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Bio Křeslo by Vladimir Zagorac

Bio Křeslo by Vladimir Zagorac is a highly esteemed winner of the very prestigious 2022 Bronzová cena A' Design Award in Design nábytku Competition Category.


BronzNábytek· 2022

Bio Křeslo

by Vladimir Zagorac

Client: Vladimir Zagorac

Bronzová cena A' Design Award Winner in Nábytek Category

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Verified Award Winner

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Colors

The Design

About Bio Křeslo

Kolekce Bio je série nízkých křesel navržených pro použití v moderních interiérech. Otvor v opěradle připomíná list nebo mušli a tvar se poblíž vnějšího okraje mění v podobu podobnou květu rostliny Calla aethiopica. Tento okraj se mírně zaklání dozadu a na jedné straně se zvedá, čímž vzniká asymetrická silueta. Asymetrie se objevuje pouze ve vnějších částech tvaru, takže pohodlí a ergonomie zůstávají zachovány. Mezi použité materiály patří tvarované termoplasty, ocel, litý hliník, dubové dřevo a kůže.

The Recognition

About the Bronzová cena A' Design Award

Bio Křeslo je vítězem Bronzové ceny A' Design Award, vysoce prestižního uznání udělovaného vynikajícím designům, které se vyznačují kreativitou, vynalézavostí a bystrostí. Bronzoví vítězové jsou hojně zručné a nápadně kreativní artefakty, které dosvědčují rozsáhlé zkušenosti, představivost a vynalézavost svých designérů. Očekává se, že Bio Křeslo bude vysoce ceněným, obdivovaným a milovaným předmětem, pozoruhodně profesionálním a inovativním. Tento design, který získal Bronzovou cenu A' Design Award, zahrnuje osvědčené postupy v umění, vědě, designu a technologiích a vyniká pozorností k detailu. Bio Křeslo nádherně uspokojuje potřeby, dotýká se tužeb, okouzluje city a oslovuje zvědavost.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties
The ambiguous shape of the opening on the seat's back, recognizable as a leaf or shell transforms into a more characteristic form similar to the flower of the Calla aethiopica plant on the edge of the backrest. This edge bends slightly backwards and rises on one side, creating a new visual effect as opposed to the other side. The asymmetry of the silhouette does not affect the functionality and ergonomics of the seat since changes in the shape occur only in the outer areas of the form.
Dimensions & Packaging
Width / Depth: up to 680mm, Height: 849mm (medium)
Tags
Asymmetry, Natural, Bio-form, Growth, Stylization
Production Technology
Molded thermoplastics, Welded laser-cut and pressed steel, Cast aluminum, Oakwood, Leather
Design Challenge
The shape of the seat can be associated with a multitude of natural forms but also with the general characteristics of the living world. The silhouette of the seat is defined through two edge curves similar in shape but with subtle differences such as curvature, orientation, distortion, and depth. These gradual changes emphasize growth as a universally understandable natural pattern and accentuate the form through minimal spatial deformations associated with gravity and weight. A firm overall construct was kept whilst utilizing asymmetry as one of the main chosen attributes.
Research
The research was performed by analyzing samples from flora and fauna and simplification and stylizing through drawings and 3D computer models. The result contains no unnecessary visual details, and was driven by the challenge of creating asymmetrical functional aesthetics within an ergonomic fresh design, universally understood as a bio-form. Different variants were developed depending on the purpose of the chair and type of legs, with metal and wood as starting materials. The organic lines of the seats are additionally emphasized in contrast with the materials of the legs.
Inspiration
Bio is a conceptual research project in the subject of stylistics created as a part of doctoral studies. The proposal of the chair collection was inspired by organic shapes and universal principals of nature.
Project Duration
The project lasted one semester at the Faculty of Applied Arts in Belgrade.
Operation Flow
Bio is a low armchair collection designed for various usages. It complements modern interiors with simplistic asymmetry and unobtrusive form open to interpretation.
Patents
Copyrights belong to Vladimir Zagorac and the Faculty of Applied Arts in Belgrade
Team Members
Designer: Vladimir Zagorac
Mentor: Marko Lukovic
Image Credits
Vladimir Zagorac, Faculty of Applied Arts in Belgrade

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