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Fountain Of Life Instalasyon sa Publikong Arte by Derya Geylani Vurusan

Fountain Of Life Instalasyon sa Publikong Arte by Derya Geylani Vurusan is a highly esteemed winner of the very prestigious 2025 A' Design Award nga Pilak in Disenyo sa Pinong Arte ug Instalasyon sa Arte Competition Category.


PilakPinong Arte· 2025

Fountain Of Life Instalasyon sa Publikong Arte

by Derya Geylani Vurusan

A' Design Award nga Pilak Winner in Pinong Arte Category

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Verified Award Winner

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Colors

The Design

About Fountain Of Life Instalasyon sa Publikong Arte

Ang Fountain of Life usa ka dako nga publikong obra sa arte nga gibutang sa usa ka restawran sa Istanbul Airport. Ang eskultura naghiusa sa usa ka fountain nga hinimo gikan sa travertine nga bato nga gikulit pinaagi sa kamot uban sa mga glass splash nga giporma usab pinaagi sa kamot. Ang fountain nga bato nagpasabot sa nangagi, samtang ang mga glass splash, nga giporma aron mopakita nga daw misaka gikan sa fountain, nagpahayag sa kasamtangang higayon. Ang fountain nga bato adunay gitas-on nga 3000 mm, ug ang mga porma sa bildo adunay gitas-on gikan sa 400 mm ngadto sa 1000 mm. Ang gipasinaw nga bato ug ang semi-transparent nga bildo mausab ang panagway samtang ang kahayag molihok sa mga ibabaw niini.

The Recognition

About the A' Design Award nga Pilak

Fountain Of Life Instalasyon sa Publikong Arte usa ka mananaog sa A' Design Award nga Pilak, usa ka talagsaon kaayo nga prestihiyoso nga pag-ila nga gihatag sa labing taas nga lebel, matahom, ug makadani nga mga disenyo. Ang mga mananaog sa Pilak labihan ka hayag ug mamugnaon nga mga buhat nga nagpakita sa bantogan nga kahanas, talento, ug kamatngon sa ilang mga tigdesinyo. Gilauman nga ang Fountain Of Life Instalasyon sa Publikong Arte mahimong talagsaon nga buhat nga ipasigarbo, dako ang pagkapropesyonal ug lawom ang kabag-ohan. Kini nga disenyo nga nakadaog og A' Design Award nga Pilak usa ka labihan ka mamatikdan, gihangaan nga imbento nga mapuslanon ug nagpalapad sa mga utlanan sa arte, siyensya, disenyo, ug teknolohiya. Fountain Of Life Instalasyon sa Publikong Arte usa ka paglalang nga giinggit sa daghan, nga nagpukaw og mga tinguha, nagdala og positibo nga mga pagbati, ug nagsiga sa katingala ug paghangyo.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties
This is a sculptural piece in Istanbul Airport Kaimakk Restaurant that combines traditional travertine stone with large-scale glass splashes, representing the concept of time. The stone fountain symbolizes the past, while the glass splashes, shaped to appear as if they’re emerging from the fountain, capture the present moment. This design is unique due to its integration of materials and its symbolic representation of time, blending technics with a narrative that reflects both history and the present in a dynamic form.
Dimensions & Packaging
Material: Traditional travertine stone (fountain base) and hand-sculpted glass (splashes).
Dimensions:
Fountain: Height 3000mm, Width 1800mm, Depth 1800 mm
Glass splashes: Varying heights from 400 mm to 1000 mm

Production Method: Hand-carved travertine stone combined with hot glassblowing techniques.
Finish: Polished stone surface, semi-transparent glass finish.
Packaging: Custom-made wooden crate with protective padding for safe transport.
Tags
glass, contemporary glass, glass art
Production Technology
The piece was created by combining traditional materials with modern glassblowing techniques. The fountain was sculpted from travertine stone, chosen for its historical significance and texture. The glass splashes were shaped using advanced hot glass sculpting techniques, requiring precise control of temperature and pressure to achieve the desired fluid, dynamic effect. The challenge was integrating these materials in a way that highlighted their contrasting properties while conveying the passage of time through form and texture.
Design Challenge
The hardest part of the installation was merging two contrasting materials—traditional travertine stone and dynamic glass—into a cohesive design. Overcoming technical obstacles, such as controlling the shape and flow of the glass while maintaining the integrity of the stone, was crucial. Additionally, the limited production possibilities for large-scale glass sculptures and the need for precision posed significant challenges in execution.
Research
The research behind The installation is conceptual and experimental, focusing on the symbolic representation of time through material choice and form. The objective was to explore how contrasting materials like travertine stone and glass can embody past and present. Insights showed that combining history with dynamic forms creates a powerful narrative. The research impacts design by blending heritage and innovation, influencing both art and architecture in the creation of immersive, meaningful spaces.
Inspiration
The inspiration for the installation stems from my ongoing exploration of time in my Moment series. The project reflects the interplay between the past, present, and future. Traditional travertine stone, representing history, contrasts with the dynamic glass splashes, which symbolize the present moment frozen in time. Technically, the challenge of merging such contrasting materials to convey temporal concepts drove the design, aiming to create a timeless yet dynamic narrative.
Project Duration
The project started in May 2023 and finished in August 2023. The project located in Istanbul Airport, departure departmant, Kaimakk Restaurant.
Operation Flow
The project is a static installation, allowing viewers to interact visually. The object doesn’t operate in a traditional sense but transforms through its aesthetic impact. The interaction occurs as light shifts across the glass splashes and stone, creating varying reflections. Key moments happen as viewers observe the contrast between the solid, timeless stone and the dynamic, fluid glass. The piece’s strength lies in its ability to evoke emotions and thoughts about time, inviting viewers to reflect on the past and present.
Image Credits
Photo Credits: Sibel Ekenoglu

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