The Opposite የሹራብ ልብስ ስብስብ በ Yishu Yan የተሠራ ሲሆን በ የፋሽን፣ አልባሳት እና ልብስ ዲዛይን የውድድር ምድብ ውስጥ እጅግ ከፍ ያለ ክብር ያለው የ 2024 A' Design Award የብር ሽልማት አሸናፊ ነው።

ብርፋሽን· 2024

The Opposite የሹራብ ልብስ ስብስብ

በ Yishu Yan

በ ፋሽን ምድብ ውስጥ የ A' Design Award የብር ሽልማት አሸናፊ

662,508

የተረጋገጠ የሽልማት አሸናፊ

ለ #157237 የሽልማት ሁኔታ ያረጋግጡ

ድረ-ገጽ ጎብኝ በ A' Design Award ይመልከቱ ጋዜጣዊ መግለጫ የሽልማት ባጅ

ቀለሞች

ንድፉ

ስለ The Opposite የሹራብ ልብስ ስብስብ

ዘ ኦፖዚት (The Opposite) በብዙ መንገዶች ሊለበስ የተነደፈ ለወንድም ለሴትም የሚሆን የሹራብ ልብስ ስብስብ ነው። ስብስቡ ያለ ቁረጣ እና ያለ ብክነት ዘዴዎች የተሰራ ሲሆን ምንም ጨርቅ አይጣልም። ዲጂታል ሹራብ አሰራር ተለዋዋጭ ባለሶስት አቅጣጫ አወቃቀሮችን እና ሊቀያየሩ የሚችሉ የልብስ ግንባታዎችን ለመፍጠር ጥቅም ላይ ውሏል። ከሁለቱ አልባሳት የተውጣጡ ዕቃዎች እርስ በርስ ሊለዋወጡ እና በተለያዩ ጥምረቶች ሊጣመሩ ይችላሉ፤ ይህም እያንዳንዱ ለባሽ የግል ስልቱን እንዲፈጥር ያስችለዋል። ለሁሉም መጠን የተዘጋጀው ንድፍ አማካይ አካል ላላቸው አብዛኞቹ ሰዎች ይስማማል። ዘ ኦፖዚት ስለ ወንዶች ልብስ እና ስለ ሴቶች ልብስ ያሉ የተለመዱ አስተሳሰቦችን ይሞግታል።

እውቅናው

ስለ A' Design Award የብር ሽልማት

The Opposite የሹራብ ልብስ ስብስብ የA' Design Award የብር ሽልማት አሸናፊ ነው፤ ይህም ለምርጥ ደረጃ፣ ውብ እና አስደናቂ ዲዛይኖች የሚሰጥ ያልተለመደ ከፍተኛ ክብር ያለው እውቅና ነው። የብር አሸናፊዎች የዲዛይነሮቻቸውን የላቀ ልምድ፣ ተሰጥኦ እና ጥልቅ ማስተዋል የሚያሳዩ እጅግ ብሩህ እና እጅግ ፈጠራ የተሞላባቸው ሥራዎች ናቸው። The Opposite የሹራብ ልብስ ስብስብ እጅግ ሙያዊና ጥልቅ ፈጠራ የተሞላበት አስደናቂ ማሳያ ሥራ እንደሚሆን ይጠበቃል። ይህ የA' Design Award የብር ሽልማትን ያሸነፈ ዲዛይን የኪነ ጥበብ፣ የሳይንስ፣ የዲዛይን እና የቴክኖሎጂ ድንበሮችን የሚጠቅምና የሚያስፋፋ ትኩረት የሚስብ፣ የሚደነቅ ፈጠራ ነው። The Opposite የሹራብ ልብስ ስብስብ ፍላጎትን የሚቀሰቅስ፣ በጎ ስሜት የሚያመጣ እና መደነቅንና መገረምን የሚያቀጣጥል በብዙዎች የሚቀኑበት ፈጠራ ነው።

ከንድፉ በስተጀርባ

የፕሬስ ኪት

ክሬዲቶች፣ የቡድን አባላት እና ቴክኒካል ዝርዝሮች በዲዛይነሩ የተሰጡ።

ልዩ ባህሪያት: "The Opposite", a unisex fashion knitwear collection, aims to create a new concept of modern garments with multiple wearing methods. It features the zero-cut, zero-waste, highly adaptable, flexible wearability and longevity of the design through highlighting sustainable design thinking and digital design attributes. The stylish items in the two outfits can be easily interchanged and matched. Rather than focusing on providing a figurative silhouette or identity, the collection is more concerned with the inclusion of the product to the user. It intends to explore the process of confrontation and cooperation between contradictory elements through the development of flexible knitted structures and changeable garment constructions, questioning the common notions of men's and women's wear, and Eastern and Western clothing.
ልኬቶች እና ማሸጊያ: This garment is an all-size design and will fit most people of average build.
መለያዎች: Fashion Design, Knitwear, Multiple Wearing Methods, Unisex Design, Digital Knitting, Sustainable Design, Zero-waste, Zero-cut, Adaptative Design
የማምረቻ ቴክኖሎጂ: This project was essentially completed in Hong Kong, China in 2019. Relevant research for design development has been published in Science Citation Index journals and obtained a China Utility Model Patent. The collection has been exhibited at the Asian Art Museum, in San Francisco, USA. Research related to the design project is being continued.
የዲዛይን ተግዳሮት: The special three-dimensional knitted structure shows a unique surface texture effect and deformation ability, but it also creates a problem for the composition and relative stability of the garment structure. This is both a challenge and an opportunity. This flexible and versatile nature provides unlimited possibilities for the continuous development of this design.
ምርምር: This design research is exploratory and practice-led in nature. The proposed design offers a new approach to innovative fashion that integrates surface design and construction design through a digital knitting process, which bridges the gap between modern knitting technology and fashion design. Textile structural research-led design allows clothing design to be no longer limited by the inherent framework, i.e., gender, identity, etc., but rather to look back at the matter of wearing itself, i.e. the interaction between clothing and the body. Both objective and subjective evaluation were involved. The results of a series of performance tests have evolved into serval formulas and a design database that provide quantifiable and predicate criteria for upcoming designs.
መነሳሻ: The inspiration comes from the visiting experience of the AUDIO ARCHITECTURE exhibition at 21_21 Design Sight in Tokyo, Japan. There was one unique exhibit in the exhibition a special song. The song's lyrics present various contradictory words, such as structure and surface, chaos and order, sound and silence, to discuss the dynamic relationship between audio and architecture. It inspires me that, many items seem the opposite, such as artificial and natural, body and soul, or, knit and purl, however, are they opposites? Or are they an ultimate whole? As a Chinese idiom says "Seek common ground while reserving differences". This point of view may offer one possible approach for global humanity to face the contemporary dilemma of the post-epidemic era.
የፕሮጀክት ጊዜ: This project was essentially completed in Hong Kong, China in 2019. Relevant research for design development has been published in Science Citation Index journals and obtained a China Utility Model Patent. The collection has been exhibited at the Asian Art Museum, in San Francisco, USA.
የሥራ ሂደት: The identity of both the designer and the user in this design is fluid. The designer plays as also a researcher and an engineer, involved in all aspects of design, development, and production. Meanwhile, the stylish items of the collection can be easily interchanged and re-matched, thus the user is encouraged to re-generate his/her style continuously. The essential concept determines the interaction of this design is always in a dynamic process of development and innovation.
የቡድን አባላት: Academic adviser: Kinor Jiang & Jinyun Zhou
የምስል ምስጋና: Image #1-5: Photographer: Joseph, Raysee Media/ Model: Sofia Korobova