Guo Fan ጥበባዊ ጭነት፣ ጌጣጌጥ by Yang Mai is a highly esteemed winner of the very prestigious 2022 A' Design Award የነሐስ ሽልማት in የሥነ ጥበብ እና የጥበብ ተከላ ዲዛይን Competition Category.
ነሐስሥነ ጥበብ· 2022
Guo Fan ጥበባዊ ጭነት፣ ጌጣጌጥ
by Yang Mai
Client: Yang Mai
A' Design Award የነሐስ ሽልማት Winner in ሥነ ጥበብ Category
Verified Award Winner
Verify Award Status for #128379The Design
About Guo Fan ጥበባዊ ጭነት፣ ጌጣጌጥ
ጎ ፋን በባህር ማዶ የቻይናውያን የገንዘብ ልውውጥ ባህል ላይ የተመሰረተ ከጥበብ ጌጣጌጥ ጋር የተዋሃደ የጥበብ ጭነት ነው። ስራው ወደ ደቡብ ምስራቅ እስያ ተጉዘው ኑሮን ለማሸነፍ የሞከሩትን የቻኦዡ ሰዎችን ታሪክ ያጠናል። የሁለት አቅጣጫ የተያያዘ የክር ጠምዛዥ አወቃቀር ያለማቋረጥ ይሽከረከራል፣ በዚህም የታሪካዊ ትዕይንቶች ያለ ማብቂያ እርስ በርስ ይደራረባሉ። የጌጣጌጥ ስራዎቹ የታሪክ ቁርጥራጮች የሚለውን ሀሳብ ይከተላሉ፣ እያንዳንዱ ቁራጭ ለለባሹ በተመሳሳይ ታሪክ ውስጥ የተለያየ ሚና ይሰጣል። ናስ፣ ስቴይንለስ ስቲል፣ አልሙኒየም፣ ሬዚን እና አክሪሊክ ጥቅም ላይ ውለዋል፣ በሌዘር መቁረጫ እና በ3ዲ ህትመት ቅርጽ ተሰጥቷቸዋል።
The Recognition
About the A' Design Award የነሐስ ሽልማት
Guo Fan ጥበባዊ ጭነት፣ ጌጣጌጥ የA' Design Award የነሐስ ሽልማት አሸናፊ ነው፤ ይህም በፈጠራ፣ በብልሃት እና በአስተዋይነት ለሚታወቁ ድንቅ ዲዛይኖች የሚሰጥ እጅግ ከፍተኛ ክብር ያለው እውቅና ነው። የነሐስ አሸናፊዎች የዲዛይነሮቻቸውን ሰፊ ልምድ፣ ምናብ እና ብልሃት የሚያረጋግጡ እጅግ ችሎታ የተሞላባቸው እና በሚያስደንቅ ሁኔታ ፈጠራ ያላቸው ሥራዎች ናቸው። Guo Fan ጥበባዊ ጭነት፣ ጌጣጌጥ ከፍ ያለ ግምት የሚሰጠው፣ የሚደነቅና የሚወደድ፣ እጅግ ሙያዊና ፈጠራ የተሞላበት ነገር እንደሚሆን ይጠበቃል። ይህ የA' Design Award የነሐስ ሽልማትን ያሸነፈ ዲዛይን በኪነ ጥበብ፣ በሳይንስ፣ በዲዛይን እና በቴክኖሎጂ ምርጥ ልምዶችን ያካትታል፤ ለዝርዝርም በሚሰጠው ትኩረት ምርጥ ነው። Guo Fan ጥበባዊ ጭነት፣ ጌጣጌጥ ፍላጎቶችን በግሩም ሁኔታ ያረካል፣ ምኞቶችን ይነካል፣ ስሜቶችን ይማርካል እንዲሁም የማወቅ ጉጉትን ይስባል።
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- Researching the important Chaozhou overseas Chinese culture in Chaoshan, excavating the history of Chaozhou overseas Chinese who went to the Southeast Asia to make a living. In order to more experimentally explore the historical facts of the "Overseas Fragrance" and the "Guo Fan", this work is expressed and displayed by means of an art installation derived from art jewelry and a more holistic art design.To pay tribute to the ancestors of Chaoshan who traveled far and wide.
- Dimensions & Packaging
- Art installations size :
278mm*236mm*149mm
Jewelry size:
48mm*68mm*14mm
45mm*87mm*7mm
83mm*141mm*93mm
105mm*40mm*126mm - Tags
- Culture, Overseas Chinese remittance, Art installation, Jewelry, Chaozhou gold lacquer wood carving
- Production Technology
- Material: brass, stainless steel, aluminum, resin, acrylic
Production: laser cutting, 3D printing - Design Challenge
- The most important and difficult part of this project is to sort out the historical facts of " culture of overseas Chinese remittance " and turn it into an art work to show to people through design, so that people can understand it .
- Research
- The theme of this project is "culture of overseas Chinese remittance", with the close relationship between Chaozhou wood carving and overseas Chinese remittance as the development line. Through reading and combing a large number of literature and books, fieldwork visits, etc., the inherent cultural stories are unearthed, and the stories are patterned and combined with dynamic installations to tell the memories of overseas Chinese remittance through jewelry. Aiming to pass on and spread Chaoshan culture.
- Inspiration
- Chaozhou gold lacquer wood carving are typical representatives of Chaoshan culture. Among them, the shrine is an important object of expression of this skill. Furthermore, it is the carrier of Chaozhou clan concept. Chaoshan were adhered to the special traditional culture of both continental and maritime, to make a living in Southeast Asia by Guo Fan. The culture of overseas Chinese remittance links the families at home and abroad, and plays a huge role in the development of their hometowns.
- Project Duration
- The project started in October in Guangzhou and finished in May 2021 in Guangzhou Guangdong province, China, and was exhibited in Guangzhou academic of fine arts in June 2021.
- Operation Flow
- The installation works by the historical facets of "culture of overseas Chinese remittance" and "Guo Fan" overlap infinitely through the continuous turning of the two-way linkage spindle structure.
And the jewelry is based on the concept of "slices of history", transforming the wearer into the protagonist of the historical fragments and experiencing the story of each slice.When the wearer wears different parts of the jewelry, he or she will be transformed into different roles. They are both in the same slice of historical story.
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