Past at Last Održiva moda od Tihana Miksa

Dizajn Past at Last Održiva moda od dizajnera Tihana Miksa je visoko cijenjeni dobitnik prestižne nagrade 2021 Srebrna nagrada A' Design Award u kategoriji Dizajn Mode, Odjeće i Odjevnih Predmeta.

SrebroModa· 2021

Past at Last Održiva moda

autor Tihana Miksa

Klijent: Tihana Mikša

Dobitnik nagrade Srebrna nagrada A' Design Award u kategoriji Moda

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Boje

Dizajn

O dizajnu Past at Last Održiva moda

Naglasak u kompozicijama odjeće stavljen je na bogate, živahne teksture i neravnomjernu koloraciju. Kao posljedica toga, same odjevne forme su simetrične, jednostavne i zatvorene, bez ikakvih zahtjevnih intervencija u strukturu. Ovi objekti ispituju vizuelni aspekt, taktilnost, materijalnost, živu dinamiku i arhitektoniku tekstila. Boje su niskog intenziteta i akromatske, osim crvenih koje pulsiraju unutar ovog blijedog spektra.

Priznanje

O nagradi Srebrna nagrada A' Design Award

Past at Last Održiva moda je pobjednik Srebrne nagrade A' Design Award, izuzetno prestižnog priznanja koje se dodjeljuje vrhunskim, veličanstvenim i impresivnim dizajnima. Srebrni pobjednici iznimno su briljantna i vrlo kreativna djela koja ilustriraju izuzetnu stručnost, talent i oštroumnost svojih dizajnera. Očekuje se da Past at Last Održiva moda bude divno, reprezentativno djelo koje je izuzetno profesionalno i duboko inovativno. Ovaj dizajn koji je osvojio Srebrnu nagradu A' Design Award vrlo je zapažen, nadaleko cijenjen izum koji koristi i pomjera granice umjetnosti, nauke, dizajna i tehnologije. Past at Last Održiva moda je kreacija kojoj se mnogi dive i zavide, koja budi želje, donosi pozitivne osjećaje i raspiruje čuđenje i divljenje.

Iza dizajna

Press komplet

Zasluge, članovi tima i tehnički detalji koje je dostavio dizajner.

Jedinstvena svojstva: The emphasis in the clothing compositions is on rich, playful textures and uneven coloration. As a consequence, the garments themselves are symmetrical, simple and closed forms without any demanding interventions to the structure. These objects examine the visual aspect, tactility, materiality, living motion and the architectonics of textiles.
The colours are low in intensity and achromatic, except reds that pulsate within this pale spectrum.
Oznake: basketry,wool,mould,seamless,textile,handpainted,handmade, handpleating, sashiko, nuno felting,aperture, finishes
Tehnologija proizvodnje: The textile is structured through various pleating techniques, improper and proper stitching, hand tinting to achieve noble tones, treatment with acids, wax, burning, patching, sandpapering, drilling, basket-making and finishes.
Dizajnerski izazov: Perhaps this no longer matters, but we still care about values, about something that goes beyond our mere existence in the here and now, even when it comes to dressing. What we use to shroud our body, how we seem and appear in front of others, and what we communicate and convey in this manner, this will continue to matter about as long as we share this world with others.
Tihana Mikša Perković is aware of this, and in her quest for clothing worthy of man she intervenes in history as well as in modernity, in the continuity of life finding the only real source of inspiration. Her inspiration are folk costumes from Croatian regions which she interprets in a contemporary key, by applying contemporary textile processing techniques.
Inspiracija: The man of tradition is closely linked to the rural way of life, as can be seen from the regional diversity that result from geographical location and the set of natural givens.
It was my intention to follow in the footsteps of our ancestors and to commit myself in a contemplative and repetitive, as well as time-consuming manner to the overall creation of each costume. In actual fact, my intention was to slow down, to be part of the process, and not just a consumer of finished impersonal and alienated clothing.
Trajanje projekta: 10.03.-26.03.2016., Zagreb, Ulupuh Gallery
Autorstvo slika: Photo Vanja Šolin
Hairdress and make up Dalibor Šakić
Model Hana F.M.