Yinyun Gosodiad Celf Seramig by Fabcraft Design Lab

Yinyun Gosodiad Celf Seramig by Fabcraft Design Lab is a highly esteemed winner of the very prestigious 2020 Gwobr Efydd A' Design Award in Argraffu 3D Competition Category.

EfyddArgraffu 3D· 2020

Yinyun Gosodiad Celf Seramig

by Fabcraft Design Lab

Client: Fabcraft Design Lab

Gwobr Efydd A' Design Award Winner in Argraffu 3D Category

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Verified Award Winner

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Colors

The Design

About Yinyun Gosodiad Celf Seramig

Mae Yinyun yn osodiad celf seramig sy'n cynnwys 85 uned unigryw wedi'u hargraffu mewn 3D. Defnyddiwyd algorithmau dylunio cynhyrchiol i dynnu data trydanol ac i weledoli'r data ar bob uned, gan greu effaith raddiant gyda'i gilydd. Cynhyrchwyd yr unedau trwy argraffu 3D seramig, gan ddefnyddio cymysgedd o borslen gwyn a lludw glo wedi'i ailgylchu o orsaf bŵer. Mae'r broses argraffu hefyd yn creu rhyddhad arwyneb manwl ar bob darn. Nid oes dwy uned yr un fath. Mae'r gosodiad wedi'i leoli'n barhaol mewn neuadd arddangos yn Taipei, Taiwan.

The Recognition

About the Gwobr Efydd A' Design Award

Mae Yinyun Gosodiad Celf Seramig yn enillydd Gwobr Efydd A' Design Award, cydnabyddiaeth hynod fawreddog a roddir i ddyluniadau rhagorol sydd yn nodedig am greadigrwydd, dyfeisgarwch a chraffter. Mae enillwyr Efydd yn arteffactau medrus iawn a thrawiadol o greadigol sydd yn dilysu profiad helaeth, dychymyg a dyfeisgarwch eu dylunwyr. Disgwylir i Yinyun Gosodiad Celf Seramig fod yn wrthrych uchel ei fri, a edmygir ac a anwylir, sydd yn nodedig o broffesiynol ac arloesol. Mae'r dyluniad buddugol hwn o Wobr Efydd A' Design Award yn ymgorffori arferion gorau mewn celf, gwyddoniaeth, dylunio a thechnoleg, ac yn rhagorol am ei sylw i fanylion. Mae Yinyun Gosodiad Celf Seramig yn bodloni anghenion yn odidog, yn cyffwrdd â dyheadau, yn swyno teimladau ac yn apelio at chwilfrydedd.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: Yinyun is an art installation composed of 85 unique 3D printed ceramic units. Through generative design algorithm, the electric information was extracted and visualized on every unit, together creating a gradient effect. Ceramic 3D printing, with a mixture of recycled material, was then used to fabricate these units, at the same time, creating detailed surface relief which was indicated by this technique. None of the units is the same as others.
Dimensions & Packaging: Dimension(ceramic parts): L: 910cm, W: 360cm, H: 230cm
Tags: ceramic, 3D printing, generative, parametric design, digital fabrication, sustainable, recycle, coah ash, art installation, craft
Production Technology: The project heavily relied on close cooperation among algorithm development, 3D printing, and material experiments. All designs were completed through several generative algorithms, including data processing, form generation, slicing, and Gcode output. Then our custom 3D printer with remote extrusion system was used to achieve such large sizes. The material was a mixture of white porcelain and coal ash recycled from power plant.
Design Challenge: In order to achieve large-scale and stable printing, we developed our custom extrusion system and slicing program, testing it back and forth between digital and physical space, which took nearly half of the time for this project. The material factors were carefully taken into consideration, including ceramic ratio, viscosity, temperature, humidity, since a 3D printer can't be dynamically adjusted as human hands during production. The shrinkage after firing also increased the difficulty of assembly.
Research: The goal of this project is to examine the relationship between traditional craft and modern techniques. As we developed a new shape language in digital space, it was completely originated from ceramic 3D printed texture. The traditional expertise in ceramics and modern digital fabrication skills were combined in real-world printing, together created pieces with rich craftsmanship, but can only be achieved by modern technique.
Inspiration: The motivation of this project is to create an elegant art installation blending the science education atmosphere in this green energy exhibition hall. Inspired by the natural phenomenon of electromagnetic, which created non-uniformed field tensors in the space. To express this specific effect, an installation consisted of a large number of units were proposed, contrasting in form and pattern. This project also showcases Fabcraft design lab’s long-term interest in generative design and 3D printing technology.
Project Duration: The project began at the end of 2018, and was completed in December 2019. Since then, it has been a permanent public art located in Taipower D/S ONE exhibition hall in Taipei, Taiwan.
Operation Flow: The installation was designed to be viewed from different angles, at the same time, produce positive route guidance in the exhibition hall. A possible interaction can be created while visitors moving upstairs, changing from low angle to eye-level angle, they will observe an optical illusion caused by lights and textures. Moreover, the fluid surfaces are zoomed into a layered ceramic texture with rich 3D printing characteristics.
Team Members: Art Director: Kamm, Kai-Yu
Designer: Liu, Zhao-Wei
Mechanism Design: Chen, Po-Yen
Ceramic Craftsman: Lu, Tzu-Yi
Ceramic Assistant: Xie, Yun-Chen
Image Credits: Image #1: Fabcraft Design Lab
Image #2: Cogitoimage International Co., Ltd.
Image #3: Fabcraft Design Lab
Image #4: Fabcraft Design Lab
Image #5: Fabcraft Design Lab