Fujifilm Clay Studio2 Ofis İnteryer Dizaynı by Koji Aoki, Lin Su and Atsushi Fujita

Fujifilm Clay Studio2 Ofis İnteryer Dizaynı by Koji Aoki, Lin Su and Atsushi Fujita is a highly esteemed winner of the very prestigious 2022 A' Design Award Bürünc Mükafatı in Daxili Məkan və Sərgi Dizaynı Competition Category.

Bürüncİnteryer· 2022

Fujifilm Clay Studio2 Ofis İnteryer Dizaynı

by Koji Aoki, Lin Su and Atsushi Fujita

Client: Fujifilm Corporation

A' Design Award Bürünc Mükafatı Winner in İnteryer Category

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Colors

The Design

About Fujifilm Clay Studio2 Ofis İnteryer Dizaynı

Clay Studio 2 Tokioda məhsul və vizual dizayn işləri üçün nəzərdə tutulmuş ofis interyeridir. 300 kvadratmetrlik məkan, əsasən ünsiyyətə yönəlmiş ofislərdən fərqli olaraq, konsentrasiya üçün sakit bir mühit kimi planlaşdırılıb. Beton, boya və taxta-sement lövhələr emal edilmədən saxlanılıb, beləliklə otaq yalnız tirlər və sütunlardan ibarətmiş kimi görünür. Bağ landşaftı və təbii mənzərə fon yaradaraq məkana mövsümi dəyişikliyi gətirir. Masalar bayıra baxacaq şəkildə yerləşdirilib, yeddi metrlik masa isə insanlar arasında məsafəni qoruyaraq qısa görüşlərə imkan yaradır.

The Recognition

About the A' Design Award Bürünc Mükafatı

Fujifilm Clay Studio2 Ofis İnteryer Dizaynı A' Design Award Bürünc Mükafatının qalibidir; bu, yaradıcılıq, ixtiraçılıq və zəka ilə seçilən görkəmli dizaynlara verilən yüksək nüfuzlu tanınmadır. Bürünc qaliblər dizaynerlərinin geniş təcrübəsini, təxəyyülünü və tapqırlığını təsdiq edən, bol məharətli və çarpıcı dərəcədə yaradıcı əsərlərdir. Gözlənilir ki, Fujifilm Clay Studio2 Ofis İnteryer Dizaynı yüksək qiymətləndirilən, heyran olunan və əzizlənən, diqqətəlayiq dərəcədə peşəkar və yenilikçi əşya olacaq. A' Design Award Bürünc Mükafatını qazanmış bu dizayn sənətdə, elmdə, dizaynda və texnologiyada ən yaxşı təcrübələri özündə birləşdirir və detallara diqqətinə görə əladır. Fujifilm Clay Studio2 Ofis İnteryer Dizaynı ehtiyacları gözəl şəkildə ödəyir, istəklərə toxunur, duyğuları ovsunlayır və marağı cəlb edir.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: It goes against the "dynamic" offices that exist today, where communication is the main focus. However, on the contrary, a place where people can gather and immerse themselves in friendly competition is the antithesis of the current office. Natural scenery used as the background for the landscaping of a garden adds seasonal changes to the space and enriches the experience of working while immersed.
Dimensions & Packaging: The space is made of only unprocessed materials and has the appearance of being made up of only beams and pillars. While creating an environment where everyone can face outward to design, the ability to turn around and have a quick meeting at a big table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without acrylic panels, droplet infection can be controlled.
Tags: a place for immersion, dynamic, feel of material unprocessed material, natural scenery used as the background for the landscaping of a garden, 7m big table, To have nothing is to have plenty, Work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful, Length 7m large table
Production Technology: concrete, painting, wood cement board
Design Challenge: It was difficult to unite concentration and communication.
It was planned with the hope that people would immerse themselves in the designs they create. This is contrary to the many "dynamic" offices that exist today. This is contrary to the many "dynamic" offices that exist today, where the main focus is on communication. On the contrary, however, believe that it is the antithesis of the current office, where people can gather together and immerse themselves in friendly competition.
Research: This is the office for Fujifilm's product and visual design. As a place to practice design management, have created a new base, "Clay Studio 2" in addition to the current office. If the current office is a "dynamic" space, the new office is planned with immersion as a "static" space in mind.
Leased area: 300㎡, use: office, building location: Tokyo, Move-in department: Fujifilm Design Center, Number of residents: 26
Inspiration: The office was designed with the hope that people would work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful and to immerse themselves in the designs they create. The office was designed with this in mind. Space itself is used as a "guide" for immersion.
Used the original landscape of the building to promote immersion in a calm state of mind, as if visiting a temple or shrine.
Project Duration: Start of design in November 2020, completion in April 2021
Nishi-Azabu, Minato-ku, Tokyo　
Operation Flow: While creating an environment where employees can look outward to design, the ability to turn around and have a quick meeting at a BIG table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without the acrylic panels, droplet infection can be controlled.
Team Members: Director:Koji Aoki
Design:Lin Su
Design:Atsushi Fujita