Xiangxin Huzhou Songyuanli رهائشی اندرونی ڈیزائن چه ڈیزائنر Zhijun Zhong

ڈیزائن Xiangxin Huzhou Songyuanli رهائشی اندرونی ڈیزائن چه ڈیزائنر Zhijun Zhong یک باز باایزّتین بُردکار ته 2023 A' Design Award نقرئی انعام ته بخش رقابتی انٹیریئر اسپیس ءِ ایگزیبیشن ڈیزائن اِنت.

نقرہانٹیریئر· 2023

Xiangxin Huzhou Songyuanli رهائشی اندرونی ڈیزائن

چه Zhijun Zhong

مشتری: Herabenna

بُردکار A' Design Award نقرئی انعام ته بخش انٹیریئر

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سایٹ بگند A' Design Award ءَ بگند پریس ریلیز اِنعام ءِ بیجّ

رنگ

ڈیزائن

Xiangxin Huzhou Songyuanli رهائشی اندرونی ڈیزائن ءِ بارءَ

شیانگشین ہوژو سونگ یوان لی یک رہائشی اندرونی ڈیزائن انت کہ ہمے وہد ءَ عوام ءَ پیش دارگ بوتگیں یک نمونہ ای گس ءِ حیثیت ءَ ہم کار کنت۔ اے پروجہ چین ءِ ژی جیانگ صوبہ ءِ شہر ہوژو ءَ 696 مربع میٹر ءَ گیر کنت۔ اے تعمیرات روایتی ہوئی ژو ءِ عمارت سازی ءِ چہ الہام گپتگ، سپیدیں دیوال و سیاہیں ٹائل آں گوں۔ اندر ءَ، کرسٹل و دھات یکجاہ کنگ بوتگ انت، و طلائی و نقرہ ای سامان و قدیمی نقاشی اتاق آں ءَ پورہ کن انت۔ فرنیچر ءَ ہوژو ءِ مقامی ابریشم کارمرز بوتگ۔ روایتی کندہ کاری، سوچن کاری و باغبانی ءِ ہنر گوں مدرن زندگی ءِ سبک ءَ یکجاہ کنگ بوتگ انت، انچو کہ اے گس وتی مالک و مہمانانی ضرورت آں پورہ کنت۔

پِجّاری

A' Design Award نقرئی انعام ءِ بارءَ

Xiangxin Huzhou Songyuanli رهائشی اندرونی ڈیزائن A' Design Award نقرئی انعام ءِ ورگ آ انت، غیر معمولی حد ءَ معزز اعتراف کہ اعلیٰ ترین درجہ ءِ، شاندار ءُ متاثر کنوکیں ڈیزائناں دیگ بیت۔ نقرہ ءِ ورگ آ باز روشن ءُ انتہائی تخلیقی کار انت، کہ وتی ڈیزائنراں ءِ شاندار مہارت، صلاحیت ءُ ذہانت ءَ ظاہر کننت۔ Xiangxin Huzhou Songyuanli رهائشی اندرونی ڈیزائن چہ امید کنگ بیت کہ آ یک شاندار نمائشی کار بیت، قابل ذکر حد ءَ پیشہ ورانہ ءُ گہرے جدت ءِ۔ ای ڈیزائن کہ A' Design Award نقرئی انعام ءَ برتگ، یک انتہائی قابل ذکر، ساراہگ بوتگیں ایجاد انت کہ فائدہ دنت ءُ فن، سائنس، ڈیزائن ءُ ٹیکنالوجی ءِ حداں ودی کنت۔ Xiangxin Huzhou Songyuanli رهائشی اندرونی ڈیزائن یک ہمے تخلیق انت کہ آیانی سرا باز مردم حسد کننت، کہ خواہشاں جاگینیت، مثبت جذبہ آرنت ءُ حیرت ءُ تعجب ءِ چنگاری ءَ بالنت۔

ڈیزائن ءِ پُشت سر

پریس کِٹ

اعتبارات، ٹیم ءِ نفر و تکنیکی تفصیلات ڈیزائنر ءِ نیمگا فراهم کنگ بوتگ.

خاصین بزانتان: The project is located in Huzhou, Zhejiang Province, and its architecture draws on the traditional "huizhou architecture" with its white wall and black tile, recreating the highlight of "Aesthetics of China". It intends to respect tradition, review history with contemporary aesthetic taste, open up the lifestyle of modern aristocrats, reorganize the elements of the new era, and write new "story chapters ",which can be traced back to the Chinese modern era.
اندازه ؤ بسته‌بندی: 696 square meters
ٹیگان: Mansion, luxury, classical, golden age, aristocratic circle, Modern Times of China
تولید ٹکنالوجی: Under the contemporary background, the design shows the aesthetics of China, incorporating classical British expressions into the design, and enhancing the space with soft furnishings such as gold and silver wares and antique paintings.

In terms of material selection, c crystal and metal are perfectly integrated, showing the prosperity of the industrial age and reappearing the golden years of the Oriental Modern. The interior furniture uses local silk products from Huzhou as raw materials, and the joint design with BIZZOTTO, the world leading furniture brand. This reflects the quality and craftsmanship, and conveys the essence of high quality spirit.

The design carries forward the excellence of Chinese culture by inheriting traditional Chinese dark engraving techniques, traditional handicraft embroidery techniques, Jiangnan gardening techniques and an inclusive human attitude.
ڈیزائن چیلنج: "Fusion is a better reservation"

In an era of rapid development of science and technology, the inheritance of handicrafts and excellent traditional culture has always been facing great difficulties. The design of the large space draws inspiration from modern 'Shanghai', applying the 'cross-border fusion' model once again to the design, integrating traditional culture with contemporary lifestyles and fusing Chinese and Western design features. The multifunctional parlour in the basement will lead the design to trendy movies and video games, and then disassemble and reorganize them to create a boy's ultimate dream playground. In the future design, standards and styles are constantly being broken. We prefer to try to constantly integrate and cross boundaries, challenging more and more interesting fields, and conveying a design concept that is constantly breaking through.
تحقیق: n the 1930s and 1940s, the area around the Yangtze River Basin, headed by Shiliyangchang (Shanghai), was gradually westernized. The aristocratic circle's recognition of "Ambilight" decoration has reached the peak of the times, and the classical and luxurious temperament of the space given by the luxury materials such as crystal, metal and leather is generally accepted by people in the circle, which has formed a unique interior decorative style such as naval style and Hong Kong style by integrating with the traditional implicit, class distinct interior layout style. As we all know, gold and silver utensils are the symbol of luxury and the belief of excellent craftsmanship and quality, and also reflect the attitude of noble circles pursuing quality of life. Promoting high quality of life is also the most desired quality concept to be conveyed by the design itself.
الهام: When we think back to China in 1930s, the lifestyle of the upper aristocracy has always been regarded as a classic of the times. Chinese people's aesthetic appreciation began to go from traditional classical subtlety to international modernity. Interior decoration styles began to show the characteristics of the industrial era, not only modern and stylish but also retaining the traditional subtle and elegant temperament.
پرۏژه مدّت: This project is located at No. 58 Meiquan Road, Wuxing District, Huzhou City, Zhejiang Province, China, and was completed in May 2022.
عملیاتی رۏش: This project is the private residence of the project developer, and also needs to be shown to the public as a prototype house. Therefore, we are faced with a paradox: our works should conform to both the owner's preferences and the audience's design preferences, which means that our design works should be both "relatively universal" and "exclusively pertinence". In the first stage, from the perspective of the audience circle, we mainly researched design preferences. In the second stage, we conducted a more detailed investigation on the design details for the owners, thus achieving both the exhibition purpose and meeting the exclusive needs of the owners.