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Bio Крэсла by Vladimir Zagorac
Bio Крэсла by Vladimir Zagorac
Bio Крэсла by Vladimir Zagorac
Bio Крэсла by Vladimir Zagorac
Bio Крэсла by Vladimir Zagorac

Бронза Мэбля · 2022

Bio Крэсла

by Vladimir Zagorac

  • Бронзавая прэмія A' Design Award 2022 in Мэбля
  • CLIENT: Vladimir Zagorac
  • Estimated Number of Design Views: 16,024
  • Verification code 4A89E5C223 · Verify this award
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About Bio Крэсла

Bio — гэта калекцыя нізкіх крэслаў, распрацаваная для выкарыстання ў сучасных інтэр'ерах. Адтуліна ў спінцы нагадвае ліст ці ракавіну, а форма каля вонкавага краю пераходзіць у абрыс, падобны на кветку расліны Calla aethiopica (каловая). Гэты край злёгку выгінаецца назад і прыпадымаецца з аднаго боку, ствараючы асіметрычны сілуэт. Асіметрыя праяўляецца толькі ў вонкавых частках формы, дзякуючы чаму захоўваюцца зручнасць і эрганоміка. Матэрыялы ўключаюць фармаваныя тэрмапласты, сталь, ліцейны алюміній, дуб і скуру.

About the Бронзавая прэмія A' Design Award

Bio Крэсла — пераможца Бронзавай прэміі A' Design Award, высокапрэстыжнага прызнання, якое прысуджаецца выдатным дызайнам, што вылучаюцца творчасцю, вынаходлівасцю і праніклівасцю. Бронзавыя пераможцы — гэта ўмелыя і ўражліва творчыя артэфакты, якія пацвярджаюць вялікі вопыт, уяўленне і знаходлівасць сваіх дызайнераў. Чакаецца, што Bio Крэсла — гэта высока цэнены, захапляльны і любімы прадмет, надзвычай прафесійны і інавацыйны. Гэты дызайн, што атрымаў Бронзавую прэмію A' Design Award, уключае лепшыя практыкі ў мастацтве, навуцы, дызайне і тэхналогіях і выдатны ўвагай да дэталей. Bio Крэсла цудоўна задавальняе патрэбы, кранае жаданні, зачароўвае пачуцці і ўзбуджае цікаўнасць.

Press Kit

Unique Properties
The ambiguous shape of the opening on the seat's back, recognizable as a leaf or shell transforms into a more characteristic form similar to the flower of the Calla aethiopica plant on the edge of the backrest. This edge bends slightly backwards and rises on one side, creating a new visual effect as opposed to the other side. The asymmetry of the silhouette does not affect the functionality and ergonomics of the seat since changes in the shape occur only in the outer areas of the form.
Dimensions & Packaging
Width / Depth: up to 680mm, Height: 849mm (medium)
Tags
Asymmetry, Natural, Bio-form, Growth, Stylization
Production Technology
Molded thermoplastics, Welded laser-cut and pressed steel, Cast aluminum, Oakwood, Leather
Design Challenge
The shape of the seat can be associated with a multitude of natural forms but also with the general characteristics of the living world. The silhouette of the seat is defined through two edge curves similar in shape but with subtle differences such as curvature, orientation, distortion, and depth. These gradual changes emphasize growth as a universally understandable natural pattern and accentuate the form through minimal spatial deformations associated with gravity and weight. A firm overall construct was kept whilst utilizing asymmetry as one of the main chosen attributes.
Research
The research was performed by analyzing samples from flora and fauna and simplification and stylizing through drawings and 3D computer models. The result contains no unnecessary visual details, and was driven by the challenge of creating asymmetrical functional aesthetics within an ergonomic fresh design, universally understood as a bio-form. Different variants were developed depending on the purpose of the chair and type of legs, with metal and wood as starting materials. The organic lines of the seats are additionally emphasized in contrast with the materials of the legs.
Inspiration
Bio is a conceptual research project in the subject of stylistics created as a part of doctoral studies. The proposal of the chair collection was inspired by organic shapes and universal principals of nature.
Project Duration
The project lasted one semester at the Faculty of Applied Arts in Belgrade.
Operation Flow
Bio is a low armchair collection designed for various usages. It complements modern interiors with simplistic asymmetry and unobtrusive form open to interpretation.
Patents
Copyrights belong to Vladimir Zagorac and the Faculty of Applied Arts in Belgrade
Image Credits
Vladimir Zagorac, Faculty of Applied Arts in Belgrade

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