Crown of the Sea General عوامی فنی نصب by Yu Liang Chen is a highly esteemed winner of the very prestigious 2020 A' Design Award برنجی انعام in فائن آرٹس ءِ آرٹ انسٹالیشن ڈیزائن Competition Category.
برنجفائن آرٹ· 2020
Crown of the Sea General عوامی فنی نصب
Client: NewLocal Art Studio
A' Design Award برنجی انعام Winner in فائن آرٹ Category
Verified Award Winner
Verify Award Status for #97588The Design
About Crown of the Sea General عوامی فنی نصب
دریا جنرل ءِ تاج یک عوامی فنی نصب اِنت کہ تائیوان ءِ یونلن کاؤنٹی ءِ کوہو ٹاؤن شپ ءِ منگا واقع اِنت۔ ایں نصب ءِ درازی 10 میٹر، پُلی 3 میٹر اَنت جاہ 4 میٹر بلندی دارِنت۔ ایک سٹینلیس سٹیل ءِ فریم و سیمنٹ مارٹار ایں شکل ءَ جوڑ کنت، جہاں چمکیت گلیزڈ ٹائل، ٹُٹگ سرامک ءِ ٹکڑا، کنکر و آئینگی شیشہ ایں سطح ءَ پوش کننت۔ ساخت ءِ اندرا کرسیاں سایہ و آرام ءِ واستہ مہیا کننت، جاہ بنیاد ءِ گرد سفید بجری ءَ اَش وچگاں ءِ کھیل ءِ واستہ دعوت دنت۔ اصلی باشندگ، ہان و جاپانی فرہنگاں ءِ نمونہ اِنچہ ہم گوں یکدیگر پیوست بوتگ اَنت۔ ایں تاج بحری وسیلاں ءِ احترام ءَ ترغیب دنت۔
The Recognition
About the A' Design Award برنجی انعام
Crown of the Sea General عوامی فنی نصب A' Design Award برنجی انعام ءِ ورگ آ انت، باز معزز اعتراف کہ تخلیقی صلاحیت، اختراع ءُ ذہانت گوں ممتاز بہترین ڈیزائناں دیگ بیت۔ برنج ءِ ورگ آ بھرپور مہارت ءِ ءُ نمایاں ڈولا تخلیقی شاہکار انت، کہ وتی ڈیزائنراں ءِ وسیع تجربہ، تخیل ءُ ہوشیاری ءِ تصدیق کننت۔ Crown of the Sea General عوامی فنی نصب چہ امید کنگ بیت کہ آ یک باز قدر کنگ بوتگیں، ساراہگ بوتگیں ءُ پیارکنگ بوتگیں چیز بیت، قابل ذکر حد ءَ پیشہ ورانہ ءُ جدت ءِ۔ ای ڈیزائن کہ A' Design Award برنجی انعام ءَ برتگ، فن، سائنس، ڈیزائن ءُ ٹیکنالوجی ءِ بہترین طریقہ شامل کنت ءُ ہورد تفصیلاں ءَ توجہ دیگ ءِ سببا شاندار انت۔ Crown of the Sea General عوامی فنی نصب ضرورتاں جوانیں ڈولا پورا کنت، خواہشاں ءَ ہنچیت، جذباں ءَ موہنت ءُ تجسس کشنت۔
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- Located in Kouhu Township, Yunlin County, it not only takes on the elements from patterns of various ethnic groups, but is also equipped with practical functions, including benches for resting in the interior of the installation which provide sun-ray-shielding function, and white gravels paved around for children to play with which enhances the chances to interact with people and then to pay attention to issues of environmental protection and the ocean.
- Dimensions & Packaging
- The installation measures 10 meters long, 3 meters wide, and 4 meters tall. We apply the common construction method of Taiwanese modern temple roof, which comes in dragons and phoenixes, and also take the features of materials into consideration. Besides, artisans who are expert on making the exterior of temples such as legendary figures, statue of deities, auspicious animals are invited to work together.
- Tags
- Installation art, Gazebo, Multi-cultural groups, Marine Resources, Environmental protection issue
- Production Technology
- We took stainless steel bar and net as the frame, cement mortar as the molding material. The surfaces were applied with glossy glaze tiles, fragmented ceramics and close-lightly pebbles, and pottery plates as well as pot lids were embedded in as design to increase fun. Then mirror-pane glass formed the exterior, strengthening the perception toward the combination of tradition and modern.
- Design Challenge
- Trying to combine modern art design and traditional craft, the design team especially invited molding masters and fragmented ceramic artisans constructing temples in southern Taiwan. Because of that, the design team spent a great amount of time communicating construction methods and related details, including design proportion, fragmented ceramic coloring, format, construction procedures, etc., which challenged the past designing and constructing experience of the designers and artisans.
- Research
- The figure was set in the elements from mythologies. The crown came from Giant Groupers, which is a part of Taiwanese aquaculture. Indigenous, Han, and Japanese signs are introduced. The theme color is shades of red, which is a symbol of luck and happiness in Taiwan; black, white, and golden frame reveals a sense of exquisiteness from Japanese culture; the Mountain Patterns, which belongs to indigenous tribes in Taiwan, taking blue, green, and orange to represent atmosphere, sea, and land.
- Inspiration
- In order to remind people of the importance of respect while using marine resources, the idea of the Sea General came from the traditional folk religion, the Sea Goddess, Mazu. It symbolizes that to save the environment damaged by human beings, the Sea General sacrifice its own life and leave behind the crown to remind people of the meaning of cherishing the planet, correlating with the issue of marine resources preservation and climate change.
- Project Duration
- The project finished in November, 2019 in Yunlin County, Taiwan.
- Operation Flow
- Crown of the Sea General looks like a character coming out from fantasy novels, deepens the visual perception to reach the goal of warning people that our future environment might face the fightback of nature. As for the colors, the design team chose to use prevailing decoration elements from traditional Taiwanese temples and deity statues and particularly commissioned professional Koji Pottery workmen to produce low temperature glaze kilning fragmented ceramic and tiles.
- Team Members
- Yu-Liang Chen
- Image Credits
- Cheng-Mao Liu
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