Oita Soho Rumah Manré Jepang Modéren naébbu Mika Kanayama

Oita Soho Rumah Manré Jepang Modéren naébbu Mika Kanayama iyanaritu pammènangngé iya temmaka riéloinna ri 2024 A' Design Award Salaka ri Katégori Kompétisi Desain Ruang Interior na Pameran.

SalakaInterior· 2024

Oita Soho Rumah Manré Jepang Modéren

ᨑᨗ Mika Kanayama

ᨀᨒᨗᨕᨙ: Muzo

Pammènangngé A' Design Award Salaka ri Katégori Interior

24,153

Pammènangngé Anugérah Naparessoi

Paressoi Status Anugérah untu #151700

ᨒᨕᨚ ᨑᨗ ᨔᨗᨈᨘ ᨈᨗᨈ ᨑᨗ A' Design Award ᨔᨗᨕᨑ ᨄᨙᨑᨙ ᨅᨙᨍᨗ ᨄᨂᨑᨁ

ᨓᨑᨊ

ᨉᨙᨔᨕᨗᨊᨙ

ᨄᨙᨑᨗᨖᨒ Oita Soho Rumah Manré Jepang Modéren

Oita Soho naancangi supaya matarima pakkonttang mapésso nasitarima malino sibawa pengaruh Jepang, mabbawa identitas naséng ri rumah manréna Oita riolona napakaiyya informal matanré sibawa tanéng-tanéng malampéé. Pakkontta naéwai makkareléi lébbi makkédato silarékkonna pendekatan minimalis Jepang modéren supaya mappaséddiang pakrasangang mapésso tongéng nasiwédding sintésis elemen estetik sibawa budaya. Kareba naéwai nataro inspirasi essay Tanizaki 'In Praise of Shadows' mappaja pakkéanréang, maknana sibawa estetikna pétténg sibawa aléwéng ri seni Jepang, disain sibawa arsitektur.

ᨄᨂᨑᨁᨙ

ᨄᨙᨑᨗᨖᨒ A' Design Award Salaka

Oita Soho Rumah Manré Jepang Modéren iyanaritu pakoro A' Design Award Salaka, pakalebbi iya malompo tongeng iya ripabbere ri desain tingkak pole, cantik sibawa mappakita. Pakoro Salaka iyanaritu karya iya macennning tongeng sibawa kreatif iya mappakita keahlian, bakat sibawa ketajaman pikkiran tau mabbuat. Oita Soho Rumah Manré Jepang Modéren ripakkirangngi mancaji karya iya magello, mancaji pakkitaang, profesional sibawa inovatif iya dalleng. Desain pakoro A' Design Award Salaka iyae iyanaritu penemuan iya lebbi riissengngi sibawa ripuji, iya pawangekeng sibawa mappalaong wates seni, sains, desain sibawa teknologi. Oita Soho Rumah Manré Jepang Modéren iyanaritu ciptaan iya riennengi tau maega, iya mappabbura keinginan, mappabbere perasaan makessing sibawa mappabbentuk ketakjuban.

ᨑᨗ ᨆᨘᨋᨗᨊᨙ ᨉᨙᨔᨕᨗ

ᨀᨗ ᨄᨙᨑᨙ

ᨀᨑᨙᨉᨗ, ᨕᨂᨚᨈ ᨈᨗᨆ ᨔᨗᨅᨓ ᨑᨗᨏᨗ ᨈᨙᨀᨊᨗ ᨊᨄᨓᨙᨑᨙ ᨑᨗ ᨉᨙᨔᨕᨗᨊᨑᨙ.

Sipa Khas: It was designed to create a sophisticated, relaxing space with Japanese influences, and carrying some of the identity established in Oita's first restaurant, informal and verdant with plants throughout the space. The space required more than the conventional approaches of minimalistic modern Japanese design to deliver a distinct, remarkable experience that is a synthesis of aesthetic and cultural elements.

The space required more than the conventional approaches of minimalistic modern Japanese design, to deliver a distinct, remarkable experience that is a synthesis of aesthetic and cultural elements.Backlit paper parasols are placed overlapping in a flowing pattern that follows the stairs creating a feature wall to surprise and delight leading visitors to the upper level. The warm light of the parasols is accentuated in the dark. Lighting is careful and muted throughout relying on position and shades. Two mirrors placed parallel in opposite directions reflect the lights infinitely in their depths, adding to the glow and mystery of the space.
Ukurang & Kemasang: The area of project is
Ground Floor - 67sqm
First Floor - 69sqm
Tag: Japanese restaurant design, muzo, Oita, interior design, restaurant design, Japanese design, chinatown
Téknologi Produksi: Grade II Listed Building
Material: Fire retardant timber & veneered oak MDF throughout.
Tantangeng Désain: As it was a Grade II listed building, the history of the premises was researched in depth prior to work. Great consideration was given at design stage and fit-out work was carried out carefully. Any finishes that needed repairing was matched to the original finish.
Panélitiang: The space is abundant with plants and botanical imagery bringing a sense of exotic night garden or conservatory. Artworks by Imao Keinen featuring birds in seasonal settings with plants and flowers feature throughout, furthering the theme, Keinen’s masterful use of colours is utilised to play with the décor palette introducing flashes of bright colour that are echoed elsewhere, harmonising with the greenery and midnight shades to effect a unique, spectral contrast. The effect has almost the feeling of Japanese lacquerware artwork made real where living forms are presented luminously against the deep dark of lacquer surfaces.
Inspirasi: The work was inspired by the Tanizaki essay 'In Praise of Shadows' which discusses the use, meaning and aesthetics of darkness and shadows in Japanese art, design and architecture.
Wettu Proyék: The project was completed in January 2023 in London.
Alur Opérasi: Backlit paper parasols are placed overlapping in a flowing pattern that follows the stairs creating a feature wall to surprise and delight leading visitors to the upper level. The warm light of the parasols is accentuated in the dark.
Lighting is careful and muted throughout relying on position and shades.
Two mirrors placed parallel in opposite directions reflect the lights infinitely in their depths, adding to the glow and mystery of the space.
Paténg: Copyrights belong to Muzo, 2023
Krédit Gambar: Image #1: Photographer Sara Hibbert
Image #2: Photographer Sara Hibbert
Image #3: Photographer Sara Hibbert
Image #4: Photographer Sara Hibbert
Image #5: Photographer Sara Hibbert