Floral Album የፋሽን ስብስብ by Xinyu Zheng is a highly esteemed winner of the very prestigious 2026 A' Design Award የብረት ሽልማት in የፋሽን፣ አልባሳት እና ልብስ ዲዛይን Competition Category.

ብረትፋሽን· 2026

Floral Album የፋሽን ስብስብ

by Xinyu Zheng

Client: Tulip 'n room

A' Design Award የብረት ሽልማት Winner in ፋሽን Category

10,480
Verified Award Winner
Verify Award Status for #177958

View at A' Design Award Press Release Award Badge

Colors

The Design

About Floral Album የፋሽን ስብስብ

ፍሎራል አልበም ከ1980ዎቹ የቤተሰብ ፎቶግራፎች መነሻነት የተነደፈ የፋሽን ስብስብ ነው። ስብስቡ ጥቅም ላይ ሳይውሉ ከቀሩ (ዴድስቶክ) ጨርቆች የተሰራ ሲሆን ከበርካታ የእጅ ጥበብ ቴክኒኮች ጋር ተጣምሯል። የእጅ ጥልፍ፣ ክሮሼ፣ የዶቃ ሥራ፣ ሹራብ እና ክሮስ ስቲች በቬልቬትና በተደራረቡ ግልጽ ጨርቆች ላይ ተተግብረዋል። የክሮሼ ጠርዞችና የሹራብ ክፍሎች ለባሹ ሲንቀሳቀስ ብርሃንን የሚያንጸባርቁ የሲኩዊን አካላትን ያካትታሉ። እያንዳንዱ ልብስ በተናጠል የተሰራ በመሆኑ ምንም ቁራጭ አይደገምም። ሁሉም ቁርጥራጮች ለማንኛውም መጠን የሚስማሙ ናቸው። ስብስቡ ዝርዝር የእጅ ሥራን ችላ የተባሉ ቁሳቁሶችን እንደገና ከመጠቀም ጋር ያገናኛል።

The Recognition

About the A' Design Award የብረት ሽልማት

Floral Album የፋሽን ስብስብ የA' Design Award የብረት ሽልማት አሸናፊ ነው፤ ይህም በጥሩ ሁኔታ ከተነደፉ ፈጠራዎች የሚጠበቁትን ሙያዊና ኢንዱስትሪያዊ መስፈርቶች ለሚያሟሉ ጥሩ ዲዛይኖች የሚሰጥ ከፍተኛ ክብር ያለው እውቅና ነው። የብረት አሸናፊዎች የፈጣሪዎቻቸውን ታላቅ ችሎታ፣ ከፍተኛ ልዩ ሙያ፣ የባለሙያ ግንዛቤ እና የፈጠራ አቅም ያሳያሉ። Floral Album የፋሽን ስብስብ ከፍ ያለ ግምት የሚሰጠው፣ የሚደነቅና የሚወደድ፣ ተግባራዊና ፈጠራ የተሞላበት ሥራ እንደሚሆን ይጠበቃል። ይህ የA' Design Award የብረት ሽልማትን ያሸነፈ ዲዛይን የኢንዱስትሪ ምርጥ ልምዶችን ያዋህዳል፤ ከእውቀትና ከተሰጥኦ ጋር የተሳሰሩ ብቁ ቴክኒካዊ ባህሪያትም አሉት። Floral Album የፋሽን ስብስብ በጥልቅነቱ የተከበረ ሲሆን ዓለምን የተሻለ ቦታ ለማድረግ የሚረዱ የሕይወት ጥራት ማሻሻያዎችን ለማቅረብ የተነደፈ ነው።

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: This collection reinterprets craftsmanship through the integration of deadstock fabrics and multiple handcraft techniques. Each garment is individually constructed using hand embroidery, crochet, beading, and hand knitting, resulting in unique pieces with no repetition. By layering reclaimed materials with detailed surface work, the collection highlights the value of overlooked resources and connects tactile craftsmanship with contemporary design sensibility.
Dimensions & Packaging: All the pieces are free size.
Tags: tulip n room, sustainable fashion, hand embroidery, deadstock fabrics, recycled materials, haute couture
Production Technology: Each piece is developed using deadstock fabrics combined with multiple handcraft techniques. Velvet, crochet, beading, embroidery, knitting, and cross stitch are applied through experimental craftsmanship. The production process integrates hand beaded garments, crocheted trims with sequin elements, knitted pieces using sequin yarns, and layered transparent textiles. The approach balances couture level precision with sustainable material practices.
Design Challenge: The main challenge lay in balancing nostalgic aesthetics with sustainable production limits. Many desired fabrics were no longer available, requiring extensive trials with deadstock and recycled materials. Achieving hand-embroidered precision on uneven surfaces demanded technical adaptation. The process also involved redefining femininity through craft while ensuring each garment remained wearable and relevant to modern audiences.
Research: The research began as a qualitative exploration of how emotional memory can shape sustainable fashion. The objective was to reinterpret 1980s silhouettes using responsible materials and handcraft techniques. Research methods included material experimentation, archival image analysis, and wearer interviews to study emotional connection to garments. Results revealed that tactile handwork and recycled materials enhance both emotional resonance and sustainability awareness in contemporary fashion.
Inspiration: Inspired by my grandmothers photographs from the 1980s, this project examines fashion as a carrier of personal and collective memory. Visual elements from domestic environments such as lace curtains, plastic flowers, and embroidered tablecloths are abstracted and translated into textiles, surface embellishments, and silhouette structures. The collection reinterprets nostalgia through contemporary design, positioning fashion as an archive of identity, cultural inheritance, and transformation.
Project Duration: This project was initiated in April 2023 and completed in September 2024 in New York.
Operation Flow: The collection is experienced through movement and tactile interaction. As the wearer moves, layered embroidery and sequins catch light, revealing hidden patterns and shifting textures. The garments invite sensory engagement, encouraging emotional connection through touch and reflection. Each piece performs as both clothing and storytelling medium, blending comfort with expressive form.
Patents: Copyrights belong to Xinyu Zheng, 2025.
Trademark (2025) Tulip N’ Room.
Team Members: /
Image Credits: Stefy Lin, 2024.