Yatsugatake Villa Villa deur Kiyotoshi Mori and Natsuko Kawamura

Die ontwerp Yatsugatake Villa Villa deur Kiyotoshi Mori and Natsuko Kawamura is 'n hoogs gewaardeerde wenner van die baie prestigieuese 2022 A' Design Award in Brons in die Argitektuur-, Gebou- en Struktuurontwerp-kompetisiekategorie.

BronsArgitektuur· 2022

Yatsugatake Villa Villa

deur Kiyotoshi Mori and Natsuko Kawamura

Kliënt: MDS Co., Ltd.

Wenner van die A' Design Award in Brons in die Argitektuur-kategorie

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Geverifieerde Toekenningswenner

Verifieer Toekenningsstatus vir #129187

Besoek Webwerf Bekyk by A' Design Award Persverklaring Toekenningskenteken

Kleure

Die Ontwerp

Oor Yatsugatake Villa Villa

Yatsugatake-villa is 'n somerverblyf geleë in Hokuto-stad, Yamanashi, Japan. Die gebou word gevorm deur drie trapesiumvormige buise wat waaiervormig gerangskik is en na die suide oopmaak. Die breë suidelike opening laat sonlig binne tydens die koue winter, terwyl die uitgebreide dak en syvenster die sterk somerson blokkeer. Vensters aan die noord- en suidkant laat wind deur die interieur waai. Tradisionele Japannese houtkonstruksie word gebruik, met sederhout, pleister en shoji-skerms. Toe shoji-skerms gee sagte lig, terwyl oop skerms die omliggende berglandskap raam.

Die Erkenning

Oor die A' Design Award in Brons

Yatsugatake Villa Villa is 'n wenner van die A' Design Award in Brons, 'n hoogs prestigieuse erkenning wat toegeken word aan uitstaande ontwerpe wat gekenmerk word deur kreatiwiteit, vindingrykheid en skerpsinnigheid. Wenners in Brons is ruimskoots vaardige en opvallend kreatiewe artefakte wat die groot ervaring, verbeelding en vindingrykheid van hul ontwerpers bevestig. Daar word verwag dat Yatsugatake Villa Villa 'n hoog aangeskrewe, bewonderde en gekoesterde voorwerp is wat merkwaardig professioneel en innoverend is. Hierdie ontwerp wat die A' Design Award in Brons gewen het, inkorporeer die beste praktyke in kuns, wetenskap, ontwerp en tegnologie en is uitstekend vanweë sy aandag aan detail. Yatsugatake Villa Villa bevredig behoeftes pragtig, raak aan begeertes, bekoor gevoelens en spreek die nuuskierigheid aan.

Agter die Ontwerp

Persstel

Krediete, spanlede en tegniese besonderhede verskaf deur die ontwerper.

Unieke Eienskappe: The exterior is characterized by three modern trapezoid tubes, deforming the traditional Japanese space under deep eaves to frame the landscape in four directions. The form was derived from meticulous calculation of precipitation, the sun's movement in summer and winter, and the thermal environment. Shoji paper screens offer a space filled with soft light iconic of Japanese culture when closed, and switch to the majestic scenery framed by the walls when opened, providing two alternating scenes.
Afmetings & Verpakking: Site Area 691.00m2
Total Floor Area 110.01 m2 (1F 71.65 m2, 2F 38.36 m2)
W17,400mm x D12,300mm x H6,139mm
Etikette: Villa, Sun light, Wind, Fan-shape, Wooden, Mountain, Three adjacent shells, Sho-ji, Eaves, Farming
Produksietegnologie: Contrary to the contemporary style guided by precipitation, sun rays and the surrounding environment, the construction of the house incorporates traditional Japanese wooden construction methods, with earthquake-resistant walls and large openings. Traditional Japanese techniques and components are used throughout, including plastering on the curved openings and fittings such as shoji and ranma (partition with ventilation and daylighting functions), creating a vernacular architecture.
Ontwerpuitdaging: In Japan, especially in rural areas, the number of carpenters capable of building elaborate wooden houses is decreasing, and it was difficult to find a builder who could construct a building with a unique (challenging) design. In spite of the modern design, Japanese cedar and plastering materials are used, and shoji screens as well as other traditional materials handed down from generation to generation are fit in by the indigenous module method, enabling the definition of a Japanese space.
Navorsing: Three trapezoid tubes with north-south openings sit wide open towards the south to maximize winter daylight. Glass surfaces are set back from the roof edge to avoid direct south sun rays in summer. Side walls are arranged to block the west sun. The footprint is set back from the roof edge, partly to reduce soil excavation (deep foundation below the frost line is required), creating a sitting area free from rain dripping from the roof. It is a modern version of traditional Japanese engawa space.
Inspirasie: With exterior walls arranged to resemble a fan, the house provides framing for the landscape, maximizing the location on a plateau surrounded by fields and trees with panoramic view of mountain ranges in the distance. It is a summer resort, slightly cooler than humid summers in Tokyo, and yet the sun rays are strong and the winters are cold. The roof was extended to block direct sunlight in the summer and side walls to keep the western sun out, resulting in a series of tubular forms.
Projekduur: The project was completed in Hokuto-City, Yamanashi, Japan in 2012
Bedryfsvloei: Considering the cold winter, the building is built in a fan shape, open to the south, in order to maximize the sunlight while the sun moves. On the other hand, in summer, the roofs and walls of the trapezoid tubes block the strong sun rays, creating shadows inside, and windows at the north and south let the breeze through to cool the airy space. The layout, guided by the thermal environment, provides various interior scenes of varying depths as seen through the openings that connect the spaces.
Spanlede: Kiyotoshi Mori
Natsuko Kawamura
Beeldkrediete: Photography: Toshiyuki Yano