Yinyun سِرامیکی آرٹ انسٹالیشن by Fabcraft Design Lab

Yinyun سِرامیکی آرٹ انسٹالیشن by Fabcraft Design Lab is a highly esteemed winner of the very prestigious 2020 A' Design Award برنجی انعام in 3D پرنٹڈ فارمز ءِ پروڈکٹس ڈیزائن Competition Category.

برنج3D پرنٹنگ· 2020

Yinyun سِرامیکی آرٹ انسٹالیشن

by Fabcraft Design Lab

Client: Fabcraft Design Lab

A' Design Award برنجی انعام Winner in 3D پرنٹنگ Category

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Colors

The Design

About Yinyun سِرامیکی آرٹ انسٹالیشن

ین‌یون یک سِرامیکی آرٹ انسٹالیشن اِنت که 85 دانگ منفرد 3D پرنٹ‌شدگ یونٹانی ترکیب ءِ سرجاه دارگ بوته. جنریتیو ڈیزائن الگوریتمانی استفاده بوته که برقی ڈیٹا ئے استخراج بکنت و ھر یک یونٹ سر ڈیٹا ئے بصری نمائش بدیت، که بہ دگہ ہمی راہءَ یک گریڈینٹ اثر ئے خلق کنت۔ ایں یونٹان سِرامیکی 3D پرنٹنگ ءِ واسطہ ساختگ بوتگ‌اَنت، که ہونء سفید پورسلین و پاور پلانٹ ءِ کوئلہ‌ئے خاکسترءِ ری‌سائیکل‌شدگ آمیزہ استعمال بوتگ۔ پرنٹنگ ءِ عمل ھمے چو ھر پارچہ سر یک مفصل سطحی رلیف ئے بھی خلق کنت۔ ہچ دو یونٹ یک‌دگہ ءِ ھمگون نه‌ان۔ ایں انسٹالیشن تائیوان ءِ تائی‌پے شہر ءِ یک نمائشی ہال ءَ ھمیشگی طور ءَ رکھ بوتگ۔

The Recognition

About the A' Design Award برنجی انعام

Yinyun سِرامیکی آرٹ انسٹالیشن A' Design Award برنجی انعام ءِ ورگ آ انت، باز معزز اعتراف کہ تخلیقی صلاحیت، اختراع ءُ ذہانت گوں ممتاز بہترین ڈیزائناں دیگ بیت۔ برنج ءِ ورگ آ بھرپور مہارت ءِ ءُ نمایاں ڈولا تخلیقی شاہکار انت، کہ وتی ڈیزائنراں ءِ وسیع تجربہ، تخیل ءُ ہوشیاری ءِ تصدیق کننت۔ Yinyun سِرامیکی آرٹ انسٹالیشن چہ امید کنگ بیت کہ آ یک باز قدر کنگ بوتگیں، ساراہگ بوتگیں ءُ پیارکنگ بوتگیں چیز بیت، قابل ذکر حد ءَ پیشہ ورانہ ءُ جدت ءِ۔ ای ڈیزائن کہ A' Design Award برنجی انعام ءَ برتگ، فن، سائنس، ڈیزائن ءُ ٹیکنالوجی ءِ بہترین طریقہ شامل کنت ءُ ہورد تفصیلاں ءَ توجہ دیگ ءِ سببا شاندار انت۔ Yinyun سِرامیکی آرٹ انسٹالیشن ضرورتاں جوانیں ڈولا پورا کنت، خواہشاں ءَ ہنچیت، جذباں ءَ موہنت ءُ تجسس کشنت۔

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: Yinyun is an art installation composed of 85 unique 3D printed ceramic units. Through generative design algorithm, the electric information was extracted and visualized on every unit, together creating a gradient effect. Ceramic 3D printing, with a mixture of recycled material, was then used to fabricate these units, at the same time, creating detailed surface relief which was indicated by this technique. None of the units is the same as others.
Dimensions & Packaging: Dimension(ceramic parts): L: 910cm, W: 360cm, H: 230cm
Tags: ceramic, 3D printing, generative, parametric design, digital fabrication, sustainable, recycle, coah ash, art installation, craft
Production Technology: The project heavily relied on close cooperation among algorithm development, 3D printing, and material experiments. All designs were completed through several generative algorithms, including data processing, form generation, slicing, and Gcode output. Then our custom 3D printer with remote extrusion system was used to achieve such large sizes. The material was a mixture of white porcelain and coal ash recycled from power plant.
Design Challenge: In order to achieve large-scale and stable printing, we developed our custom extrusion system and slicing program, testing it back and forth between digital and physical space, which took nearly half of the time for this project. The material factors were carefully taken into consideration, including ceramic ratio, viscosity, temperature, humidity, since a 3D printer can't be dynamically adjusted as human hands during production. The shrinkage after firing also increased the difficulty of assembly.
Research: The goal of this project is to examine the relationship between traditional craft and modern techniques. As we developed a new shape language in digital space, it was completely originated from ceramic 3D printed texture. The traditional expertise in ceramics and modern digital fabrication skills were combined in real-world printing, together created pieces with rich craftsmanship, but can only be achieved by modern technique.
Inspiration: The motivation of this project is to create an elegant art installation blending the science education atmosphere in this green energy exhibition hall. Inspired by the natural phenomenon of electromagnetic, which created non-uniformed field tensors in the space. To express this specific effect, an installation consisted of a large number of units were proposed, contrasting in form and pattern. This project also showcases Fabcraft design lab’s long-term interest in generative design and 3D printing technology.
Project Duration: The project began at the end of 2018, and was completed in December 2019. Since then, it has been a permanent public art located in Taipower D/S ONE exhibition hall in Taipei, Taiwan.
Operation Flow: The installation was designed to be viewed from different angles, at the same time, produce positive route guidance in the exhibition hall. A possible interaction can be created while visitors moving upstairs, changing from low angle to eye-level angle, they will observe an optical illusion caused by lights and textures. Moreover, the fluid surfaces are zoomed into a layered ceramic texture with rich 3D printing characteristics.
Team Members: Art Director: Kamm, Kai-Yu
Designer: Liu, Zhao-Wei
Mechanism Design: Chen, Po-Yen
Ceramic Craftsman: Lu, Tzu-Yi
Ceramic Assistant: Xie, Yun-Chen
Image Credits: Image #1: Fabcraft Design Lab
Image #2: Cogitoimage International Co., Ltd.
Image #3: Fabcraft Design Lab
Image #4: Fabcraft Design Lab
Image #5: Fabcraft Design Lab