Evd Dylunio Mewnol Swyddfa by Yang Bing and Hao Liyun

Evd Dylunio Mewnol Swyddfa by Yang Bing and Hao Liyun is a highly esteemed winner of the very prestigious 2021 Gwobr Aur A' Design Award in Mewnol Competition Category.

AurMewnol· 2021

Evd Dylunio Mewnol Swyddfa

by Yang Bing and Hao Liyun

Client: EVD Design

Gwobr Aur A' Design Award Winner in Mewnol Category

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Verified Award Winner
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Colors

The Design

About Evd Dylunio Mewnol Swyddfa

Mae EVD yn ofod mewnol swyddfa ac arddangosfa wedi'i leoli yn Shanghai, Tsieina. Mae'r gofod yn ymestyn dros 300 metr sgwâr. Caiff ffurf y gofod ei siapio gan ieithoedd clasurol, a defnyddir elfennau pensaernïol clasurol gyda dulliau modern i ychwanegu ymdeimlad o barhauster. Cyfunir ardal siâp U ag un ochr hir a phum ffenestr fawr, fel bod golau naturiol yn dod i mewn ac yn ymledu'n rhydd. Ychwanegir ffurfiau sfferig i gyfoethogi'r tu mewn. Mae'r dyluniad yn dechrau trwy ddatrys cyfyngiadau a achosir gan bibellau diogelu rhag tân a dwythellau aerdymheru. Mae'r rhan fwyaf o'r waliau'n defnyddio paentiau celf wedi'u gwneud o bowdr cregyn a gymiau naturiol.

The Recognition

About the Gwobr Aur A' Design Award

Mae Evd Dylunio Mewnol Swyddfa yn enillydd Gwobr Aur A' Design Award, cydnabyddiaeth aruthrol o fawreddog a roddir i ddyluniadau o'r radd flaenaf, rhyfeddol a rhagorol. Mae enillwyr Aur yn greadigaethau hynod arloesol, gweledigaethol a disglair o ysblennydd sydd yn adlewyrchu athrylith, doethineb a medrusrwydd eu dylunwyr. Disgwylir i Evd Dylunio Mewnol Swyddfa fod yn ddyfais hynod glodfawr, arloesol a chofadwy sydd yn cyflwyno gwerth digynsail. Mae'r dyluniad buddugol hwn o Wobr Aur A' Design Award yn brosiect ysblennydd a pharchus sydd yn elwa yn fawr ac yn symud ymlaen ffiniau celf, gwyddoniaeth, dylunio a thechnoleg. Mae Evd Dylunio Mewnol Swyddfa yn creu teimladau dwys o ddyhead, yn cynhyrfu angerdd, yn annog creadigrwydd ac yn ein cyfareddu.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: The spatial form of the office is shaped based on classical languages. The design team utilized classical architectural elements with modern approaches, to add a sense of eternity to the space. Besides, sphere -the most beautiful solid figure is brought in, which enhances the spatial aesthetic. The designers elevated the area outside the door opening of the "garden" to create natural height difference of sight line and to endow the space with fun and a sense of mystery.
Dimensions & Packaging: Type: office and exhibition area
Area: 300 sqm
Tags: Evd, office, workplace, classical aesthetics, Classical spatial languages
Production Technology: The design starts from solving with spatial limitations caused by pipes for fire protection and air conditioners in the original space. Such a design method can avoid repeated construction and resource wastes. 95% of walls use sustainable art paints. Those paints are composed of shell powder and natural gums, harmless to the environment and convenient for construction. Open and flexible spatial
Design Challenge: Due to site limitations, the position of the foyer determines the location of the entrance. In addition, the structural framework and the five orderly window openings define the placement of the wall. The challenges are how to allow light from the north naturally into the interior space and offer people a sense of participation and a playful perception.
Research: Located in Shanghai, China, EVD office is conceived based on two design threads that derive from site restrictions. One extends from the entrance to the interior, while the other is folded out vertically in the 5-meter-high space. Due to site limitations, the position of the foyer determines the location of the entrance. In addition, the structural framework and the five orderly window openings define the placement of the wall.
Inspiration: The designers created a U-shaped area that combines with one long side and the five large windows, allowing natural light to filter in and diffuse freely. The entrance protrudes towards the foyer, due to the consideration of fire control regulations. Its position and width for evacuation bring new opportunities for organizing spatial pattern and form. The overall spatial design starts here.
Project Duration: April 2019-September 2019, Shanghai
Operation Flow: The spatial form is shaped based on classical languages. It absorbs arched elements from Antonello da Messina's masterpiece "St. Jerome in His Study". In the painting, Messina depicted an "eternal" space that combines openness and privacy as well as fluidity and serenity by the use of arches, which can be seen on architectural and interior structures, landscape and furniture. Based on 3D shapes, he t
Team Members: Design team: Yang Bing, Hao Liyun
Image Credits: Super Yingxiang