ڈیزائن Hsinchu Scroll گݪݧدر ءِ ساز (انٹرایکٹیو انسٹالیشن) چه ڈیزائنر Shyang Wang یک باز باایزّتین بُردکار ته 2026 A' Design Award برنجی انعام ته بخش رقابتی انسٹالیشن ڈیزائن اِنت.
برنجانسٹالیشن· 2026
Hsinchu Scroll گݪݧدر ءِ ساز (انٹرایکٹیو انسٹالیشن)
چه Shyang Wang
مشتری: Cultural Affairs Bureau of Hsinchu City
بُردکار A' Design Award برنجی انعام ته بخش انسٹالیشن
تصدیقبوتگین ایوارڈ بُردکار
ایوارڈ حالت تصدیق په #182890ڈیزائن
Hsinchu Scroll گݪݧدر ءِ ساز (انٹرایکٹیو انسٹالیشن) ءِ بارءَ
شینچو اسکرول یک گݪݧدری انسٹالیشن اِنت که تایوان ءِ شینچو شهر ءَ یک نمایش ءِ واستا جوڑ کنگ بوتگ. اے ڈیزائن چینی ءِ رواجی دستی طومار (هینڈ اسکرول) ءَ دو گیلری ءِ نیام ءَ یک جاگهی سپر ءَ بدل کنت، که هر یکے ءِ کش و بالاد تقریباً ۳۰ در ۱۵ میٹر و چت ءِ بُرزی ۵ میٹر اِنت. اِنفراریڈ ءِ گٹی سنسر آمگ آنی جنبش ءَ رد گیرنت و همے وهد ءَ خطاطی و رودار آپ ءِ اثر آنی راه ءَ در کننت. سُبک ماڈیولی اسکرین ءِ ساخت و بُرز-گین ءِ پروجیکشن ءِ کپڑا مزنیں ڈیجیٹل پروجیکشن آنی حمایت ءَ کننت. آخری حصه ءَ، آمگ وتی ڈیجیٹل خطاطی ءِ نشان ءَ اِلّنت و اے پرگردیں نمایش ءِ بهر ءَ بننت.
پِجّاری
A' Design Award برنجی انعام ءِ بارءَ
Hsinchu Scroll گݪݧدر ءِ ساز (انٹرایکٹیو انسٹالیشن) A' Design Award برنجی انعام ءِ ورگ آ انت، باز معزز اعتراف کہ تخلیقی صلاحیت، اختراع ءُ ذہانت گوں ممتاز بہترین ڈیزائناں دیگ بیت۔ برنج ءِ ورگ آ بھرپور مہارت ءِ ءُ نمایاں ڈولا تخلیقی شاہکار انت، کہ وتی ڈیزائنراں ءِ وسیع تجربہ، تخیل ءُ ہوشیاری ءِ تصدیق کننت۔ Hsinchu Scroll گݪݧدر ءِ ساز (انٹرایکٹیو انسٹالیشن) چہ امید کنگ بیت کہ آ یک باز قدر کنگ بوتگیں، ساراہگ بوتگیں ءُ پیارکنگ بوتگیں چیز بیت، قابل ذکر حد ءَ پیشہ ورانہ ءُ جدت ءِ۔ ای ڈیزائن کہ A' Design Award برنجی انعام ءَ برتگ، فن، سائنس، ڈیزائن ءُ ٹیکنالوجی ءِ بہترین طریقہ شامل کنت ءُ ہورد تفصیلاں ءَ توجہ دیگ ءِ سببا شاندار انت۔ Hsinchu Scroll گݪݧدر ءِ ساز (انٹرایکٹیو انسٹالیشن) ضرورتاں جوانیں ڈولا پورا کنت، خواہشاں ءَ ہنچیت، جذباں ءَ موہنت ءُ تجسس کشنت۔
ڈیزائن ءِ پُشت سر
پریس کِٹ
اعتبارات، ٹیم ءِ نفر و تکنیکی تفصیلات ڈیزائنر ءِ نیمگا فراهم کنگ بوتگ.
- خاصین بزانتان
- This project establishes a new exhibition paradigm by transforming the traditional Chinese handscroll into a real-time, co-authored urban simulation system.
- اندازه ؤ بستهبندی
- The exhibition spans two primary galleries, each measuring approximately 30 Meter x 15 Meter with a ceiling height of 5 Meter, providing a combined immersive volume designed for large-scale digital projections.
- ٹیگان
- Digital scroll, Interaction Art, Techno-art, Hsinchu City, Chinese Art Exhibition, Media Art
- تولید ٹکنالوجی
- To bridge traditional culture with technology, the project employs Infrared depth sensors and tracking to capture visitor movements, triggering real-time interactive calligraphy and "flowing water" effects. The physical installation uses lightweight, modular screen structures and high-gain projection fabric to ensure visual clarity while maintaining a flexible, eco-friendly exhibition layout.
- ڈیزائن چیلنج
- Technical Scarcity in Traditional Ink Wash Representation: While digital tools abound for Western art, sophisticated frameworks for translating the atmospheric, rhythmic brushwork of traditional Chinese landscape painting into dynamic digital media remain scarce. The team conducted extensive research to develop shaders and fluid dynamics that honor the "spirit resonance" of classical ink, ensuring the digital output felt organic rather than synthetic. Computational Innovation in Urban Mapping: A significant innovation involved the computational synthesis of Hsinchu’s modern cityscapes with the compositional logic of the legendary Along the River During the Qingming Festival. This required massive real-time data processing and custom algorithms to weave contemporary urban memory into a seamless, unfolding digital scroll—transforming a static masterpiece into a living, generative metropolitan narrative. Cross-Institutional Strategic Collaboration: Bridging the operational cultures of a municipal city museum and a world-renowned institution like the National Palace Museum presented a complex logistical and creative challenge. The design had to satisfy high-level academic curation standards while remaining accessible and engaging for a local civic audience, ultimately establishing a new collaborative model for global-local cultural exchange.
- تحقیق
- This challenge is critical as it addresses the broader issue of how non-Western aesthetic systems can survive and evolve within algorithm-driven digital environments.This research addresses the "Digital-Cultural Gap" by developing custom shaders that replicate the "Spirit Resonance" (Qi Yun) of classical ink wash painting. By integrating IR depth sensors and FFT acoustic analysis, the project creates a "living" environment where human movement and ambient sound directly influence generative visual output. The breakthrough lies in "Computational Urban Mapping"—synthesizing Hsinchu's high-tech architecture with the compositional logic of legendary masterpieces.
- الهام
- Inspired by the traditional Chinese handscroll, this project reimagines the exhibition as an unfolding spatial experience rather than a static display. It transforms cultural memory into a continuous narrative journey, drawing from literati garden traditions of the Tang and Song eras and historic Hsinchu landmarks. By merging classical aesthetics with contemporary urban identity, the design bridges heritage and technology, creating an immersive and evolving cultural landscape.
- پرۏژه مدّت
- This exhibition started on February 3 to May 10, 2026 in Hsinchu City Art Museum in Hsinchu City, Taiwan.
- عملیاتی رۏش
- The exhibition is structured as a progressive spatial journey through two expansive galleries about 3000 sq. Ft each. Upon entry, visitors follow a curated "scroll-like" flow, transitioning from historical garden aesthetics to a futuristic digital landscape. Interaction is multifaceted: infrared sensors and motion tracking trigger dynamic visual changes on the walls, simulating the "Meandering Water" banquet. In the dedicated tea and music zones, physical rituals are augmented by generative digital media, where the rhythm of the music and the steam from the tea influence the ambient digital projections. The flow concludes in an interactive co-creation zone, where visitors can leave digital calligraphic marks, effectively becoming part of the living exhibition.
- ٹیمئے اعضا
- National Palace Museum:
Zong-Huang Xiao
Jun-Ke Xie
Shao-Qun Wu
Zhi-Yan Lin
Run-Ya You
Wen-Jia Hong
Cultural Affairs Bureau of Hsinchu City:
Shyang-Yuh Wang
Shu-Fei Chen
Yi-Rong Lai
Kuan-Chieh Huang
Yong-Jian Xu
AMUS ART TECH Co., Ltd.
Yung-Ta Chen
Ming-Lung Lee
Yu-Tung Kung
Chia-Yi Lin
Chun-Yen Chen
Ya-Chuan Chen
Yu-Hao Chang
SelfThink Creative Co., Ltd.
GONWEN DESIGN - تصویرانی کریڈٹ
- Cultural Affairs Bureau of Hsinchu City
National Palace Museum, Taiwan
AMUS ART TECH Co., Ltd., Taipei
اسپانسر
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گیشتر بچار
ہمربط ڈیزائن
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