Ho-House Adeilad Preswyl by Katsufumi Kubota

Ho-House Adeilad Preswyl by Katsufumi Kubota is a highly esteemed winner of the very prestigious 2021 Gwobr Arian A' Design Award in Pensaernïaeth Competition Category.

ArianPensaernïaeth· 2021

Ho-House Adeilad Preswyl

by Katsufumi Kubota

Client: Kubota Architect Atelier

Gwobr Arian A' Design Award Winner in Pensaernïaeth Category

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The Design

About Ho-House Adeilad Preswyl

Mae Ho-House yn breswylfa breifat a adeiladwyd mewn ardal breswyl brysur yn Takarazuka, Japan. Mae'r dyluniad yn dechrau gyda'r syniad o dorri a phlygu darn o bapur. Caiff slabiau gwyn tenau o goncrit atgyfnerthedig eu plygu i lunio'r gofod, a chaiff ymylon y slabiau eu torri fel bod y strwythur yn ymddangos yn deneuach nag ydyw. Mae caledwedd ffrâm ffenestr pwrpasol yn gwneud i'r agoriadau edrych yn ddi-dor. Y tu ôl i'r man parcio, mae teras cwrt yn ffurfio ardal breifat sy'n cysylltu'r ystafell fyw, yr ystafell fwyta, yr ystafell ymolchi ac ystafell y plant. Mae'r tŷ'n agor tuag at yr awyr ac yn cysylltu'r tu mewn â byd natur.

The Recognition

About the Gwobr Arian A' Design Award

Mae Ho-House Adeilad Preswyl yn enillydd Gwobr Arian A' Design Award, cydnabyddiaeth hynod fawreddog a roddir i ddyluniadau o'r radd uchaf, hardd a thrawiadol. Mae enillwyr Arian yn weithiau tra disglair a hynod greadigol sydd yn darlunio arbenigedd, dawn a chraffter rhagorol eu dylunwyr. Disgwylir i Ho-House Adeilad Preswyl fod yn waith gwych ac esiampl, yn nodedig o broffesiynol ac yn ddwfn arloesol. Mae'r dyluniad buddugol hwn o Wobr Arian A' Design Award yn ddyfais hynod nodedig a edmygir sydd yn elwa ac yn symud ymlaen ffiniau celf, gwyddoniaeth, dylunio a thechnoleg. Mae Ho-House Adeilad Preswyl yn greadigaeth y cenfigennir wrthi yn eang, sydd yn deffro dyheadau, yn cyflwyno teimladau cadarnhaol ac yn cynnau rhyfeddod a syndod.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: The space, created by folding white, thin slabs that have lost their mass and texture, shifts the axis of sensory interpretation from figurative to abstract and deepens our understanding of formless events. The inside-our-side continuity facilitated by the building, and the abstract phenomena that result from its relationship with nature, make us aware that the basis of both is the same and shorten the distance between the two at once, merging them into one.
Dimensions & Packaging: Site area 306.99 m2 Building area 152.63 m2 Total floor area 217.42m2
Tags: Japan, Residence, Minimal, Modanism, Concrete
Production Technology: reinforced concrete
Design Challenge: The origin of Ho-House is to cut a part of a piece of paper and fold it. Many technologies were required, such as the technology to cut the tip of the slab to make the slab that becomes thicker in the structure look thinner, and the sash hardware that was originally manufactured to make it look more seamless.
Research: Ho-House is a house requested in a crowded residential area, and the challenge was how to create a space to release the mind.
Inspiration: Architecture is a vessel that carves out a tiny space in an infinitely expanding universe. For the heart to truly grasp that the inner space is also part of the universe, it's essential that life dwells in architecture.
The site is completely surrounded by various houses.However, the sky’s vastness and closeness were overwhelming, and the clear blue sky shook my heart.Tasked with assessing the relationship between nature and the mind and engaging the sky, I am to create an architecture in here.
Project Duration: Design from 2016 to 2017 Construction from 2017 to 2020.
Location: Takarazuka city,Hyogo,Japan
Operation Flow: Behind the parking space is a courtyard terrace, creating a private space that makes you forget about the densely populated residential areas. The terrace is a harmonious presence that connects the living room, dining room, bathroom, and children's room.
Team Members: Katsufumi Kubota, Kazuya Toizaki, Kazu Kubota, Masayuki Kubota,Naoya Yuda
Image Credits: Katsu Tanaka