Wuhan Diary Visuele Dagboek deur Yu Chen

Die ontwerp Wuhan Diary Visuele Dagboek deur Yu Chen is 'n hoogs gewaardeerde wenner van die baie prestigieuese 2021 A' Design Award in Silwer in die Grafika-, Illustrasie- en Visuele Kommunikasie-ontwerp-kompetisiekategorie.

SilwerGrafika· 2021

Wuhan Diary Visuele Dagboek

deur Yu Chen

Kliënt: Hubei University of Technology

Wenner van die A' Design Award in Silwer in die Grafika-kategorie

38,991

Geverifieerde Toekenningswenner

Verifieer Toekenningsstatus vir #119980

Bekyk by A' Design Award Persverklaring Toekenningskenteken

Kleure

Die Ontwerp

Oor Wuhan Diary Visuele Dagboek

Wuhan Diary is 'n visuele dagboek oor die daaglikse lewe in Wuhan gedurende die pandemie. Die projek gebruik programmering om terreingebaseerde visuele tale op te bou uit versamelde openbare menings en bevestigde geval-data. Kleur en die digtheid van rollende bergvorme druk die sosiale omgewing en die veranderende stemming van elke tydperk uit. 'n Driedimensionele aardevorm is uit geparametriseerde data in Unity gebou. Wuhan Diary word aangebied as 'n plakkaat van 420 by 594 millimeter, tesame met bewegingsgrafika, aangevulde werklikheid en interaktiewe projeksie.

Die Erkenning

Oor die A' Design Award in Silwer

Wuhan Diary Visuele Dagboek is 'n wenner van die A' Design Award in Silwer, 'n buitengewoon prestigieuse erkenning wat toegeken word aan topklas-, pragtige en indrukwekkende ontwerpe. Wenners in Silwer is geweldig briljante en uiters kreatiewe werke wat die uitstaande kundigheid, talent en skerpsinnigheid van hul ontwerpers illustreer. Daar word verwag dat Wuhan Diary Visuele Dagboek 'n wonderlike vertoonstuk is wat merkwaardig professioneel en diepgaande innoverend is. Hierdie ontwerp wat die A' Design Award in Silwer gewen het, is 'n hoogs noemenswaardige, bewonderde uitvinding wat die grense van kuns, wetenskap, ontwerp en tegnologie bevoordeel en uitbrei. Wuhan Diary Visuele Dagboek is 'n wyd beny skepping wat begeertes oproep, positiewe gevoelens bring en verbasing en verwondering wek.

Agter die Ontwerp

Persstel

Krediete, spanlede en tegniese besonderhede verskaf deur die ontwerper.

Unieke Eienskappe: The Chinese people's concept of nature and world outlook are all firmly based on our land. I used programming to present a series of case studies on terrain-based visual languages and collected public opinions during the pandemic period. I used the color and density of rolling mountains to present the social environment and my emotions while under the pandemic situation, which creates a visual diary.
Afmetings & Verpakking: Poster:420mm×594mm
Etikette: Visual Diary, Motion Graphic, Mood, Program, Motion
Produksietegnologie: Poster, AR , Motion Graphic, Interaction Projection
Ontwerpuitdaging: I hope to combine the land elements with social data during the epidemic through visual design to create dynamic graphics that allow people to feel and reflect on what they experienced during the epidemic. A basic three-dimensional earth shape was built referencing the ubiquitous earth elements in Xu Bing's works, the collected public opinions, and confirmed case data of the epidemic. The data was then parameterized and with the combination of colours, they were imported to UNITY to realize a visual earth shape.
Navorsing: In January, the city of Wuhan captured the world's attention overnight as COVID-19 swept the globe. At this special moment, I am in Wuhan, experiencing the whole process of Wuhan’s fight against the epidemic. In this difficult time, I recorded all the things that happened around during this period and showed the changes in personal mood during each period through visual diaries so that more people could understand the thoughts of people in this special city of Wuhan under the epidemic.
Wuhan is my hometown, and the land I love so much that I can't help but think of how close the poems of ancients’ homeland and national emotions are to my current feelings. This involuntarily makes me aware of the homeland feelings in my genes.
Inspirasie: Due to the pandemic, I was quarantined at home for nearly three months, during which I had plenty of time to think about the modern relationship between humans and nature.
Projekduur: The project started in January 2020 in Wuhan and finished in April 2020.
Patente: Yu Chen
Spanlede: Yu Chen
Titouan Millet
Beeldkrediete: Yu Chen