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Grace Bola Onrong by Satoshi Kurosaki
Grace Bola Onrong by Satoshi Kurosaki
Grace Bola Onrong by Satoshi Kurosaki
Grace Bola Onrong by Satoshi Kurosaki
Grace Bola Onrong by Satoshi Kurosaki

Ulaweng Arsitektur · 2025

Grace Bola Onrong

by Satoshi Kurosaki

  • A' Design Award Ulaweng 2025 in Arsitektur
  • CLIENT: APOLLO Architects & Associates Co., Ltd.
  • Estimated Number of Design Views: 9,022
  • Verification code AA94874E3F · Verify this award
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About Grace Bola Onrong

Grace iyanaritu bola baiccu' mattonrang aju untu' séddi kaluarga tellu tau ri séddi tana ri wiring salo' ri saliwenna kota Tokyo. Iyaé bolaé ridésaing untu' atuwong majjama pole ri bolaé. Onrong pattaroang, pakkakkasa dapureng sibawa pakkakkasa laingngé mappunnai fungsi ritamai ri laleng renringngé untu' pédécéngi asséddingeng sibawa assitulungeng ri laleng onrong malampé sibawa macipi'é. Bili'-bili' pribadi monro ri lanté mammulangngé, na lanté maduaé iyanaritu séddi bili' loang tabbukka ri yawana ateppo gable sibawa kaso' tabbukkaé enrengngé lampu dé'é nalangsung. Balkong yolo makkaca sibawa cucureng maloang mancaji onrong assélléngeng ri pallawangenna jama-jamang sibawa appésaungeng.

About the A' Design Award Ulaweng

Grace Bola Onrong iyanaritu pakoro A' Design Award Ulaweng, pakalebbi iya malompo tongeng iya ripabbere ri desain kelas pammulang, magello sibawa luar biasa. Pakoro Ulaweng iyanaritu karya iya inovatif, visioner sibawa mallangkara, iya mappakita kecerdasan, pangissengeng sibawa keahlian tau mabbuat. Grace Bola Onrong ripakkirangngi mancaji penemuan iya lebbi ripuji, mappabbentuk trend sibawa monumental iya mappabbere nilai iya dena na rilebbi. Desain pakoro A' Design Award Ulaweng iyae iyanaritu karya spektakuler iya ripakalebbi iya malompo pawangekeng sibawa mappalaong wates seni, sains, desain sibawa teknologi. Grace Bola Onrong mappabbentuk perasaan keinginan iya makkasuwiang, mappatettong passiri, mappogau kreativitas sibawa mappagello.

Press Kit

Unique Properties
A key design challenge was assimilating contradictory elements such as work/leisure, interior/exterior, and private/public in order to achieve that harmonious lifestyle within a limited space. In contrast to private areas such as the master bedroom and child’s bedroom on the first floor, the second floor consists of a single open room. The front balcony, a glassed-in intermediary space with deep eaves, plays an especially important role in transitioning between work and leisure. The furniture on the balcony has a similar aesthetic to that inside the house, which creates a sense of continuity, while the one-way glass blocks visibility from the road but lets in natural scenery, resulting in a uniquely comfortable atmosphere.
Dimensions & Packaging
Principal Use : Private housing
Structure : Timber
Site Area: 133.70m2
Total Floor Area : 106.16m2(49.69m2 /1F, 56.47m2 /2F)
Tags
GRACE, APOLLO Architects & Associates, House, Residence, Residencial,Architecture, Japan
Production Technology
Exterior Finish : Galvalume, Elastic Lysince Spray
Floor : Tile Flooring, Walnut Flooring
Wall : Wallpaper
Ceiling : Wallpaper, Spruce Pine Fir (SPF), Lauan Plywood, Walnut Lighting : LED
Research
Enclosing all functional elements within wall storage units allowed us to eliminate the visual noise of excess objects and enhance concentration on work. Meanwhile, the exposed rafters of the gable roof with indirect lighting set into them make this second-floor space both unusual and relaxing. Perhaps this design approach, which takes smallness not as a minus but as a plus in terms of coziness and comfort, will be even more sought after in the post-Covid 19 era.
Inspiration
This small wood-framed residence for a family of three takes advantage of the riverside views from its lot on the outskirts of Tokyo. Designed to cater to a work-from-home lifestyle, the storage, kitchen appliances, and other functional features are built into the walls to enhance unity and continuity in the long, narrow space. The result is a home where daily life coexists comfortably with work.
Project Duration
Design Period : March 2019 - August 2019
Construction Period : December 2019 - March 2021
Image Credits
Photography : Masao Nishikawa
Videographer : Seiya Aoki

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