The Last Blooming Многофункционалните Тъкани by Qixin Wu

The Last Blooming Многофункционалните Тъкани by Qixin Wu is a highly esteemed winner of the very prestigious 2023 Желязна награда A' Design Award in Дизайн на текстил, тъкани, текстури, шарки и платове Competition Category.

ЖелязоТекстил· 2023

The Last Blooming Многофункционалните Тъкани

by Qixin Wu

Client: EchoWu Design Studio

Желязна награда A' Design Award Winner in Текстил Category

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Colors

The Design

About The Last Blooming Многофункционалните Тъкани

За да схванете нещо логически подривно, за да превърнете привидно сложна дефиниция в просто изследване на връзката между начало и край, мъртвите цветя стават основният материал за изразяване на живия цъфтеж. Те остават да цъфтят и показват окончателната красота. Хармоничните повтарящи се и живи мотиви придават на оформлението повече потенциален израз. Двуслойните тъкани, горната част е шифон, а гърбът е памук, създават промяна на външния вид, когато духа вятър. Прозрачният вид на шифона допринася за по-атрактивен и загадъчен The Last Blooming.

The Recognition

About the Желязна награда A' Design Award

The Last Blooming Многофункционалните Тъкани е носител на Желязната награда A' Design Award — престижно признание, присъждано на добри дизайни, които отговарят на професионалните и индустриалните изисквания, очаквани от добре проектирани творения. Желязните победители демонстрират голямо умение, висока специализация, експертно разбиране и творчески капацитет на своите създатели. Очаква се The Last Blooming Многофункционалните Тъкани да бъде високо ценено, възхищавано и обичано творение, което е практично и иновативно. Този дизайн, спечелил Желязната награда A' Design Award, интегрира най-добрите отраслови практики и притежава компетентни технически характеристики, свързани с ноу-хау и талант. The Last Blooming Многофункционалните Тъкани се радва на уважение заради щателността си и предлага подобрения в качеството на живот, които помагат светът да стане по-добро място.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: Some of them decayed naturally, and some of them were processed by HEAT PRESSED. By pushing bloomings to die, the fluid would be squeezed out of the stems and petals, and the melting botanic bodies would represent the rich colors of death beauty.
Besides that, the fresh green and goldenrod colors in the broadleaf depict the decomposition process. The musty mushroom with bloated ripe caps turned black and liquefied, playing a role in the decay through its fungus. the white fluff enhances the musty feeling.
Dimensions & Packaging: High: 27 inches
Width: 45 inches
Tags: Decomposition, Heat Press, Flowers, Leaves, Hand Drawing, Textile, Fabric
Production Technology: From design materials to print-out fabrics, the harmonious repeat and vibrant motifs give the layout more potential expression. The double layers fabrics, the top is chiffon and the back is cotton, create the shift looking when the wind comes. The transparent looking of chiffon contributes to THE LAST BLOOMING more attractive and mysterious.
Design Challenge: The Hardest Part of this design is the material choice. I have tried more than 50 different materials to test how the artwork represents the "Death Beauty". And for the fabrics. I tried cotton canvas, polyester, and silk. Finally, I found out this textured cotton and polyester chiffon can give the transparent looking and soft hand feel.
Research: W C Miles, Leslie. Textile Printing. Manchester: 1982. Print.
Ujiie, Hitoshi. Digital Printing of Textile, Woodhead Publishing in textiles. 2006. Print.
Storey, Joyce. Manual of Textile Printing. 1975. Print.
Inspiration: Inspired by Billy Kidd, who showed a heat-pressed flower with a flat decomposing effect. The relationship between started and finished became the starting point.
Inspired by the taphonomy, there are five general stages used to describe the process of decomposition, fresh, bloat, active, advanced decay, and dry/remains. By breaking up the body and analyzing its components, the decaying yet preserved, pressed flowers and leaves have an aged and textural appearance that can be used for designs. Yes, The picture of Death can be the birth of Beauty.
Project Duration: The project started in Jan 2015 in Philadelphia and finished in May 2021 in New York.
Operation Flow: To grasp something logically subversive, to turn a seemingly complex definition into a simple exploration of the relationship between "started and finished", the dead flowers become my main material to express the vivid blooming. They are still staying to bloom and show the final beauty in the double layers chiffon fabrics. The harmonious repeat and vibrant motifs give the layout more potential expression. The transparent looking contributes attractive and mysterious.
Patents: Copyrights belong to Qixin Wu, 2022.
Trademark(2022) Qixin Wu.
Image Credits: Qixin Wu