Chair of Soul Kadera naébbu Wen Jenq Cherng

Chair of Soul Kadera naébbu Wen Jenq Cherng iyanaritu pammènangngé iya temmaka riéloinna ri 2020 A' Design Award Tambaga ri Katégori Kompétisi Desain Furnitur.

TambagaFurnitur· 2020

Chair of Soul Kadera

ᨑᨗ Wen Jenq Cherng

ᨀᨒᨗᨕᨙ: Cherng's Work

Pammènangngé A' Design Award Tambaga ri Katégori Furnitur

12,937

Pammènangngé Anugérah Naparessoi

Paressoi Status Anugérah untu #91651

ᨈᨗᨈ ᨑᨗ A' Design Award ᨔᨗᨕᨑ ᨄᨙᨑᨙ ᨅᨙᨍᨗ ᨄᨂᨑᨁ

ᨓᨑᨊ

ᨉᨙᨔᨕᨗᨊᨙ

ᨄᨙᨑᨗᨖᨒ Chair of Soul Kadera

Chair of Soul iyanaritu kadera iya naranngeng untuk mendukung tubu ri laleng possisi tettong iya santaie. Tanre’na tudangeng, sanderang ri awakkelleng sibawa sanderang limae mattanggung timbangenna bagiang tubu ri asé. Sanderang iya cekdé mabbekkoka maccowériwi bentu tubu enrengngé mappakatennang tegang ri salangkang, ellong, awakkelleng, sibawa limang aésé. Parabot Dinasti Ming tradisionala mabbéré rancangang untuk perbandingang iya masederhanaé. Kaju Ébony polé ri Sulawesi mancajiwi struktur utama, nasibawang aje’ tembaga sibawa tudangeng kulié Nappa mabbékkung ungu. Sambungeng mortise sibawa tenon patunruwi bagiang-bagiangngé, enrengngé struktur mabbekko passiwollirengngi aje’é lao ri tudangengngé.

ᨄᨂᨑᨁᨙ

ᨄᨙᨑᨗᨖᨒ A' Design Award Tambaga

Chair of Soul Kadera iyanaritu pakoro A' Design Award Tambaga, pakalebbi iya malompo tongeng iya ripabbere ri desain luar biasa iya riissengngi nasaba kreativitas, kecerdikan sibawa ketajaman. Pakoro Tambaga iyanaritu artefak iya terampil sibawa mappabbura kreatif iya mappabbentuk pengalaman iya maega, imajinasi sibawa kecerdikan tau mabbuat. Chair of Soul Kadera ripakkirangngi mancaji objek iya ripakalebbi, ripuji sibawa rirennu, profesional sibawa inovatif. Desain pakoro A' Design Award Tambaga iyae mappasilaong praktik tepat ri seni, sains, desain sibawa teknologi sibawa makessing nasaba perhatiannna ri detail. Chair of Soul Kadera mappabbura kebutuhan makessing, mappakkela keinginan, mappabbentuk perasaan sibawa mappabbura rasa penasaran.

ᨑᨗ ᨆᨘᨋᨗᨊᨙ ᨉᨙᨔᨕᨗ

ᨀᨗ ᨄᨙᨑᨙ

ᨀᨑᨙᨉᨗ, ᨕᨂᨚᨈ ᨈᨗᨆ ᨔᨗᨅᨓ ᨑᨗᨏᨗ ᨈᨙᨀᨊᨗ ᨊᨄᨓᨙᨑᨙ ᨑᨗ ᨉᨙᨔᨕᨗᨊᨑᨙ.

Sipa Khas: Chair of Soul is my entry point of use as a starting point for design thinking. Since I have long been practicing meditation for destressing and calming my body and mind, I am hoping the design of the chair could reflect a completely relaxed condition for the body. Overall design is thereby focused on its function, where the user would sit upright on the chair and his or her upper-body weight be perfectly supported through the height of the chair, the backrest at the waist, and the armrests.
Ukurang & Kemasang: When producing a hereditary chair, what is more important than ensuring its functions is finding ways to incorporate visual aesthetics. I am using Chinese traditional Ming Dynasty style furniture as my blueprint, borrowing its elegant and simple exterior design and principles on proportion. And through enhancement of overall structural system, a unique arc structure is used as the support that connects the legs and the seat of the chair.
Tag: Product, Chair, Health, Oriental, Furniture
Téknologi Produksi: The curvature of the slightly bulging backrest embraces the body; this waist-supporting chair design offers supports for the human body, so that tensions around user’s shoulders, neck, waist, and limbs would all be relieved–user would be welcomed with a comforting sensation similar to a hug.
Tantangeng Désain: Pairing the material with the metallic copper tube of the legs and the purple cow Nappa leather seat, harmony, elegance, stability, and sustainability are incorporated altogether to bring forth a chair that user could converse with, the chair I dub – Chair of Soul.
Panélitiang: A chair that is aimed to improve the users health would need to value the choice of material as equally important as the design that would fit precisely to human body proportions. I have especially chosen the ebony produced in Sulawesi, Indonesia as the chair’s main structure element; its fine material and deep-black colored lines flawlessly interpret the sophistication that the chair should exhibit.
Inspirasi: We have always had different thoughts in regards to chairs. This piece of furniture with a long history of evolution has always been deemed irreplaceable in home interior. How should a classic chair, which one hopes to pass down for generations and stay eternally quintessential, be presented?
Wettu Proyék: The project started in December 2016 and finished in December 2018.
Alur Opérasi: The design is further complemented by the mortice and tenon joint as the reinforcing linkage between parts, bringing betterment to the complex composition found in old-fashioned traditional furniture. In addition to strengthening the chair’s mechanics system, a simplistic and spiritual appearance is thereby created for the chair.
Anggota Tim: Designer: Wen-Jenq Cherng