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Nature Canvas Canolfan Werthu by Hsin Hung Wu

Nature Canvas Canolfan Werthu by Hsin Hung Wu is a highly esteemed winner of the very prestigious 2021 Gwobr Arian A' Design Award in Pensaernïaeth Competition Category.


ArianPensaernïaeth· 2021

Nature Canvas Canolfan Werthu

by Hsin Hung Wu

Client: Evermore International Design

Gwobr Arian A' Design Award Winner in Pensaernïaeth Category

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The Design

About Nature Canvas Canolfan Werthu

Cynfas Natur yw canolfan werthu yn Taichung gydag arwynebedd cyfan o 495.86 metr sgwâr. Mae'r dyluniad wedi'i ysbrydoli gan Uluru yn Awstralia a chan anheddau ogofâu'r hen amser. Mae'r adeilad yn ffurfio cyfaint mawr tebyg i garreg wedi'i orchuddio â bwrdd sment ffibr a'i beintio â phaent ceramig, sy'n dynwared arwyneb craig arw ac yn ychwanegu gwrthiant i'r tywydd a staeniau. Mae'r cyfaint gwyn yn gweithredu fel cynfas ar gyfer golau'r haul a chysgod. Mae agoriadau hecsagonol gyda fframiau metel wedi'u mewnosod a delltwaith rhombws, wedi'u modiwleiddio trwy dorri deigl digidol, yn newid eu golwg wrth i'r golau newid.

The Recognition

About the Gwobr Arian A' Design Award

Mae Nature Canvas Canolfan Werthu yn enillydd Gwobr Arian A' Design Award, cydnabyddiaeth hynod fawreddog a roddir i ddyluniadau o'r radd uchaf, hardd a thrawiadol. Mae enillwyr Arian yn weithiau tra disglair a hynod greadigol sydd yn darlunio arbenigedd, dawn a chraffter rhagorol eu dylunwyr. Disgwylir i Nature Canvas Canolfan Werthu fod yn waith gwych ac esiampl, yn nodedig o broffesiynol ac yn ddwfn arloesol. Mae'r dyluniad buddugol hwn o Wobr Arian A' Design Award yn ddyfais hynod nodedig a edmygir sydd yn elwa ac yn symud ymlaen ffiniau celf, gwyddoniaeth, dylunio a thechnoleg. Mae Nature Canvas Canolfan Werthu yn greadigaeth y cenfigennir wrthi yn eang, sydd yn deffro dyheadau, yn cyflwyno teimladau cadarnhaol ac yn cynnau rhyfeddod a syndod.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties
As the designer holds the chance of planning the marketing reception center, the cogitation about how to correspond to the concept of construction from the perspective of figuration and imagery, so that the building volume would not shape as an icy concrete mass, but rather to bring about the humanistic implication and natural green of the space.
Dimensions & Packaging
Total 495.86 square meters.
Tags
Sales center, Design, Nature, Building, Shadow
Production Technology
The appearance of the building is clad with fiber cement board, and construct a huge stone shape, thence emit an image of living in the cave; painted with ceramic paint, which imitates the rough surface of rocks, and as well as having the affection of weather resistance and anti-fouling. The large-scale volume of pure white is just like a canvas, and the nature is its painter. By way of sunlight projection, delicately depicted light and shadow.
Design Challenge
There’s a challenge of module processing, which has to repeatedly test in order to control the deviation, and reserve enough space for each metal hanger, so as to create a vivid dynamic landscape.
Research
The facade of the volume is assembled with rhombus lattice, which modularized via digital die cutting segmentation approach. The metal material glaring in the sunshine, which generate the delineation of staggered crown.
Inspiration
Initiate from the inspiration of "embracing and enjoying the nature".
The designer pulls space-time back to the cave dwelling patterns of the ancient times, which get back to the simple state that requires by modern people.
The notion of the design is originated from Uluru (Ayers Rock) in Australia. The figuration of the gigantic rock, which like the constructed appearance of caves that, symbolized the stability and reliability of home. Gently situated in the plantation of harmony and serenity.
Project Duration
The project started in March 2019 in Taichung and finished in July 2019 in Taichung.
Operation Flow
Reference to the land features and weather of Uluru, it would present different scenes s of depending on different seasons and climatic conditions, even at different times of a day, changing with the light.
Accordingly, the designer chiseling the hexagonal holes and inlaying the metal frame, while the sunlight shins and the clouds roam, and then it becomes a landscape of its own.
Patents
Copyrights belong to Hsin Hung Wu, 2019.
Image Credits
Image #1: Photographer LDK Photography Studio, Nature Canvas, 2019.
Image #2: Photographer LDK Photography Studio, Nature Canvas, 2019.
Image #3: Photographer LDK Photography Studio, Nature Canvas, 2019.
Image #4: Photographer LDK Photography Studio, Nature Canvas, 2019.
Image #5: Photographer LDK Photography Studio, Nature Canvas, 2019.

Main image is Image #1, Optional Image #1 is Image #2, Optional Image #2 is Image #3, Optional Image #3 is Image #4, Optional Image #4 is Image #5.

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