Mountain God گیم کریکٹر ڈیزائن by Shuhe Huang

Mountain God گیم کریکٹر ڈیزائن by Shuhe Huang is a highly esteemed winner of the very prestigious 2024 A' Design Award برنجی انعام in کمپیوٹر گرافکس، 3D ماڈلنگ، ٹیکسچرنگ ءِ رینڈرنگ ڈیزائن Competition Category.

برنجکمپیوٹر گرافکس· 2024

Mountain God گیم کریکٹر ڈیزائن

by Shuhe Huang

A' Design Award برنجی انعام Winner in کمپیوٹر گرافکس Category

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Colors

The Design

About Mountain God گیم کریکٹر ڈیزائن

ای یک جاری کردارانی ڈیزائنی پروجیکٹ اِنت، کدام چینی سنتی فرہنگئے غنی تانے بافت چہ الہام گِرتگ انت و کوہستانی خدا و مغرور حشرہ ئے کتاب تہ بنیاد بوتگ انت. دو-بُعدی و سے-بُعدی تکنیکانی ترکیب استعمال کُرت، ای پروجیکٹ افسانوی جانواراں مختلف زاویہ آں چہ دقت گوں جمع کنت. سنتی چینی عنصراں بے‌کمی گوں ڈیزائناں تہ جوڑ بوتگ انت کہ کرداراناں گہرائی و اصلیت دیت. قدیمی سنت گوں جدید ٹیکنالوجی ئے ای انضمام نتیجہ تہ کرداراں پیدا بوتگ انت کہ سنتی میراثئے یک منحصر و دل‌کش جوہر درگت.

The Recognition

About the A' Design Award برنجی انعام

Mountain God گیم کریکٹر ڈیزائن A' Design Award برنجی انعام ءِ ورگ آ انت، باز معزز اعتراف کہ تخلیقی صلاحیت، اختراع ءُ ذہانت گوں ممتاز بہترین ڈیزائناں دیگ بیت۔ برنج ءِ ورگ آ بھرپور مہارت ءِ ءُ نمایاں ڈولا تخلیقی شاہکار انت، کہ وتی ڈیزائنراں ءِ وسیع تجربہ، تخیل ءُ ہوشیاری ءِ تصدیق کننت۔ Mountain God گیم کریکٹر ڈیزائن چہ امید کنگ بیت کہ آ یک باز قدر کنگ بوتگیں، ساراہگ بوتگیں ءُ پیارکنگ بوتگیں چیز بیت، قابل ذکر حد ءَ پیشہ ورانہ ءُ جدت ءِ۔ ای ڈیزائن کہ A' Design Award برنجی انعام ءَ برتگ، فن، سائنس، ڈیزائن ءُ ٹیکنالوجی ءِ بہترین طریقہ شامل کنت ءُ ہورد تفصیلاں ءَ توجہ دیگ ءِ سببا شاندار انت۔ Mountain God گیم کریکٹر ڈیزائن ضرورتاں جوانیں ڈولا پورا کنت، خواہشاں ءَ ہنچیت، جذباں ءَ موہنت ءُ تجسس کشنت۔

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: A character design project inspired by Chinese traditional culture from "The Mountain God and the Proud Insect" is ongoing. It employs 2D/3D techniques to faithfully depict fantastical creatures from different angles, with added traditional Chinese elements for authenticity. This fusion of tradition and technology results in characters embodying unique traditional traits.
Dimensions & Packaging: The character measures approximately 6 meters in height, with a seat behind measuring 10 meters x 7 meters x 11 meters. Surrounding smaller creatures range in size from approximately 0.3 to 0.75 meters. The character can be used in 3D mythological games, visual effects for films, and as collectible figurines. The character utilizes a combination of 2D and 3D technology.
Tags: Chinese mythology, god, superpower, fantasy, otherworld, model
Production Technology: Before designing, extract keywords from the original work for the foundation. Innovate elements like color and shape for inspiration. Gather extensive data, prioritize sketches for style and elements, and use tools like Designdoll, ZBrush, 3ds Max, and Substance Painter. Develop low and high poly models, conduct UV mapping, rendering, and coloring, refining continuously in Photoshop for desired outcome.
Design Challenge: During 3D design, challenges extend to hardware and software limitations. Intricate head details expose flaws in traditional workflows, especially with long hairs causing detail loss. ZBrush's retopology preserves details as a workaround. Some models pose challenges for automatic UV unwrapping, solved by deleting unseen faces beforehand. Limited hardware affects precision, slowing production. Optimal hardware setup is crucial for efficient 3D modeling.
Research: Research on character design inspired by Chinese tradition, particularly "The Mountain God and the Proud Insect" from the Classic of Mountains and Seas. Methodology integrates creative exploration, literature review, and design iteration. Data collection involves keyword extraction, utilizing tools like DesignDoll, Marvelous Designer, ZBrush, UVLayout, KeyShot, 3ds Max, and Photoshop.
Inspiration: Since childhood, I've loved Chinese mythology, but noticed its portrayal in books is often flat. Inspired by modern 3D software, I aim to use 2D/3D techniques to give life to creatures from the Classic of Mountains and Seas. My project focuses on authenticity by blending traditional elements with modern technology, creating vivid characters with distinct traditional traits.
Project Duration: The project began in Beijing in May 2022, completed in August 2022, and was exhibited at the Beijing University of Chemical Technology Art Gallery in July 2023.
Operation Flow: Before design, extract keywords. Brainstorm innovative elements. Gather data, finalize style with sketches. Use Designdoll, Marvelous Designer, ZBrush for shaping. Create low/high-res models, UV map with UVLayout, refine, preview with Keyshot. Enhance materials in 3ds Max, color with Substance Painter, render. Iterate for quality due to hardware limits. Post-process in Photoshop for logos, layout adjustments.