Gradual Change of the Circle Ukiran by Ying Hsi Liao

Gradual Change of the Circle Ukiran by Ying Hsi Liao is a highly esteemed winner of the very prestigious 2023 A' Design Award Bessi in Desain Seni Rupa dan Instalasi Seni Competition Category.

BessiSeni Rupa· 2023

Gradual Change of the Circle Ukiran

by Ying Hsi Liao

Client: Gradual Change of the Circle

A' Design Award Bessi Winner in Seni Rupa Category

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Verified Award Winner

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View at A' Design Award Press Release Award Badge

Colors

The Design

About Gradual Change of the Circle Ukiran

Gradual Change of the Circle iyanaritu séng ukiran assumangenna polé ri assompereng atuwongngé ri linoé. Karajaé kaminang biasa ripakéi bahang stainless steel, na sapuang titanium mabbéré wanna ulaweng sibawa péra' sibawa rupang teknologi. Bentu bulué mappaingeng ri rupa indo'é enrengngé mappasénnangi biné, cukké, sibawa gulili. Garisi ri wiring arca luaré simmilarupang bombang ri wiring liung. Ureng cekkong ri lalengngé mappaita pallolongeng langié. Bentué riyolo ripatettong ri komputeré, nappa naissengi ri limanna tau. Modélé riolo ripaggancingeng nasibawang 3D printing sibawa bahang wedding ripake pole, untu' kurangi assarang.

The Recognition

About the A' Design Award Bessi

Gradual Change of the Circle Ukiran iyanaritu pakoro A' Design Award Bessi, pakalebbi iya malebbi iya ripabbere ri desain makessing iya mappabbura persyaratan profesional sibawa industri iya ripakkirangngi pole ri ciptaan iya makessing ripikkiri. Pakoro Bessi mappakita keterampilan malompo, spesialisasi dalleng, pemahaman ahli sibawa kapasitas kreatif tau mabbuat. Gradual Change of the Circle Ukiran ripakkirangngi mancaji ciptaan iya ripakalebbi, ripuji sibawa rirennu iya praktis sibawa inovatif. Desain pakoro A' Design Award Bessi iyae mappasilaong praktik tepat industri sibawa napaitai karakteristik teknis iya kompeten iya sipulung sibawa pengetahuan sibawa bakat. Nasaba ketelitiannna, Gradual Change of the Circle Ukiran mappoleang pakalebbi sibawa ripikkiri mappabbere perbaikan kualitas laleng iya ritulung mappadeceng lino mancaji tempe makessing.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: The work is mainly made of stainless steel, and the titanium plating technique makes the art piece in the color scheme of cash and silver, demonstrating a technological and futuristic vibe. The rounded shape of the piece is a replica of a mother's face, representing her love like the sun and the moon, which protect her day and night.
Dimensions & Packaging: Width 110cm x Depth 120cm x Height 120cm
Tags: Installation, Art, Creative, Design, Innovation
Production Technology: Moreover, it also conveys the image of life that never ends. The lines outside the arc are similar to the waves of the sea lapping on the beach, recording the time of the ebb and flow of the tide.
Design Challenge: The pre production of the artwork was constructed using reusable earth as the material, and the model was printed out with corn-friendly materials through the technology of 3D printing by scanning. By means of an environmentally friendly production process and the use of recyclable materials, the project reduces waste of resources and pollution, thus realizing an earth friendly environment.
Research: The overall appearance of the work resembles a nautilus or a seashell and the image of Tai Chi. The physical transformation following the mental condition produces different forms or symbols from one person to another. The idea is firstly executed and shaped by a computer with accuracy and precision as the essential reference index and before long made by hand, under highly technical skills demanding process.
Inspiration: The earth's biosphere: genes, individuals, groups, species, communities, and landscapes have evolved over thousands of years. This artwork is an abstract conceptual approach to the appearance of seeds, buds, shells, mothers, and other imagery, creating an imaginative installation.
Project Duration: The market launch was in 2019.
Operation Flow: All the rivers run into the sea, yet the sea is not full. This passage is a motto of King Solomon in the Old Testament, and it is embodied in part of this work, reflecting the view of the sky through the inner concave curved surface.
Image Credits: Huachengarts Co., Ltd.