Concavity and Convexity Sulod sa Reception Center by Kevin Hsieh and Yunshuang Lin

Concavity and Convexity Sulod sa Reception Center by Kevin Hsieh and Yunshuang Lin is a highly esteemed winner of the very prestigious 2022 A' Design Award nga Puthaw in Disenyo sa Espasyong Interyor ug Eksibisyon Competition Category.

PuthawInteryor· 2022

Concavity and Convexity Sulod sa Reception Center

by Kevin Hsieh and Yunshuang Lin

Client: Form Space Design

A' Design Award nga Puthaw Winner in Interyor Category

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Verified Award Winner

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Colors

The Design

About Concavity and Convexity Sulod sa Reception Center

Ang Concavity and Convexity usa ka duha ka andana nga reception center nga nahimutang sa Taoyuan, Taiwan. Ang sulod niini naghiusa sa klasikal nga mga linya uban sa modernong mga materyales. Ang mga galvanized mesh panel gigamit isip mga screen ug isip mga kisame libot sa mga hagdanan. Ang mesh nagpasagad sa kahayag nga molahos, mao nga ang kahayag ug landong molihok latas sa yano nga puti nga mga bungbong. Ang usa ka koridor nga adunay itom ug puti nga mga guhit ug itom nga mga salamin naghimo og biswal nga epekto nga susama sa usa ka tunnel. Ang kisame giporma pinaagi sa asymmetrical carved collage inay sa usa ka symmetrical nga pagbutang. Ang disenyo naimpluwensyahan sa mga pintura ni Pierre Soulages.

The Recognition

About the A' Design Award nga Puthaw

Concavity and Convexity Sulod sa Reception Center usa ka mananaog sa A' Design Award nga Puthaw, usa ka dungganon nga pag-ila nga gihatag sa maayong mga disenyo nga nakatagbo sa propesyonal ug industriyal nga mga gikinahanglan nga gipaabot gikan sa maayo ang pagkadisenyo nga mga paglalang. Ang mga mananaog sa Puthaw nagpakita og dakong kahanas, taas nga espesyalisasyon, eksperto nga pagsabot, ug mamugnaon nga abilidad sa ilang mga tiglalang. Gilauman nga ang Concavity and Convexity Sulod sa Reception Center mahimong gipabilhan, gihangaan, ug gihigugma nga paglalang nga praktikal ug bag-o. Kini nga disenyo nga nakadaog og A' Design Award nga Puthaw naghiusa sa labing maayong mga praktis sa industriya ug adunay hanas nga teknikal nga mga kinaiya nga nalambigit sa kahibalo ug talento. Concavity and Convexity Sulod sa Reception Center gitahod tungod sa pagkamaabtik niini ug gidisenyo aron maghatag og mga pagpaayo sa kalidad sa kinabuhi nga makatabang sa paghimo sa kalibutan nga mas maayong dapit.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: The interior is designed with modern elements to interpret the classical style, bringing galvanized mesh panels into the space as screens and ceilings between staircases. The mesh panel has a penetrating characteristic to bring in light, so that the space can form natural ripples and dance with light and shadow. This design creates an artistic and stylish appearance through the use of contradictory elements.
Dimensions & Packaging: Construction began in February 2021 and was completed in June 2021.
The total square footage is 1170 square meters. Located in Taoyuan, Taiwan, the two-story reception center includes a meeting area, audio visual room, exhibition area, VIP ROOM, pantry and lounge.
Tags: Symmetry, neoclassical, modern, material experimental, Corinthian Order, corrugated sheet, Pierre Soulages
Production Technology: The concept of the corridor comes from Pierre Soulages paintings, using black and white stripes and black mirrors to create a visual interlacing effect, like a time tunnel. Through the mirror effect, light and different materials blending with each other, enlarging the depth of field and bringing spaciousness. The design of the ceiling is different from the common symmetrical approach, and is illustrated by asymmetrical collage carvings, allowing the classical to be presented in a modern form.
Design Challenge: This is not a newly built project, but a retrofit of the original building. Corrugated sheet and galvanized mesh panels are the symbol of inexpensive materials in Taiwan, often used in factories and countryside bungalows. In this case, the designer has taken a common, mundane material and elevated its value with the use of color palette, structure and classical elements to make it both modern and technological.
Research: In Pierre Soulages paintings, the squeegee is used to create strong color blocks and stripes on the paint. The texture becomes the visual focal point, and the presence of light is felt in the concavity and convexity of the paint. Therefore, this project is based on the development of a classical and modern space, full of texture and the flow of light and shadow.
Inspiration: Inspired by the abstract painter Pierre Soulages, the design explores the changing relationship between black, line and light through Pierre Soulages powerful and textured style of painting. The designer uses light as a design element, and through the reflection and interplay of colors and spatial textures, a sense of natural rhythm is derived from the space.
Project Duration: This project is built in Taiwan.
Operation Flow: The designer installed galvanized mesh panels and metallic water ripple glass panels in the staircase, open the sense of space through the large vertical window openings. With a large amount of light and plain white walls, the designer let the expression of the space change with the weather and time of day.
Patents: Copyrights belong to Form Space Design.
Team Members: Kevin Hsieh
Yunshuang Lin
Image Credits: Photographer: Hezi Studio