Changes Cycles and Shapes Dihistal nga Arte by Yuko Suzuki

Changes Cycles and Shapes Dihistal nga Arte by Yuko Suzuki is a highly esteemed winner of the very prestigious 2025 A' Design Award nga Bulawan in Heneratibo, Algoritmiko, Parametriko ug Disenyo nga Tinabangan sa AI Competition Category.

BulawanHeneratibo· 2025

Changes Cycles and Shapes Dihistal nga Arte

by Yuko Suzuki

Client: Feral File

A' Design Award nga Bulawan Winner in Heneratibo Category

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Colors

The Design

About Changes Cycles and Shapes Dihistal nga Arte

Kining buhat nagsusi sa pangutana, Unsa ang pagpintal? pinaagi sa pagpahayag sa sirkulasyon sa biswal nga ekspresyon. Inspirado sa mga transisyon sa mga pintal ni Mondrian, kini nakabase sa diagram sa mga komponente sa pagpintal, diin ang porma naglihok taliwala sa figurative ug abstract, ug taliwala sa noise ug linearity—usa ka ideya nga giaplika sa kolor. Ang buhat nagpahayag sa nagbag-o nga kahimtang sa dihistal nga materialidad, nagpasiugda nga ang mga porma sa tunga-tunga sa mga kausaban mao ang esensya. Pinaagi sa paglakip sa mga texture nga giimprinta gamit ang baren, kini nagpakita sa identidad sa artista isip printmaker sa dihistal nga porma.

The Recognition

About the A' Design Award nga Bulawan

Changes Cycles and Shapes Dihistal nga Arte usa ka mananaog sa A' Design Award nga Bulawan, usa ka hilabihan ka prestihiyoso nga pag-ila nga gihatag sa unang-klase, katingalahan, ug bantogan nga mga disenyo. Ang mga mananaog sa Bulawan labihan ka bag-o, daghan og panan-aw, ug nagsidlak nga mga paglalang nga nagpakita sa henyo, kinaadman, ug kahanas sa ilang mga tigdesinyo. Gilauman nga ang Changes Cycles and Shapes Dihistal nga Arte mahimong labing gidayeg, nagtakda og uso, ug monumental nga imbento nga naghatag og bili nga wala pa makita. Kini nga disenyo nga nakadaog og A' Design Award nga Bulawan usa ka makapahingangha ug gitahod nga proyekto nga labihan ka mapuslanon ug nagpalapad sa mga utlanan sa arte, siyensya, disenyo, ug teknolohiya. Changes Cycles and Shapes Dihistal nga Arte nagmugna og kusog nga mga pagbati sa kaibog, nagpukaw og kahinam, nagdasig sa pagkamamugnaon, ug nagbihag kanato.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: Based on the question, What is painting?, this work expresses the circulation of multiple visual expressions, evoking the shifting state of digital materiality, oscillating between the concrete and the abstract. In it, it also expresses the idea that forms in between changes are the essence, and we live in a moment in change.
Furthermore, by incorporating textures printed with a baren, the artist's identity as a printmaker is incorporated in a digital form.
Dimensions & Packaging: 1920×1080 px / 3840×2160 px, 25 seconds, 65 works
Tags: Generative Art, Coding
Production Technology: This work was created entirely in a programming language called Processing.
It is made up of animations that change from one shape to the next.
Design Challenge: The theme of the exhibition was the inheritance of the experimental aesthetics of Hiroshi Kawano, a pioneer of Japanese computer art, so I researched Hiroshi Kawano and the history of past computer art.
I had repeated conversations with this great artist of the past to find out how to connect Kawano's work with my own experiments, and it took me a long time to dig deep into my theme and digest it.
Research: This design study aims to explore how print textures can be incorporated into paintings. The researcher delved into the historical background of Hiroshi Kawano and Mondrian to explore how their style and techniques can be reflected in his own work. In terms of methodology, he took an experimental approach and researched the archives of past painters to evolve the expression of his work by combining different materials and textures.
As a result, the work is a reflection of the history of painting, and the influences of Hiroshi Kawano and Mondrian are beautifully integrated. This study proposed a new way of expression that goes beyond the boundaries of print and painting, and offered a new perspective on contemporary art. In terms of business, it made us reconsider the commercial value of art and its potential as design, and in terms of society, it allowed us to delve deeper into the historical and cultural meaning of art.
Inspiration: In painting, shape has an axis of figurative - abstract and an axis of noise - linear, while color also has an axis of noise - linear. Based on the component diagram of painting constructed from this idea, I developed a means of cycling through multiple visual idioms at once, with the work expressing the cycle itself. This work was also inspired by the transitions in Mondrian's paintings.
Project Duration: This work was exhibited at Patterns of Flow held at NEORT++ in Tokyo from September 24th to October 6th, 2024.
This exhibition was a collaboration with Right Click Save and Massage Magazine, and the works were sold on Feral File, an NFT platform.
Operation Flow: In this animation, objects transform over time, oscillating between figurative and abstract, noise and linear. Designed to create a continuous flow of visual changes, the animation's timing and speed are adjusted to create a visually pleasing rhythm. By silently observing these changes, viewers can relate to their own lives and experiences, evoking deep empathy and emotional responses.
Image Credits: Image #3: NEORT++, Changes, Cycles, and Shapes in Between, 2024.