Janus Disenyo sa Interior sa Bar ni Junlin Zhang

Ang disenyo nga Janus Disenyo sa Interior sa Bar ni Junlin Zhang usa ka labihan ka tinahod nga mananaog sa prestihiyosong 2024 A' Design Award nga Pilak sa Kategoriya sa Kompetisyon sa Disenyo sa Espasyong Interyor ug Eksibisyon.

PilakInteryor· 2024

Janus Disenyo sa Interior sa Bar

ni Junlin Zhang

Kliyente: Janus

Mananaog sa A' Design Award nga Pilak sa Kategoriya sa Interyor

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Mga Kolor

Ang Disenyo

Bahin sa Janus Disenyo sa Interior sa Bar

Ang Janus usa ka whisky ug cocktail bar nga nahimutang sa Changsha, China. Ang interior naglangkob og mga 200 metro kwadrado ug gihan-ay sa duha ka andana. Ang atubangan sa bilding giporma pinaagi sa yano nga itom nga geometric nga mga bloke nga adunay klasikal nga mga detalye, ug usa ka cantilever nga plataporma ang nagbutang og klasikal nga eskultura. Ang unang andana usa ka suporta nga luna, samtang ang ikaduhang andana mao ang nag-unang dapit ug makadawat og kahayag sa adlaw pinaagi sa abli sa atop. Ang hagdanan naggamit og luag nga mga hagdanan nga kahoy nga naghatag og humok nga tingog ug gamay nga pag-untol sa tiil. Ang wood veneer nga adunay bertikal nga grain ug mirrored stainless steel maoy naghulma sa atmospera.

Ang Pag-ila

Bahin sa A' Design Award nga Pilak

Janus Disenyo sa Interior sa Bar usa ka mananaog sa A' Design Award nga Pilak, usa ka talagsaon kaayo nga prestihiyoso nga pag-ila nga gihatag sa labing taas nga lebel, matahom, ug makadani nga mga disenyo. Ang mga mananaog sa Pilak labihan ka hayag ug mamugnaon nga mga buhat nga nagpakita sa bantogan nga kahanas, talento, ug kamatngon sa ilang mga tigdesinyo. Gilauman nga ang Janus Disenyo sa Interior sa Bar mahimong talagsaon nga buhat nga ipasigarbo, dako ang pagkapropesyonal ug lawom ang kabag-ohan. Kini nga disenyo nga nakadaog og A' Design Award nga Pilak usa ka labihan ka mamatikdan, gihangaan nga imbento nga mapuslanon ug nagpalapad sa mga utlanan sa arte, siyensya, disenyo, ug teknolohiya. Janus Disenyo sa Interior sa Bar usa ka paglalang nga giinggit sa daghan, nga nagpukaw og mga tinguha, nagdala og positibo nga mga pagbati, ug nagsiga sa katingala ug paghangyo.

Luyo sa Disenyo

Press Kit

Mga kredito, mga miyembro sa team ug teknikal nga mga detalye nga gihatag sa tigdisenyo.

Talagsaong mga Kinaiya: Janus is a whisky and cocktail bar with a social aspect. Our client had two demands: one was that the audience should not interpret this place according to the literal meaning of Janus or their traditional concepts, and the other was that the audience should have more than two different spatial experiences in this place. These different spatial experiences combine as an integral whole rather than to be independent ones.
Gidak-on ug Pakete: 200 meter-square
Mga Tag: bar, whisky, postmodernism, hard and warm feeling, retroism, experimental
Teknolohiya sa Produksyon: What exactly are we talking about when we talk about spatial ambience? Is it sunlight, air, sound, materials, textures, or colours? I began to think about the overall relevance of the façade in relation to the first and second floors. They are at once traditional, strong and thick, even a little archaic and they are at the same time receptive, inclusive, interesting and experimental. I tried to use postmodernism to summarise the atmosphere created inside and outside the building. I decided to create the façade with clean and simple geometric blocks, which is the style of contemporary. But it also has classical features in the details. To this point I felt that these designs were not enough because the conflict had not reached its climax. So I added a cantilever platform to place a classical sculpture. It was at this point that I felt the importance of such design planning came to the fore. The pure black and hard blocks together with the classical sculpture bring the sense of power and make it attractive. Such not complicated aesthetics give audiences more possibilities to imagine.
Hagit sa Disenyo: I decided to create the façade with clean and simple geometric blocks, which is the style of contemporary. But it also has classical features in the details. To this point I felt that these designs were not enough because the conflict had not reached its climax. So I added a cantilever platform to place a classical sculpture. It was at this point that I felt the importance of such design planning came to the fore. The pure black and hard blocks together with the classical sculpture bring the sense of power and make it attractive. Such not complicated aesthetics give audiences more possibilities to imagine.
Panukiduki: I tried to decipher the form of beauty, but I found that I could not describe or categorise it accurately and clearly. It can be specific things such as people, air, light, sound or colour. When we deal with different clients and different conditions of the place, the results are unpredictable. It reminds me of Louis Kahn, who asked the red brick what it wanted to be.
Inspirasyon: When I first went to the site for mapping, I was very excited and surprised by the light on the second floor, when the sunlight was pouring down from the daylight opening. My first reaction was that the place already has distinctive features that can bring audiences different moods, and experiences in the daytime and night-time. I then began to conceptualise how to create two or more different atmospheres in the space. Creating is the art of making a meaningful whole out of individual components
Gidugayon sa Proyekto: The project was launched in March 2023 in Changsha, China and completed in June 2023 in Changsha, China
Daloy sa Operasyon: When I open the door to the first floor, the confrontation between the interior space and the facade appeared which is confrontation in colour, material, the whole and the fragmented. But this does not detract from the formal unity of the exterior and interior. The retroism without losing the independent style declares their relevance. The staircase guides to the upward space, and I deliberately used loose wood as the tread of the staircase. Stepping on it has a rustling sound and can feel the rebound of the wood. This is completely different from the feeling of crossing the first floor with steady steps. The first floor also doesn’t have the light and shadow spilling out from the top. The low linear strip of light on the side of the handrail is a safety cue as well as an orientation. People in such environment begins to become focused and anticipated. The spatial atmosphere of the second floor is basically the same as what I had conceived. Everything is as it is. There is no conflict, no exaggerated arrangement, no criticism and no attempts. I am like a director who arranges the work of each department and position in an orderly manner. Covered wood veneer with vertical grain delivers both hard and warm feeling. Mirrored stainless steel breaks the calm and refract light and images that change with the activities of the people in the space. Sometimes it is cold, sometimes warm, sometimes noisy, sometimes quiet and ambiguous.
Mga Miyembro sa Team: Lead designer: JunLin Zhang
Extension designer: WenLiang Liu
Rendering designer: JingYu Zhang
Mga Credit sa Imahen: Ueya photography（Lei Liu）