on how to arouse people's indifference to biological equality. People should not be arrogant. Whales are "wise men" in the ocean, and people are wise men on land. If I can create a metaphor that allows people and animals to blend together to feel the fate of the life community, then my goal is complete.

This award has given me a lot of encouragement. I will try to think about more design issues in this way.

This idea is long-lasting, but the design takes about a month.

I was inspired by a trip, it was a personal proposal.

No company is currently in production for this design. I hope my design can be acquired.

I like to think on foot in nature. This kind of thinking gave me a lot of calm power.

The work of architect nicolás campodonico influenced my thinking, and it was my attempt to express the metaphorical nature of space and the educational value of design.

Probably a local traveler.

It has the same small scale as most landscape buildings. At that time, it had design intentions beyond the function, which caused reflection.

The naming of the design directly matches my thinking. The whale and chapel are the spaces I want to be one. Humans are always looking at problems from their own perspective. I simulated the shape of a whale, which allows people to think briefly from their consciousness.

Rhino, adobe, vary.

He is a kind of thinking, which is more humanistic. At that time, he was in line with environmental thinking and also had certain commercial value.

This is a single-person design, which I completed independently.

The movable foundation structure adapts to the topography of the sandy beach and reduces the disturbance to Iceland's fragile ecological environment.

The data does not particularly affect the design, if there is a possibility of landing. I will further deepen and study the local wind speed and the stability of the building structure.

I face the challenge of having no customers. If this design is just one of my thoughts, it is very interesting. At that time, I hope it can be communicated to more people.

Recommendation from my friend.

My computer skills have improved and I hope to further study architectural performance.

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