Changes Cycles and Shapes Digitalna umjetnost od Yuko Suzuki

Dizajn Changes Cycles and Shapes Digitalna umjetnost od dizajnera Yuko Suzuki je visoko cijenjeni dobitnik prestižne nagrade 2025 Zlatna nagrada A' Design Award u kategoriji Generativni, Algoritmički, Parametarski i AI-Potpomognuti Dizajn.

ZlatoGenerativni· 2025

Changes Cycles and Shapes Digitalna umjetnost

autor Yuko Suzuki

Klijent: Feral File

Dobitnik nagrade Zlatna nagrada A' Design Award u kategoriji Generativni

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Dizajn

O dizajnu Changes Cycles and Shapes Digitalna umjetnost

Ovaj rad istražuje pitanje šta je slikarstvo, izražavajući cirkulaciju vizuelnih izraza. Inspirisan tranzicijama u Mondrijevim slikama, zasniva se na dijagramu komponenti slikarstva, gdje oblik prelazi između figurativnog i apstraktnog, te između šuma i linearnosti - ideja primijenjena na boju. Rad evocira promjenljivo stanje digitalne materijalnosti, naglašavajući da su forme između promjena suština. Uključivanjem tekstura štampanih barenom, odražava identitet umjetnika kao grafičara u digitalnom obliku.

Priznanje

O nagradi Zlatna nagrada A' Design Award

Changes Cycles and Shapes Digitalna umjetnost je pobjednik Zlatne nagrade A' Design Award, iznimno prestižnog priznanja koje se dodjeljuje prvorazrednim, čudesnim i izvanrednim dizajnima. Zlatni pobjednici iznimno su inovativne, vrlo vizionarske i blistavo zasljepljujuće kreacije koje odražavaju genij, mudrost i umijeće svojih dizajnera. Očekuje se da Changes Cycles and Shapes Digitalna umjetnost bude vrlo hvaljen, trendovski i monumentalan izum koji pruža bezprecedentnu vrijednost. Ovaj dizajn koji je osvojio Zlatnu nagradu A' Design Award spektakularan je, cijenjen projekt koji izuzetno koristi i pomjera granice umjetnosti, nauke, dizajna i tehnologije. Changes Cycles and Shapes Digitalna umjetnost stvara snažne osjećaje želje, budi strast, podstiče kreativnost i fascinira nas.

Iza dizajna

Press komplet

Zasluge, članovi tima i tehnički detalji koje je dostavio dizajner.

Jedinstvena svojstva: Based on the question, What is painting?, this work expresses the circulation of multiple visual expressions, evoking the shifting state of digital materiality, oscillating between the concrete and the abstract. In it, it also expresses the idea that forms in between changes are the essence, and we live in a moment in change.
Furthermore, by incorporating textures printed with a baren, the artist's identity as a printmaker is incorporated in a digital form.
Dimenzije i pakovanje: 1920×1080 px / 3840×2160 px, 25 seconds, 65 works
Oznake: Generative Art, Coding
Tehnologija proizvodnje: This work was created entirely in a programming language called Processing.
It is made up of animations that change from one shape to the next.
Dizajnerski izazov: The theme of the exhibition was the inheritance of the experimental aesthetics of Hiroshi Kawano, a pioneer of Japanese computer art, so I researched Hiroshi Kawano and the history of past computer art.
I had repeated conversations with this great artist of the past to find out how to connect Kawano's work with my own experiments, and it took me a long time to dig deep into my theme and digest it.
Istraživanje: This design study aims to explore how print textures can be incorporated into paintings. The researcher delved into the historical background of Hiroshi Kawano and Mondrian to explore how their style and techniques can be reflected in his own work. In terms of methodology, he took an experimental approach and researched the archives of past painters to evolve the expression of his work by combining different materials and textures.
As a result, the work is a reflection of the history of painting, and the influences of Hiroshi Kawano and Mondrian are beautifully integrated. This study proposed a new way of expression that goes beyond the boundaries of print and painting, and offered a new perspective on contemporary art. In terms of business, it made us reconsider the commercial value of art and its potential as design, and in terms of society, it allowed us to delve deeper into the historical and cultural meaning of art.
Inspiracija: In painting, shape has an axis of figurative - abstract and an axis of noise - linear, while color also has an axis of noise - linear. Based on the component diagram of painting constructed from this idea, I developed a means of cycling through multiple visual idioms at once, with the work expressing the cycle itself. This work was also inspired by the transitions in Mondrian's paintings.
Trajanje projekta: This work was exhibited at Patterns of Flow held at NEORT++ in Tokyo from September 24th to October 6th, 2024.
This exhibition was a collaboration with Right Click Save and Massage Magazine, and the works were sold on Feral File, an NFT platform.
Tok rada: In this animation, objects transform over time, oscillating between figurative and abstract, noise and linear. Designed to create a continuous flow of visual changes, the animation's timing and speed are adjusted to create a visually pleasing rhythm. By silently observing these changes, viewers can relate to their own lives and experiences, evoking deep empathy and emotional responses.
Autorstvo slika: Image #3: NEORT++, Changes, Cycles, and Shapes in Between, 2024.