Fujifilm Clay Studio2 የቢሮ ውስጣዊ ንድፍ by Koji Aoki, Lin Su and Atsushi Fujita

Fujifilm Clay Studio2 የቢሮ ውስጣዊ ንድፍ by Koji Aoki, Lin Su and Atsushi Fujita is a highly esteemed winner of the very prestigious 2022 A' Design Award የነሐስ ሽልማት in የውስጥ ማስዋብ ዲዛይን Competition Category.

ነሐስውስጥ ማስዋብ· 2022

Fujifilm Clay Studio2 የቢሮ ውስጣዊ ንድፍ

by Koji Aoki, Lin Su and Atsushi Fujita

Client: Fujifilm Corporation

A' Design Award የነሐስ ሽልማት Winner in ውስጥ ማስዋብ Category

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Colors

The Design

About Fujifilm Clay Studio2 የቢሮ ውስጣዊ ንድፍ

ክሌይ ስቱዲዮ 2 በቶኪዮ ውስጥ ለምርትና ለእይታ ንድፍ ስራ የተዘጋጀ የቢሮ ውስጣዊ ክፍል ነው። 300 ካሬ ሜትር ስፋት ያለው ቦታ በዋናነት በመግባቢያ ላይ ከሚያተኩሩ ቢሮዎች በተለየ መልኩ ለትኩረት የሚያመች ጸጥ ያለ ሁኔታ እንዲኖረው ተደርጎ ተቀርጿል። ኮንክሪት፣ ቀለምና የእንጨት ሲሚንቶ ሰሌዳ ያለምንም ተጨማሪ ማጠናቀቂያ የተተዉ በመሆናቸው ክፍሉ የተገነባው ከምሶሶዎችና ከምርኩዞች ብቻ የተሰራ እንዲመስል ያደርገዋል። የአትክልት ስፍራ አቀማመጥና የተፈጥሮ መልክዓ ምድር ዳራውን ይመሰርታሉ፣ እንዲሁም ወቅታዊ ለውጦችን ወደ ቦታው ያመጣሉ። ጠረጴዛዎች ወደ ውጭ ፊታቸውን አድርገው ተቀምጠዋል፣ ሰባት ሜትር ርዝመት ያለው ጠረጴዛ ደግሞ በሰዎች መካከል ርቀትን እንደጠበቀ አጫጭር ስብሰባዎችን ለማድረግ ያስችላል።

The Recognition

About the A' Design Award የነሐስ ሽልማት

Fujifilm Clay Studio2 የቢሮ ውስጣዊ ንድፍ የA' Design Award የነሐስ ሽልማት አሸናፊ ነው፤ ይህም በፈጠራ፣ በብልሃት እና በአስተዋይነት ለሚታወቁ ድንቅ ዲዛይኖች የሚሰጥ እጅግ ከፍተኛ ክብር ያለው እውቅና ነው። የነሐስ አሸናፊዎች የዲዛይነሮቻቸውን ሰፊ ልምድ፣ ምናብ እና ብልሃት የሚያረጋግጡ እጅግ ችሎታ የተሞላባቸው እና በሚያስደንቅ ሁኔታ ፈጠራ ያላቸው ሥራዎች ናቸው። Fujifilm Clay Studio2 የቢሮ ውስጣዊ ንድፍ ከፍ ያለ ግምት የሚሰጠው፣ የሚደነቅና የሚወደድ፣ እጅግ ሙያዊና ፈጠራ የተሞላበት ነገር እንደሚሆን ይጠበቃል። ይህ የA' Design Award የነሐስ ሽልማትን ያሸነፈ ዲዛይን በኪነ ጥበብ፣ በሳይንስ፣ በዲዛይን እና በቴክኖሎጂ ምርጥ ልምዶችን ያካትታል፤ ለዝርዝርም በሚሰጠው ትኩረት ምርጥ ነው። Fujifilm Clay Studio2 የቢሮ ውስጣዊ ንድፍ ፍላጎቶችን በግሩም ሁኔታ ያረካል፣ ምኞቶችን ይነካል፣ ስሜቶችን ይማርካል እንዲሁም የማወቅ ጉጉትን ይስባል።

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: It goes against the "dynamic" offices that exist today, where communication is the main focus. However, on the contrary, a place where people can gather and immerse themselves in friendly competition is the antithesis of the current office. Natural scenery used as the background for the landscaping of a garden adds seasonal changes to the space and enriches the experience of working while immersed.
Dimensions & Packaging: The space is made of only unprocessed materials and has the appearance of being made up of only beams and pillars. While creating an environment where everyone can face outward to design, the ability to turn around and have a quick meeting at a big table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without acrylic panels, droplet infection can be controlled.
Tags: a place for immersion, dynamic, feel of material unprocessed material, natural scenery used as the background for the landscaping of a garden, 7m big table, To have nothing is to have plenty, Work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful, Length 7m large table
Production Technology: concrete, painting, wood cement board
Design Challenge: It was difficult to unite concentration and communication.
It was planned with the hope that people would immerse themselves in the designs they create. This is contrary to the many "dynamic" offices that exist today. This is contrary to the many "dynamic" offices that exist today, where the main focus is on communication. On the contrary, however, believe that it is the antithesis of the current office, where people can gather together and immerse themselves in friendly competition.
Research: This is the office for Fujifilm's product and visual design. As a place to practice design management, have created a new base, "Clay Studio 2" in addition to the current office. If the current office is a "dynamic" space, the new office is planned with immersion as a "static" space in mind.
Leased area: 300㎡, use: office, building location: Tokyo, Move-in department: Fujifilm Design Center, Number of residents: 26
Inspiration: The office was designed with the hope that people would work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful and to immerse themselves in the designs they create. The office was designed with this in mind. Space itself is used as a "guide" for immersion.
Used the original landscape of the building to promote immersion in a calm state of mind, as if visiting a temple or shrine.
Project Duration: Start of design in November 2020, completion in April 2021
Nishi-Azabu, Minato-ku, Tokyo　
Operation Flow: While creating an environment where employees can look outward to design, the ability to turn around and have a quick meeting at a BIG table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without the acrylic panels, droplet infection can be controlled.
Team Members: Director:Koji Aoki
Design:Lin Su
Design:Atsushi Fujita