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Muse Pameran Konseptual by Michelle Poon
Muse Pameran Konseptual by Michelle Poon
Muse Pameran Konseptual by Michelle Poon
Muse Pameran Konseptual by Michelle Poon
Muse Pameran Konseptual by Michelle Poon

Ulaweng Grafis · 2021

Muse Pameran Konseptual

by Michelle Poon

  • A' Design Award Ulaweng 2021 in Grafis
  • CLIENT: Michelle Kason
  • Estimated Number of Design Views: 61,168
  • Verification code 9AF1A31CF8 · Verify this award
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About Muse Pameran Konseptual

Muse iyaréga projek desain eksperimental namalele persepsi musikale tau lalolongé tellu pangalaman instalasi namarénré cara macca-macca mangalamingi musik. Séuwwaénna sensasionale murni anggarokkengi material thermo-active, sibawa makkéduanna namappaimasseng persepsi terdekode spatialitas musikale. Makkutanana iyaréga terjemahan antureng notasi musik sibawa bentuk visual. Tau napasiajié manginteraksi sibawa instalasi-instalasi sibawa mangéksplorasi musik secara visual lalolongé persepsi séddingngé. Pesan poko naiyya desainer patau mallolié makkédai persepsi namangkuasa iaro ri prakték.

About the A' Design Award Ulaweng

Muse Pameran Konseptual iyanaritu pakoro A' Design Award Ulaweng, pakalebbi iya malompo tongeng iya ripabbere ri desain kelas pammulang, magello sibawa luar biasa. Pakoro Ulaweng iyanaritu karya iya inovatif, visioner sibawa mallangkara, iya mappakita kecerdasan, pangissengeng sibawa keahlian tau mabbuat. Muse Pameran Konseptual ripakkirangngi mancaji penemuan iya lebbi ripuji, mappabbentuk trend sibawa monumental iya mappabbere nilai iya dena na rilebbi. Desain pakoro A' Design Award Ulaweng iyae iyanaritu karya spektakuler iya ripakalebbi iya malompo pawangekeng sibawa mappalaong wates seni, sains, desain sibawa teknologi. Muse Pameran Konseptual mappabbentuk perasaan keinginan iya makkasuwiang, mappatettong passiri, mappogau kreativitas sibawa mappagello.

Press Kit

Unique Properties
Muse is an experimental design project studying the musical perception of the human through three installation experiences, two sensational and one logical. People are encouraged to interact with the installations and explore the music visually with their own perception. We try to understand how people understand music here.
Dimensions & Packaging
The exhibition is proposed to be in Hong Kong Museum of Art Gallery 4. It includes three installations which is 2m x 2m x 3m each for two of the cylinder exhibits (the Senses and Shades) and three tables for the third interactive exhibit (the Table).

There are also a set of printed materials, such as poster, brochures, printed and digital tickets, which align back to the exhibition brand.
Tags
exhibition, music, perception, visual communication, graphic design, experiement, conceptual
Production Technology
Thermo-active fabric for the Senses.
Acrylic Tiles for the Table.
Antalis Skin Paper for printed matierals.
Design Challenge
Research part:

With the current situation of coronavirus, I could not provide an extensive performance that surrounds the participants. This makes sensing spatiality less specific than in under a real performance as participants could only rely on their imaginations while listening to their headphones.

Creative part:

I stuggled to code or turn raw data into infographics or coded graphics. The topic of 'musical Perception' digs very deep into human psychology and it is somehow hard for anybody to understand the final deliverables. I developed a many possibilities before coming up wth using simple and minimalistic approach to code the raw dats collected.
Research
Readings:

Perception is ineffable. Any written language on the earth failed us in fully communicating perceptions. Perception could be sensed and understood, but not necessarily be spoken. This situation is even more significant when it comes to music as music is often known to be ‘expressive’, ‘intangible’ and ‘free flow’. Music is something that could not be 100% translated to verbal communication. Music is so vague that perception plays a really big role on how we feel and are moved about it.

Musical Experiment:

A group of audience were asked to finish a set of doodles while surrounded by a group of choral performers. From the results, it is understood that human focus on differences and similarities, ups and downs, stable sounds and changes, as well as flat tones and big contrasts. Human always try to find repetitive patterns in a song, which is a reference of what we have always been exposed to.
Inspiration
The name ‘Muse’ is taken from the inspiration of Greek mythology. The Greek goddesses of art & music are the Muses. They are known as one entity, though there are actually 9 of them and each is unique in their own way. Its resonances with the concept of perception as perception could be understood universally to some extent, though still unique among each of us.
Project Duration
The project started dwith the research stage from September 2019 to January 2020, and the execution stage from January 2020 to June 2020.
Operation Flow
We perceive an object through sensations from our body and also our logical mindset which make sense of the sensations. Yet the channels for perceiving music is not limited to our ears only, but our eyes which see the performance, our hands and our bodies which feel the bass beat and frequencies. These information collected from the senses are sent to our brain to construct meaning and perception paved in to help making sense of the information collected.
Patents
Copyrights belong to Michelle Kasom, 2020
Image Credits
Michelle Kason

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