Spring na inhoud
Past at Last Volhoubare Mode deur Tihana Miksa

Die ontwerp Past at Last Volhoubare Mode deur Tihana Miksa is 'n hoogs gewaardeerde wenner van die baie prestigieuese 2021 A' Design Award in Silwer in die Mode-, Kleding- en Kledingstukontwerp-kompetisiekategorie.


SilwerMode· 2021

Past at Last Volhoubare Mode

deur Tihana Miksa

Kliënt: Tihana Mikša

Wenner van die A' Design Award in Silwer in die Mode-kategorie

36,948

Geverifieerde Toekenningswenner

Verifieer Toekenningsstatus vir #113802

Kleure

Die Ontwerp

Oor Past at Last Volhoubare Mode

Die klem in die kleredragkomposisies is op ryk, speelse teksture en ongelyke kleuring. Gevolglik is die kledingstukke self simmetries, eenvoudig en geslote vorme sonder enige veeleisende ingrypings aan die struktuur. Hierdie objekte ondersoek die visuele aspek, taktiliteit, materialiteit, lewende beweging en die argitektoniek van tekstiele. Die kleure is laag in intensiteit en akromaties, behalwe rooi wat pulseer binne hierdie bleek spektrum.

Die Erkenning

Oor die A' Design Award in Silwer

Past at Last Volhoubare Mode is 'n wenner van die A' Design Award in Silwer, 'n buitengewoon prestigieuse erkenning wat toegeken word aan topklas-, pragtige en indrukwekkende ontwerpe. Wenners in Silwer is geweldig briljante en uiters kreatiewe werke wat die uitstaande kundigheid, talent en skerpsinnigheid van hul ontwerpers illustreer. Daar word verwag dat Past at Last Volhoubare Mode 'n wonderlike vertoonstuk is wat merkwaardig professioneel en diepgaande innoverend is. Hierdie ontwerp wat die A' Design Award in Silwer gewen het, is 'n hoogs noemenswaardige, bewonderde uitvinding wat die grense van kuns, wetenskap, ontwerp en tegnologie bevoordeel en uitbrei. Past at Last Volhoubare Mode is 'n wyd beny skepping wat begeertes oproep, positiewe gevoelens bring en verbasing en verwondering wek.

Agter die Ontwerp

Persstel

Krediete, spanlede en tegniese besonderhede verskaf deur die ontwerper.

Unieke Eienskappe
The emphasis in the clothing compositions is on rich, playful textures and uneven coloration. As a consequence, the garments themselves are symmetrical, simple and closed forms without any demanding interventions to the structure. These objects examine the visual aspect, tactility, materiality, living motion and the architectonics of textiles.
The colours are low in intensity and achromatic, except reds that pulsate within this pale spectrum.
Etikette
basketry,wool,mould,seamless,textile,handpainted,handmade, handpleating, sashiko, nuno felting,aperture, finishes
Produksietegnologie
The textile is structured through various pleating techniques, improper and proper stitching, hand tinting to achieve noble tones, treatment with acids, wax, burning, patching, sandpapering, drilling, basket-making and finishes.
Ontwerpuitdaging
Perhaps this no longer matters, but we still care about values, about something that goes beyond our mere existence in the here and now, even when it comes to dressing. What we use to shroud our body, how we seem and appear in front of others, and what we communicate and convey in this manner, this will continue to matter about as long as we share this world with others.
Tihana Mikša Perković is aware of this, and in her quest for clothing worthy of man she intervenes in history as well as in modernity, in the continuity of life finding the only real source of inspiration. Her inspiration are folk costumes from Croatian regions which she interprets in a contemporary key, by applying contemporary textile processing techniques.
Inspirasie
The man of tradition is closely linked to the rural way of life, as can be seen from the regional diversity that result from geographical location and the set of natural givens.
It was my intention to follow in the footsteps of our ancestors and to commit myself in a contemplative and repetitive, as well as time-consuming manner to the overall creation of each costume. In actual fact, my intention was to slow down, to be part of the process, and not just a consumer of finished impersonal and alienated clothing.
Projekduur
10.03.-26.03.2016., Zagreb, Ulupuh Gallery
Beeldkrediete
Photo Vanja Šolin
Hairdress and make up Dalibor Šakić
Model Hana F.M.

Geborg

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Goeie Ontwerp Verdien Groot Erkenning

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