Arrival Instalasyon nga Arte, Instalasyon sa Kahayag by Daisuke Nagatomo and Minnie Jan

Arrival Instalasyon nga Arte, Instalasyon sa Kahayag by Daisuke Nagatomo and Minnie Jan is a highly esteemed winner of the very prestigious 2026 A' Design Award nga Bronse in Disenyo sa Proyekto sa Suga ug Arte sa Kahayag Competition Category.

BronseProyekto sa Suga· 2026

Arrival Instalasyon nga Arte, Instalasyon sa Kahayag

by Daisuke Nagatomo and Minnie Jan

Client: MisoSoupDesign

A' Design Award nga Bronse Winner in Proyekto sa Suga Category

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Colors

The Design

About Arrival Instalasyon nga Arte, Instalasyon sa Kahayag

Ang Arrival usa ka temporaryo nga instalasyon sa kahayag nga gitukod gikan sa duha ka bertikal nga gipatong-patong nga recycled nga shipping container. Ang mga container nag-umol og pig-ot nga agianan nga malakwan nga adunay kurbado nga mga nawong sa asero nga giinspirar sa dulong sa barko nga mosulod sa dunggoanan. Ang mga salamin sa duha ka tumoy nagpakita sa siyudad, sa dagat, ug sa mga bisita, nga nagpahanap sa utlanan tali sa tinuod nga luna ug sa repleksiyon. Ang gilakip nga LED nga suga ug sistema sa gabon nagpalihok sa agianan sa mga takna sa kagabhion. Gipakita sa Arrival kung giunsa nga ang mga retirado nga industriyal nga materyales mahimong usa ka makapatanom nga publikong obra sa arte.

The Recognition

About the A' Design Award nga Bronse

Arrival Instalasyon nga Arte, Instalasyon sa Kahayag usa ka mananaog sa A' Design Award nga Bronse, usa ka labihan ka prestihiyoso nga pag-ila nga gihatag sa talagsaon nga mga disenyo nga gipaila sa pagkamamugnaon, kaabtik, ug kamatngon. Ang mga mananaog sa Bronse mga hanas kaayo ug makapahibulong nga mamugnaon nga mga artipakto nga nagpamatuod sa dakong kasinatian, imahinasyon, ug kaabtik sa ilang mga tigdesinyo. Gilauman nga ang Arrival Instalasyon nga Arte, Instalasyon sa Kahayag mahimong gipabilhan, gihangaan, ug gihigugma nga butang nga talagsaon ang pagkapropesyonal ug bag-o. Kini nga disenyo nga nakadaog og A' Design Award nga Bronse naglakip sa labing maayong mga praktis sa arte, siyensya, disenyo, ug teknolohiya ug maayo kaayo tungod sa pagtagad niini sa mga detalye. Arrival Instalasyon nga Arte, Instalasyon sa Kahayag nagtagbaw sa mga panginahanglan sa matahom nga paagi, nag-igo sa mga tinguha, nagbihag sa mga pagbati, ug nagdani sa pagkamausisaon.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: AARRIVAL is an immersive installation art and lighting project constructed from two vertically stacked recycled shipping containers. The containers are refabricated into a narrow walkable space with curved interior surfaces inspired by the bow of a ship entering harbor. Mirrors installed at both ends reflect the surrounding city and sea, visually blurring the boundary between real space and reflection. Integrated lighting and a mist system activate the installation, transforming industrial waste into a sensory spatial experience aligned with the zero waste theme of the art festival.
Dimensions & Packaging: The project consists of two vertically positioned 20 foot shipping containers. Total footprint area is approximately 15.4 square meters. The installation is designed for outdoor use and temporary exhibition. Lighting includes integrated LED strips and outdoor projectors. A mist system is installed and requires water supply. Electrical power is required for lighting and mist operation
Tags: nstallation Art, Lighting Design, Recycled Materials, Sustainable Design, Public Art, Temporary Architecture
Production Technology: The installation is constructed from two retired shipping containers reused as the main structure. Original container steel frames are retained for stability. Corrugated steel panels are cut and reshaped into curved surfaces inspired by ship geometry. Materials include recycled steel panels, metal mesh, mirror glass, LED lighting, outdoor spotlights, and a mist system. All components are selected to allow reuse, disassembly, or recycling.
Design Challenge: The main challenge was transforming rigid industrial shipping containers into a fluid and immersive spatial experience while maintaining zero waste principles. The project required reshaping steel panels without excessive material loss and integrating lighting, mist, and reflection in a narrow passage. Balancing structural stability, sustainability, and poetic expression was central to the design process.
Research: ARRIVAL investigates how recycled industrial materials can be transformed into immersive public art through light and spatial experience. By reusing shipping containers, mirrors, and mist, the project explores perception, reflection, and movement within transitional urban spaces. The installation demonstrates a zero waste design approach that combines sustainability with sensory engagement in a waterfront environment.
Inspiration: The project is inspired by the moment of arrival at a harbor, when a ship transitions from movement to stillness and from sea to city. This transitional condition is translated into spatial form through curved surfaces, reflection, and light. The mirrored ends echo the changing relationship between water, sky, and urban landscape, while the narrow passage emphasizes movement and pause. By walking through the installation, visitors experience arrival as both a physical and emotional journey.
Project Duration: Year 2025
Event Kaohsiung International Container Art Festival
Location Kaohsiung Harbor area, near the Kaohsiung Music Center waterfront plaza
Duration Temporary exhibition period (festival-based installation)
Operation Flow: Visitors enter the installation from one side and walk through the narrow space formed by two vertical containers. The compressed passage emphasizes light, reflection, and movement. Mirrors at both ends reflect the city, harbor, and visitors, creating layered visual depth. During evening hours, lighting and mist are activated to enhance the immersive atmosphere. The installation encourages slow movement, pausing, and quiet observation.
Team Members: Jenny Yeh, Sugar Hu
Image Credits: Kaohsiung Art Museum