White Forest Panguna nga Gamit: Disenyo sa Sulod sa Puy-anan by Po Chuan Kao

White Forest Panguna nga Gamit: Disenyo sa Sulod sa Puy-anan by Po Chuan Kao is a highly esteemed winner of the very prestigious 2022 A' Design Award nga Bronse in Disenyo sa Espasyong Interyor ug Eksibisyon Competition Category.

BronseInteryor· 2022

White Forest Panguna nga Gamit: Disenyo sa Sulod sa Puy-anan

by Po Chuan Kao

Client: ACG Design International

A' Design Award nga Bronse Winner in Interyor Category

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Verified Award Winner

Verify Award Status for #127343

View at A' Design Award Press Release Award Badge

Colors

The Design

About White Forest Panguna nga Gamit: Disenyo sa Sulod sa Puy-anan

Teksto sa Libro: Ang White Forest usa ka disenyo sa sulod sa puy-anan alang sa usa ka balay nga mga 42 ping ang gidak-on sa Taichung. Ang plano naglakip sa entrada, kusina, kwarto sa pagkaon, sala ug lawak-alamon, dugang pa sa master bedroom ug banyo ug ikaduhang lawak-tulganan ug banyo. Gitangtang ang dili kinahanglanong mga bungbong aron matul-id ang gituis ug bug-at nga pagkabahin sa orihinal nga plano sa sulod. Ang abohon nga terrazzo sa entrada nagkonektar sa kusina ug kwarto sa pagkaon. Ang marmol, mga salamin, azulejo nga bildo ug pintalan nga solidong kahoy nagpahinumdom sa mga bato, tuboran ug bulak, samtang ang mga aluminyo nga banda sa suga naghatag og malumo ug dili direktang kahayag.

The Recognition

About the A' Design Award nga Bronse

White Forest Panguna nga Gamit: Disenyo sa Sulod sa Puy-anan usa ka mananaog sa A' Design Award nga Bronse, usa ka labihan ka prestihiyoso nga pag-ila nga gihatag sa talagsaon nga mga disenyo nga gipaila sa pagkamamugnaon, kaabtik, ug kamatngon. Ang mga mananaog sa Bronse mga hanas kaayo ug makapahibulong nga mamugnaon nga mga artipakto nga nagpamatuod sa dakong kasinatian, imahinasyon, ug kaabtik sa ilang mga tigdesinyo. Gilauman nga ang White Forest Panguna nga Gamit: Disenyo sa Sulod sa Puy-anan mahimong gipabilhan, gihangaan, ug gihigugma nga butang nga talagsaon ang pagkapropesyonal ug bag-o. Kini nga disenyo nga nakadaog og A' Design Award nga Bronse naglakip sa labing maayong mga praktis sa arte, siyensya, disenyo, ug teknolohiya ug maayo kaayo tungod sa pagtagad niini sa mga detalye. White Forest Panguna nga Gamit: Disenyo sa Sulod sa Puy-anan nagtagbaw sa mga panginahanglan sa matahom nga paagi, nag-igo sa mga tinguha, nagbihag sa mga pagbati, ug nagdani sa pagkamausisaon.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: After calibrating the design elements exquisitely, the designer applied accurate and coordinated ratio transformations between abstracts and concretes and further delivered a visual depth of field through various methodical features. Meanwhile, the terrazzo base with shades of gray has drawn a parallel towards the odd rocks in forests. Concretes can be seen from the entryway marble facade, artworks of Taiwanese artists that were glaze fired and painted, and the three-stamen furnishing at the vista of the hallway.
Dimensions & Packaging: The indoor area is around 42 ping; this design included the entryway, the kitchen, the dining room, the living room, and the study of the public space; and the private area including the master bedroom and bathroom, and the secondary bedroom and bathroom.
Tags: flowers blooming, relaxing, silence and pure, pink
Production Technology: Special paint, marbles, jet glasses, hardware, aluminum light band, painted solid wood, mirrors, glass tiles, grindstones, stretch cloth.
Design Challenge: To combine all individual design elements into the room, the designer has applied metaphor methods to carefully hold onto the ratio of the part. For example, the light band that expands with areas strips that metaphor classic while visually outlining the sense of technology. Meanwhile, the grains and texture on materials symbolized the imagery of flowers, odd rocks, mountain springs, and others within the space. With the ratio arrangements of abstracts and concretes, a progressive depth of field is elaborated; all elements endued with characteristics, and are placed in each corner harmonically.
Research: To solve the distorted and multi-partitioned original spatial, the designer has remodified the surface. Abstract designing metaphors are used to elaborate the mountain springs, the odd rocks, the flowers, and other natural sights. The designer applied an open-ended method at the public area; a grindstone base is used as the go-between to create the entryway, the dining room, the kitchen, and other public areas. With the placing position of the desk and the sofa, a hidden border is created to divide the living room and the study.
Inspiration: The designer applied Language of Flowers as the central concept and combined it with the touches of that trip to create layers of emotions. The depth of the elements is composed between abstracts and concretes; the language of flowers is shaped with abstracts, comparing humans to stamens. Within the transformations of lights and shadows, different appearances and colors are shown through the changing of time: Eternity shall bloom in the bottom of one heart, a pure flower with beauty and infinity.
Project Duration: The project finished in Jun 2021 in Taichung.
Operation Flow: Traffic flow arrangements often affect users emotions and the space practicality. The designer removed unnecessary walls to remodify the structure to solve the originally distorting and blocking spatial issue. Using the gray grindstones of the entryway as the go-between, the kitchen and the dining room are connected. At the same time, the open-end method is applied to weaken formal definitions towards space; overmuch decorations are ignored, while the sofa and the study desk are placed in the middle of the room, allowing children to move within the area freely without limitations.
Team Members: PO-CHUAN KAO
Image Credits: ACG Design International