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Ching Ming Kyoto Enterijer restorana by Takuji Kamio

Ching Ming Kyoto Enterijer restorana by Takuji Kamio is a highly esteemed winner of the very prestigious 2022 Brončana nagrada A' Design Award in Dizajn Unutrašnjeg Prostora i Izložbi Competition Category.


BronzaEnterijer· 2022

Ching Ming Kyoto Enterijer restorana

by Takuji Kamio

Client: Miyoshi Corporaiton

Brončana nagrada A' Design Award Winner in Enterijer Category

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Verified Award Winner

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Colors

The Design

About Ching Ming Kyoto Enterijer restorana

Ching Ming Kyoto je enterijer kineskog restorana smješten u zgradi željezničke stanice u Kyotu, Japan. Površina poda iznosi 110 kvadratnih metara. Propisi su ograničavali visinu plafona, pa je osvjetljenje obješeno i tretirano kao umjetničko djelo. Linijska svjetla su oblikovana u trouglove i kontinuirano povezana kako bi okružila prostore za sjedenje. Plafon je obojen u crno kako bi se naglasila lebdeća linijska i kuglasta svjetla. Zidovi su prekriveni uljanim slikama starih kineskih priča, kombinovanim sa geometrijskim uzorcima i grafičkim podnim pločicama.

The Recognition

About the Brončana nagrada A' Design Award

Ching Ming Kyoto Enterijer restorana je pobjednik Brončane nagrade A' Design Award, visoko prestižnog priznanja koje se dodjeljuje izvanrednim dizajnima što se odlikuju kreativnošću, domišljatošću i oštroumnošću. Brončani pobjednici izdašno su vješti i upečatljivo kreativni artefakti koji potvrđuju golemo iskustvo, maštu i snalažljivost svojih dizajnera. Očekuje se da Ching Ming Kyoto Enterijer restorana bude visoko cijenjen, voljen i njegovan predmet koji je izuzetno profesionalan i inovativan. Ovaj dizajn koji je osvojio Brončanu nagradu A' Design Award uključuje najbolje prakse u umjetnosti, nauci, dizajnu i tehnologiji i izvrstan je zbog pažnje posvećene detaljima. Ching Ming Kyoto Enterijer restorana sjajno zadovoljava potrebe, dotiče želje, očarava osjećaje i privlači znatiželju.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties
Kamio expressed the lightings as a big art by spreading them over the whole the shop area. Making the lightings in impressive line shapes, he tried to create a dramatic atmosphere. The line lights were formed in triangle shapes and connected with each other continuously to surround the shop seating areas.
Dimensions & Packaging
Floor Area : 110 square meter
Tags
Geometric lighting, Chinese restaurant, Kyoto restaurant, Authentic design, Japanese Designer
Production Technology
For many parts, Kamio applied artistic graphics with effective lighting systems. To emphasize the art feeling, he covered the walls with oil paintings, which are telling the some Chinese old stories, with the modern expressions, such as adding geometric patterns on the paintings.
Design Challenge
Perhaps the most difficult parts in this project was to deal with lighting combination. Because the team could not place the lighting equipments directly on the ceiling, they needed to hung all the equipment. Painting the ceiling in black, the team emphasized and focused more on the floating lightings consisted on line and ball shapes. To find the appropriate balance and locations of those different shape lighting was very sensitive work and one of most important aspects to create the whole space atmosphere.
Research
The team made and used 3D images and models to understand the visual effects. It was very helpful to figure out how the line lights can be seen in each seating area. Also, they researched and studied several Chinese stories and art paintings in libraries for the wall graphics.
Inspiration
Because the shop is located in a train station building and there were several regulations about ceilings, Kamio had to have some challenges to deal with lighting systems. Rather than using the normal ceiling lights, he understood and expressed the lights as art aspects.
Project Duration
From September 2018 to March 2019 in Kyoto, JAPAN
Operation Flow
Because the team used a number of graphic expressions such as wall paintings, floor tiles, and lighting shapes, it was very important to understand how those expressions work together. They carefully fill up the drawings with the graphic patterns and shared those images with all staffs to have the common visions. For some parts, they printed out actual life size drawings and discussed about the effects.
Patents
Ichii Kamiodesign
Team Members
Takuji Kamio
Ray Keida
Image Credits
Satoru Umetsu, nacasa and partneres

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