The Japanese Forest Potograpi by Masaru Eguchi

The Japanese Forest Potograpi by Masaru Eguchi is a highly esteemed winner of the very prestigious 2020 A' Design Award Salaka in Desain Fotografi na Manipulasi Foto Competition Category.

SalakaFotografi· 2020

The Japanese Forest Potograpi

by Masaru Eguchi

Client: Sunpono

A' Design Award Salaka Winner in Fotografi Category

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Verified Award Winner

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Colors

The Design

About The Japanese Forest Potograpi

Alas Jepangé naallé makkada panrita agama Jepang. Siddi agama radécéngngé ri Jepang iyanaritu Animisme. Animisme iyappai kapercayaang narekko makkunrai temmakkunrai, bawang matemmuallé (mineral, artefak, sibawa laingngé) sibawa bawang temmitai iyasengnge wenni kamasei riasengngé. Potograpi mappadai iyaro cappana. Masaru Eguchi mamotret anu maelo makaangereng kamasei ri subjekna. Aju, rumpu sibawa mineral makaangereng kamasei ripangaulengnge. Asengnge artefak paimeng bendungan naréttunro ri alam sibawang maéga tempo pole makaangereng kamasei riasengngé. Mappadai iko mitai alam temmasengi ripau toi, wenni polé ri maseddié mitai pemandangan wettu mangkasié.

The Recognition

About the A' Design Award Salaka

The Japanese Forest Potograpi iyanaritu pakoro A' Design Award Salaka, pakalebbi iya malompo tongeng iya ripabbere ri desain tingkak pole, cantik sibawa mappakita. Pakoro Salaka iyanaritu karya iya macennning tongeng sibawa kreatif iya mappakita keahlian, bakat sibawa ketajaman pikkiran tau mabbuat. The Japanese Forest Potograpi ripakkirangngi mancaji karya iya magello, mancaji pakkitaang, profesional sibawa inovatif iya dalleng. Desain pakoro A' Design Award Salaka iyae iyanaritu penemuan iya lebbi riissengngi sibawa ripuji, iya pawangekeng sibawa mappalaong wates seni, sains, desain sibawa teknologi. The Japanese Forest Potograpi iyanaritu ciptaan iya riennengi tau maega, iya mappabbura keinginan, mappabbere perasaan makessing sibawa mappabbentuk ketakjuban.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: "The Japanese Forest" is taken from a Japanese religious perspective.
In addition, the more it explores the unique perspectives of Japan, the more universal and true nature appears.
The nature in this work is the scenery seen by ancient people, modern people, and future people.
Dimensions & Packaging: The camera used in "The Japanese Forest" is NIKON Df. Retouch uses Adobe CC.
Tags: Japan, Photo, Nature, Mountain, Forest, Tree, Green, Landscape, Sustainable, Ecology
Production Technology: The technology required for "The Japanese Forest" is digital retouching. Digital retouching has made it possible to achieve both nostalgia and newness. With this work, He was able to create colors that could not be achieved with film.
Design Challenge: The difficulty with this project is that forests are decreasing in Japan. Japanese forests were destroyed by economic growth in the 1960s. Replanted with fast-growing trees, Japanese forests have become similar.
Research: Type of study: animism, eight million gods. Research purpose: To preserve the existing landscape in the future. Methodology: photography. Tools: Japanese classic books. Influence of design: The more unique the country landscape, the more universal the beauty.
Inspiration: One of the beginnings of Japanese religion is the "Yaoyorozu-no-kami". "Yaoyorozu-no-kami" is the belief that there is a god in all things in nature, and it is introduced in foreign countries as "Animism" or "Shinto". Shooting is similar to "Animism". Trees, minerals, and dead grass feel the will of life, and even if an artifact like a dam is left in nature for a long time, it will feel the will of life. Just as we see untouched nature, the future people see the current scenery.
Project Duration: The project was created between 2013 and 2015. And it was released on eguchimasaru.com.
Operation Flow: This work reminds the user of the view of nature stored in the gene. This work suggest a discussion about what is needed for the future art. This is the role of the work.
Patents: Copyright: Masaru Eguchi
Image Credits: Image #1: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #2: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #3: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #4: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #5: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020.