ڈیزائن GGO Biomorphic بنیادی وظیفہ: لابی ءِ سامان چه ڈیزائنر Yoko Komatsu and Hajime Tokura یک باز باایزّتین بُردکار ته 2026 A' Design Award زرّیں انعام ته بخش رقابتی فرنیچر ڈیزائن اِنت.
زرفرنیچر· 2026
GGO Biomorphic بنیادی وظیفہ: لابی ءِ سامان
چه Yoko Komatsu and Hajime Tokura
مشتری: Grand Green Osaka JV Group
بُردکار A' Design Award زرّیں انعام ته بخش فرنیچر
تصدیقبوتگین ایوارڈ بُردکار
ایوارڈ حالت تصدیق په #180101ڈیزائن
GGO Biomorphic بنیادی وظیفہ: لابی ءِ سامان ءِ بارءَ
کتاب ءِ متن: اے 16 میٹری بایوماورفک بینچ کہ گرانڈ گرین اوساکا ءَ جاگہ داریت، جاپانی اوک ءِ لکڑ ءَ چہ ساتگ بوتگ۔ ایڈوانسڈ ڈجیٹل فبریکیشن ءَ کار گیگ بیت کہ 6,000 ءِ زیات ٹُک ٹُک ٹکڑا ءَ 29 آرگانک یونٹاں ءَ یکجاہ بکنت۔ گݔئیں فلزی جوڑاں یک پناہیں جوائنٹ سسٹم ءِ رندا کامیابانہ چہ نظرا نپان کنگ بوتگ۔ اے مجسمہ وار عوامی سامان ءَ، رواجی ہتّی ہنرمندی پیرامیٹرک کمپیوٹیشنل ڈیزائن ءِ گوں یکجاہ کنگ بوتگ۔ اے پہ اے دیزائن بوتگ کہ لابی ءِ جاگہ ءَ ہم یک آرام دئگی بینچ ءِ نمونہ ءُ ہم یک پلانٹر ءِ نمونہ ءَ کار بکنت۔
پِجّاری
A' Design Award زرّیں انعام ءِ بارءَ
GGO Biomorphic بنیادی وظیفہ: لابی ءِ سامان A' Design Award زرّیں انعام ءِ ورگ آ انت، انتہائی معزز اعتراف کہ پہلی درجہ ءِ، شاندار ءُ نمایاں ڈیزائناں دیگ بیت۔ زر ءِ ورگ آ انتہائی جدت ءِ، باز بصیرت ءِ ءُ شاندار ڈولا چمّاں خیرہ کنوکیں تخلیق انت، کہ وتی ڈیزائنراں ءِ عبقریت، حکمت ءُ مہارت ءَ ظاہر کننت۔ GGO Biomorphic بنیادی وظیفہ: لابی ءِ سامان چہ امید کنگ بیت کہ آ یک باز ساراہگ بوتگیں، رجحان ساز ءُ یادگار ایجاد بیت کہ بے مثال قدر پیش کنت۔ ای ڈیزائن کہ A' Design Award زرّیں انعام ءَ برتگ، یک شاندار، محترم منصوبہ انت کہ فن، سائنس، ڈیزائن ءُ ٹیکنالوجی ءِ حداں باز فائدہ ءَ گوں ودی کنت۔ GGO Biomorphic بنیادی وظیفہ: لابی ءِ سامان شدید خواہش ءِ جذبہ پیدا کنت، جوش جاگینیت، تخلیقی صلاحیت ءَ ودی کنت ءُ ما ءَ مسحور کنت۔
ڈیزائن ءِ پُشت سر
پریس کِٹ
اعتبارات، ٹیم ءِ نفر و تکنیکی تفصیلات ڈیزائنر ءِ نیمگا فراهم کنگ بوتگ.
- خاصین بزانتان
- This 16-meter long furniture bridges the boundary between a static office lobby and a lush urban park. The design process fused analog and digital techniques: organic forms created by hand-molded clay models were 3D-scanned to capture vitality that computational design alone cannot produce. Crafted from 100 percent domestic Japanese oak using precision computer numerical control cutting, the structure conceals all metal joints, creating a seamless, life-like wooden landscape.
- اندازه ؤ بستهبندی
- Dimensions: Total Length 16,000 mm. The structure is composed of vertically laminated plywood panels utilizing domestic Japanese oak. It functions as both a large-scale public bench and a planter. The modular units were precision-cut in the factory and assembled on-site to achieve millimeter-level accuracy across the massive 16-meter span. The design adheres to strict safety standards.
- ٹیگان
- Biomorphic Design, Public Furniture, Japanese Oak, Digital Fabrication, Parametric Design, Office Lobby, Wellness, Sustainable Design, Wood Craft, Bench
- تولید ٹکنالوجی
- The project is constructed from 100 percent domestic Japanese oak laminated panels. To handle the high density of oak and prevent grain tear-out during computer numerical control fabrication, the engineering team developed custom cutting tools and parameters. A key innovation is the concealed joint system featuring rotating wooden rings to cover assembly bolts, ensuring a seamless pure wood aesthetic without visible metal parts. Over 6,000 intricately milled parts were hand-finished.
- ڈیزائن چیلنج
- The main challenge was translating the hand-molded clay's organic warmth into digital data. Initial 3D scans contained noise, making precise modeling of over 6,000 parts impossible. This was overcome by using parametric algorithms to extract and smooth cross-sections. Furthermore, to bypass the CNC milling risks of hard Japanese oak and ensure structural safety, rigorous full-scale prototyping was conducted, successfully fusing analog craftsmanship with advanced digital manufacturing.
- تحقیق
- Research Objectives: To connect a static lobby with a dynamic park. Methodology and Data Collection: The project utilized an analog-to-digital translation. Clay models were hand-sculpted to verify comfort and volume, then 3D-scanned. Results: This captured organic irregularities lost in pure computation. Full-scale prototyping verified strict safety standards. Insights and Impacts: The project demonstrates how digital fabrication can preserve human touch using underused domestic hardwood.
- الهام
- Inspired by the unique context of Grand Green Osaka, where a vast urban park meets a sophisticated office tower, the goal was to bring the vitality of nature indoors and to bridge the boundary between the static lobby and the dynamic greenery outside. Inspiration was drawn from analog processes, using hand-molded clay models to capture organic warmth and complex undulations that computational design alone cannot produce, offering a moment of healing to busy office workers.
- پرۏژه مدّت
- The project was completed in May 2025. It is installed at the Park Tower lobby, Grand Green Osaka, located at 5-54 Ofukacho, Kita-ku, Osaka, Japan.
- عملیاتی رۏش
- Designed for the lobby of a high-rise, this bench bridges the gap between the office environment and the adjacent park. Users can sit, recline, or wait, experiencing the warmth of wood. The floating organic form invites touch and offers a surprisingly soft seating experience, described by users as being embraced. It functions as a biophilic element that alleviates stress for office workers and visitors, providing a moment of tranquility.
- پیٹنٹان
- Copyrights belong to KOKUYO Co., Ltd., 2025.
- ٹیمئے اعضا
- Principal Designer: Yoko Komatsu
Project Director: Takashi Ueda
Technical Supervisor: Katsuhito Yui
Technical Supervisor: Mamoru Yamazaki
Assistant Designer: Hotaka Inagaki
Lead Architect: Hajime Tokura
Production Designer: Shimpei Ogawa
Engineer: Pyaezone Aungsoe
Fabricator: Yasufumi Hanada
Fabricator: Yoji Konishi
Fabricator: Kazuki Nagao - تصویرانی کریڈٹ
- Image #1: Creator KOKUYO Co., Ltd., GGO Biomorphic, 2025.
Image #2: Photographer Hayato Kurobe, GGO Biomorphic, 2025.
Image #3: Photographer Hayato Kurobe, GGO Biomorphic, 2025.
Image #4: Photographer Hayato Kurobe, GGO Biomorphic, 2025.
Image #5: Creator KOKUYO Co., Ltd., GGO Biomorphic, 2025.
اسپانسر
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