Clay Moulded Dizajn enterijera pozorišta od Marius Mateika

Dizajn Clay Moulded Dizajn enterijera pozorišta od dizajnera Marius Mateika je visoko cijenjeni dobitnik prestižne nagrade 2025 Zlatna nagrada A' Design Award u kategoriji Dizajn Unutrašnjeg Prostora i Izložbi.

ZlatoEnterijer· 2025

Clay Moulded Dizajn enterijera pozorišta

autor Marius Mateika

Klijent: Mama architects

Dobitnik nagrade Zlatna nagrada A' Design Award u kategoriji Enterijer

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Dizajn

O dizajnu Clay Moulded Dizajn enterijera pozorišta

Clay Moulded je dizajn enterijera muzičkog pozorišta u Klaipedi, u Litvaniji. Glina prekriva zidove i plafone, a više od 30 tona materijala naneseno je ručno. Uzorak glavne dvorane je kontinuiran i proteže se od jednog kraja prostora do drugog. Za projekat je razvijen proces nanošenja premaza u sedam faza, koji uključuje prskanje, oblikovanje uzorka, sušenje, ribanje, glaziranje i konzervaciju. Zidovi i plafoni se mogu otvarati i zatvarati radi kontrole refleksije zvuka, tako da se prostor prilagođava koncertima, predstavama i sastancima. Gledalište prima 700 osoba.

Priznanje

O nagradi Zlatna nagrada A' Design Award

Clay Moulded Dizajn enterijera pozorišta je pobjednik Zlatne nagrade A' Design Award, iznimno prestižnog priznanja koje se dodjeljuje prvorazrednim, čudesnim i izvanrednim dizajnima. Zlatni pobjednici iznimno su inovativne, vrlo vizionarske i blistavo zasljepljujuće kreacije koje odražavaju genij, mudrost i umijeće svojih dizajnera. Očekuje se da Clay Moulded Dizajn enterijera pozorišta bude vrlo hvaljen, trendovski i monumentalan izum koji pruža bezprecedentnu vrijednost. Ovaj dizajn koji je osvojio Zlatnu nagradu A' Design Award spektakularan je, cijenjen projekt koji izuzetno koristi i pomjera granice umjetnosti, nauke, dizajna i tehnologije. Clay Moulded Dizajn enterijera pozorišta stvara snažne osjećaje želje, budi strast, podstiče kreativnost i fascinira nas.

Iza dizajna

Press komplet

Zasluge, članovi tima i tehnički detalji koje je dostavio dizajner.

Jedinstvena svojstva: For the interior décor, we chose an archaic material - clay. It is probably the largest interior in the world made of natural clay. The pattern and technology of the hall is unique and continuous throughout the space, created by one artist Mantas Petravičius. All planes are in motion. They open and close (as you can see in photo 3) depending on the nature of the concert and the acoustics required. And that's what makes this space even more unique.
Dimenzije i pakovanje: The whole theater is 10 000m2 size. The auditorium has seating capacity of 700 people. We used over 30 tonnes of clay for wall decor.
Oznake: Klaipėdos muzikinis teatras, Klaipėda state musical theatre, MAMA architects
Tehnologija proizvodnje: We used over 30 tonnes of clay for the walls and ceilings of the entire interior. This work took nine months to complete using unique tools created exclusively for this work and was carried out by the hands. The clay coating process is also unique, developed exclusively for this theatre.The process itself consists of 7 stages (clay spraying, patterning, drying, scrubbing, re-spraying, glazing, conservation). It takes about 3 weeks to complete all the steps. The whole process was implemented on the construction site.
Dizajnerski izazov: The decor of the main hall is a continuous pattern starting at one end of the hall and ending at the other. Meanwhile, the process required major interruptions and took 9 months. The hardest part was to bring everything together into a coherent picture. The rest of the public spaces (lobbies, passages, staircases) are also made of clay. Here, the pattern is different, but also handmade.
Istraživanje: Clay was used for wall and ceiling decor.
The whole process was done by hand in stages:
1.) First, the clay is sprayed, then swiped with special tools made just for this object to form waves.
2.) Waiting for everything to dry. Then the sharp corners are scrubbed.
3.) Repeat the spraying with a thinner layer. After spraying, the clay shall be brushed to distribute the clay evenly and to form a soft surface.
4.) Wait for everything to dry.
5.) Everything is impregnated and preserved.
Inspiracija: The city of Klaipėda, where the theatre is located, is by the sea. We were inspired by the sandy coastline of the sea and the shores shaped by the waves. Klaipėda is an old city dominated by red clay brick buildings. For us, the sea and the clay became the basis for the idea. As this is a theatre, clay seemed to us to be the right material to create a dramatic mood.
Trajanje projekta: The project lasted 5 years. The clay decoration alone took 9 months. The theatre is realized in Klaipeda, Lithuania.
Tok rada: This theatre has transformable walls and ceilings.
They open up. This controls sound reflections. The space adapts to the event. (Depending on whether it's a concert, a play, an meeting event).
Članovi tima: Architects: Marius Mateika
Autorstvo slika: Photographer: Leonas Garbačauskas