Fujifilm Clay Studio2 Дызайн інтэр'еру офіса by Koji Aoki, Lin Su and Atsushi Fujita

Fujifilm Clay Studio2 Дызайн інтэр'еру офіса by Koji Aoki, Lin Su and Atsushi Fujita is a highly esteemed winner of the very prestigious 2022 Бронзавая прэмія A' Design Award in Дызайн інтэр'ераў і выставачных прастор Competition Category.

БронзаІнтэр'ер· 2022

Fujifilm Clay Studio2 Дызайн інтэр'еру офіса

by Koji Aoki, Lin Su and Atsushi Fujita

Client: Fujifilm Corporation

Бронзавая прэмія A' Design Award Winner in Інтэр'ер Category

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Colors

The Design

About Fujifilm Clay Studio2 Дызайн інтэр'еру офіса

Clay Studio 2 — гэта інтэр'ер офіса, распрацаваны для працы над прадуктовым і візуальным дызайнам у Токіа. Прастора плошчай 300 квадратных метраў спланавана як спакойнае асяроддзе для канцэнтрацыі, у процівагу офісам, арыентаваным пераважна на камунікацыю. Бетон, фарба і цэментна-драўняная плита пакінуты неапрацаванымі, таму падаецца, што памяшканне складаецца толькі з балак і калон. Ландшафтны дызайн саду і натуральны пейзаж фарміруюць фон і прыўносяць у прастору сезонныя змены. Сталы размешчаны тварам вонкі, а сямiметровы стол дазваляе праводзіць кароткія сустрэчы, захоўваючы дыстанцыю паміж людзьмі.

The Recognition

About the Бронзавая прэмія A' Design Award

Fujifilm Clay Studio2 Дызайн інтэр'еру офіса — пераможца Бронзавай прэміі A' Design Award, высокапрэстыжнага прызнання, якое прысуджаецца выдатным дызайнам, што вылучаюцца творчасцю, вынаходлівасцю і праніклівасцю. Бронзавыя пераможцы — гэта ўмелыя і ўражліва творчыя артэфакты, якія пацвярджаюць вялікі вопыт, уяўленне і знаходлівасць сваіх дызайнераў. Чакаецца, што Fujifilm Clay Studio2 Дызайн інтэр'еру офіса — гэта высока цэнены, захапляльны і любімы прадмет, надзвычай прафесійны і інавацыйны. Гэты дызайн, што атрымаў Бронзавую прэмію A' Design Award, уключае лепшыя практыкі ў мастацтве, навуцы, дызайне і тэхналогіях і выдатны ўвагай да дэталей. Fujifilm Clay Studio2 Дызайн інтэр'еру офіса цудоўна задавальняе патрэбы, кранае жаданні, зачароўвае пачуцці і ўзбуджае цікаўнасць.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: It goes against the "dynamic" offices that exist today, where communication is the main focus. However, on the contrary, a place where people can gather and immerse themselves in friendly competition is the antithesis of the current office. Natural scenery used as the background for the landscaping of a garden adds seasonal changes to the space and enriches the experience of working while immersed.
Dimensions & Packaging: The space is made of only unprocessed materials and has the appearance of being made up of only beams and pillars. While creating an environment where everyone can face outward to design, the ability to turn around and have a quick meeting at a big table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without acrylic panels, droplet infection can be controlled.
Tags: a place for immersion, dynamic, feel of material unprocessed material, natural scenery used as the background for the landscaping of a garden, 7m big table, To have nothing is to have plenty, Work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful, Length 7m large table
Production Technology: concrete, painting, wood cement board
Design Challenge: It was difficult to unite concentration and communication.
It was planned with the hope that people would immerse themselves in the designs they create. This is contrary to the many "dynamic" offices that exist today. This is contrary to the many "dynamic" offices that exist today, where the main focus is on communication. On the contrary, however, believe that it is the antithesis of the current office, where people can gather together and immerse themselves in friendly competition.
Research: This is the office for Fujifilm's product and visual design. As a place to practice design management, have created a new base, "Clay Studio 2" in addition to the current office. If the current office is a "dynamic" space, the new office is planned with immersion as a "static" space in mind.
Leased area: 300㎡, use: office, building location: Tokyo, Move-in department: Fujifilm Design Center, Number of residents: 26
Inspiration: The office was designed with the hope that people would work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful and to immerse themselves in the designs they create. The office was designed with this in mind. Space itself is used as a "guide" for immersion.
Used the original landscape of the building to promote immersion in a calm state of mind, as if visiting a temple or shrine.
Project Duration: Start of design in November 2020, completion in April 2021
Nishi-Azabu, Minato-ku, Tokyo　
Operation Flow: While creating an environment where employees can look outward to design, the ability to turn around and have a quick meeting at a BIG table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without the acrylic panels, droplet infection can be controlled.
Team Members: Director:Koji Aoki
Design:Lin Su
Design:Atsushi Fujita