Past at Last Ffasiwn Gynaliadwy gan Tihana Miksa

Mae Past at Last Ffasiwn Gynaliadwy gan Tihana Miksa yn enillydd uchel ei barch o'r 2021 Gwobr Arian A' Design Award mawreddog iawn yng Nghategori Cystadleuaeth Ffasiwn.

ArianFfasiwn· 2021

Past at Last Ffasiwn Gynaliadwy

gan Tihana Miksa

Cleient: Tihana Mikša

Enillydd Gwobr Arian A' Design Award yn y Categori Ffasiwn

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Enillydd Gwobr Wedi'i Wirio

Gwirio Statws Gwobr ar gyfer #113802

Ymweld â'r Wefan Gweld yn A' Design Award Datganiad i'r Wasg Bathodyn Gwobr

Lliwiau

Y Dyluniad

Am Past at Last Ffasiwn Gynaliadwy

Mae'r pwyslais yn y cyfansoddiadau dillad ar weadau cyfoethog, chwareus a lliwio anwastad. O ganlyniad, mae'r dilladau eu hunain yn ffurfiau cymesur, syml a chaeedig heb unrhyw ymyrriadau heriol i'r strwythur. Mae'r gwrthrychau hyn yn archwilio'r agwedd weledol, cyffyrddadwyedd, deunyddiaeth, symudiad byw a phensaernïaeth tecstilau. Mae'r lliwiau yn isel eu dwyster ac yn angromatig, ac eithrio cochion sy'n pyllso o fewn y sbectrwm gwelw hwn.

Y Gydnabyddiaeth

Am y Gwobr Arian A' Design Award

Mae Past at Last Ffasiwn Gynaliadwy yn enillydd Gwobr Arian A' Design Award, cydnabyddiaeth hynod fawreddog a roddir i ddyluniadau o'r radd uchaf, hardd a thrawiadol. Mae enillwyr Arian yn weithiau tra disglair a hynod greadigol sydd yn darlunio arbenigedd, dawn a chraffter rhagorol eu dylunwyr. Disgwylir i Past at Last Ffasiwn Gynaliadwy fod yn waith gwych ac esiampl, yn nodedig o broffesiynol ac yn ddwfn arloesol. Mae'r dyluniad buddugol hwn o Wobr Arian A' Design Award yn ddyfais hynod nodedig a edmygir sydd yn elwa ac yn symud ymlaen ffiniau celf, gwyddoniaeth, dylunio a thechnoleg. Mae Past at Last Ffasiwn Gynaliadwy yn greadigaeth y cenfigennir wrthi yn eang, sydd yn deffro dyheadau, yn cyflwyno teimladau cadarnhaol ac yn cynnau rhyfeddod a syndod.

Y Tu Ôl i'r Dyluniad

Pecyn i'r Wasg

Credydau, aelodau tîm a manylion technegol a ddarparwyd gan y dylunydd.

Priodweddau Unigryw: The emphasis in the clothing compositions is on rich, playful textures and uneven coloration. As a consequence, the garments themselves are symmetrical, simple and closed forms without any demanding interventions to the structure. These objects examine the visual aspect, tactility, materiality, living motion and the architectonics of textiles.
The colours are low in intensity and achromatic, except reds that pulsate within this pale spectrum.
Tagiau: basketry,wool,mould,seamless,textile,handpainted,handmade, handpleating, sashiko, nuno felting,aperture, finishes
Technoleg Cynhyrchu: The textile is structured through various pleating techniques, improper and proper stitching, hand tinting to achieve noble tones, treatment with acids, wax, burning, patching, sandpapering, drilling, basket-making and finishes.
Her Dylunio: Perhaps this no longer matters, but we still care about values, about something that goes beyond our mere existence in the here and now, even when it comes to dressing. What we use to shroud our body, how we seem and appear in front of others, and what we communicate and convey in this manner, this will continue to matter about as long as we share this world with others.
Tihana Mikša Perković is aware of this, and in her quest for clothing worthy of man she intervenes in history as well as in modernity, in the continuity of life finding the only real source of inspiration. Her inspiration are folk costumes from Croatian regions which she interprets in a contemporary key, by applying contemporary textile processing techniques.
Ysbrydoliaeth: The man of tradition is closely linked to the rural way of life, as can be seen from the regional diversity that result from geographical location and the set of natural givens.
It was my intention to follow in the footsteps of our ancestors and to commit myself in a contemplative and repetitive, as well as time-consuming manner to the overall creation of each costume. In actual fact, my intention was to slow down, to be part of the process, and not just a consumer of finished impersonal and alienated clothing.
Hyd y Prosiect: 10.03.-26.03.2016., Zagreb, Ulupuh Gallery
Cydnabyddiaeth Delweddau: Photo Vanja Šolin
Hairdress and make up Dalibor Šakić
Model Hana F.M.